by Rich Moreland, February 2013
A final word about the making of this film: the movie is a collaborative project, as I have mentioned previously. Performers Lea Lexis and Brooklyn Lee contributed to the script with Lexis doing the make-up and acting as co-producer for the scenes shot in Budapest. Here is a look at the last episode, “Es ist Vollbracht!”
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The alliance of Father Zoltan and Adriana is in place in the final episode. Their first task is to dispense with the Amira issue. In a scene that is reminiscent of the final chapter in Pauline Reage’s the Story of O, Amira enters a room wearing a mask, the kind found at costume balls. Zoltan is in the background chanting in German.
“Es ist vollbracht” is heard. The phrase comes from Bach’s St. John Passion and references Christ’s final dying words on the cross. “It is accomplished, what comfort for all suffering souls.” Will Amira return to the living and finally see the sun?
Ritual highlights the scene. Before the ceremony begins, a male blood slave is presented for Adriana’s inspection. Zoltan’s chanting continues as Adriana removes Amira’s mask. Her fangs come out to let the viewer know this is a vampire inspired rite. The act is an unveiling, recalling the Jewish practice of recognizing death. Amira will now grow old and die as a human when the ceremony is completed.
Adriana rips off Amira’s talisman, a circle of green stone she wears around her neck. The type of stone is not clear, but it is emerald-like which carries a water reference. The water motif appears throughout the film as would be expected. It is the symbol of life and rebirth. Shortly the holy water of the church and will play a role in this scene. Incidentally, a talisman is invested with power by its creator. To remove it ends its ability to protect the wearer.
Amira is impassive and in a trance-like state. Manuel supports her from behind as she bends over on top of a platform, her face against the cloth cover, her buttocks raised.
Adriana’s fangs tell us that we will see the passing of a vampire’s existence in a rite conducted by a vampire.
A satanic guttural voice over is heard. Manuel puts a glass tube shaped like a dildo into Amira’s anus through which holy water will be poured.
With each new application of the water, Amira screams and howls in agony. Like a rite of passage, the water flows into the canal of immortality as it exists in the vampire world. Amira’s site of much sexual satisfaction is now purified of its vampire longing and lust.
Zoltan drives his red crucifix into Amira’s rectum to seal the deal. It is done. Adriana turns to the priest and gives him a kiss.
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The scene shifts to a countryside inn. Morning is breaking and Manuel and Amira are together.
The sex scene in this version is much tamer than others in the film for now we see a love story. At one point Manuel takes Amir to the huge window that looks eastward, bathing her in sunlight. As a reminder that the past is just that, or so the viewer is led to believe, Amira slides down below the window sill with the back of her head against the wall. In a replay of her encounter with Zoltan in front of the Victory Column, she orally satisfies her lover.
The golden angel on the column is replaced with the rising sun.
The sex continues and is a reminder of the gentler kind found in couples’ porn. Amira has equality with Manuel. Her body is not used for the pleasure of vampires, but enjoys its own pleasuring. The room continually brightens as the sun streams in. All is well, right?
Not quite, because there is a shocker to come before this film is finished. How did Amira became a vampire? What of the conspiracy? Where does Vlad fit into the story’s larger reality now that Adriana has freed Amira? Will the vampires pursue the lovers in an act of revenge? You will have to see for yourself.
To borrow a little from Bach, I’ve accomplished my task. The rest is up to you.
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Before departing from this tale, a brief salutation to the women who make this adult film a real treat. Evil Angel relied on European talent for the most part and the overseas pool of performers is well stocked. By the way, I’ve heard from some girls in the biz that the glam shots are sometimes the toughest to do.
Kudos to this group.
In the recent Adut Entertainment Expo in Las Vegas, the film was represented by Brooklyn and Lea.
2 responses to “Borrowing a Little from Bach”
Thanks Richard, as I prepare to depart on another European adventure, filming a new movie, Hard In Love, your comment stays in my memory:
“Buddhism teaches that desire causes suffering and when desire is conquered, enlightenment is achieved” I know i will never reach this, I will never want to. “Desire conquered” I hope not.
What a rare delight to read your review. Again I am surprised by what can happen in the world, thanks!
Thanks John and best of luck in Europe with your next film. I hope you have time to read all ten parts of my review. I thought the film was one of the best I’ve seen, certainly mainstream quality.