A Commentary on Monxa Mala: Part Two

by Rich Moreland, July 2019

In this installment of Monxa Mala, we’ll offer our analysis of the story. We’re getting literary here so to fully appreciate the visual impact of this drama, purchase the film from Vermeerworks.

Photos are courtesy of Pachamama/Decadent Films and Jac Avila.

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Survival

Each woman in Maleficarum II: Monxa Mala is adept at self-preservation. Martina and Justa do it through silence. Barbara and Lucrecia use their sexuality. Both women identify with their abuser and become Enforcers to avoid the painful end of the whip.

Julia wants to please and coincidentally relishes her punishments meted out by the Father. Essentially, she’s a cultist who symbolizes the faithful sheep (worshipers) who never question. However, her allegiance also has a darker side. Julia is symbolic of both parties in the age-old struggle between the Church and the forces of Satan because she’s willing to dance with the Father, however he is disguised.

Leticia is an independent spirit and the Father is determined to crush her individuality, vowing to “expel those demons that mortify you.” Shackled and awaiting her chastisement, Leticia endures his sanctimonious judgment of her “transgressions” . . . reckless, conceited, proud, arrogant, defiant, unruly . . . just for a start.

As Leticia grimaces under the lash wielded by Lucrecia, the Father calmly tells her, “You are Eve. God’s sentence hangs over all your sex.”

It’s an age-old, time-worn accusation. If left to their own designs, women will disgrace and dishonor the Church. Their curse is the sexual urges they arouse in men, an intolerable situation that calls for action. The best way to stamp out carnal desire, according to the Father’s logic, is to act on it first and then delight in its destruction. In other words, discipline the messenger before disposing of her in a righteous way.

“The cross is a noble punishment,” the Father declares.

The Father sees women as pawns. As God’s representative, he is unsullied, giving him free rein to debase the novices for his personal gratification before justifiably torturing them. We see that with Barbara’s “problem.” It’s taken care of on the rack after she whispers that she might be carrying something of his.

Alive

Leticia’s single-mindedness and her strength are brought to light in the bedchamber where ointment is applied after her scourging. She says with grit, “I will leave this place . . . maybe broken up into pieces, but I’ll leave from here alive.”

Leticia’s pronouncement reverberates through the film as each novice/nun seeks a way to ameliorate her own situation.

The challenge for the viewer is to interpret what “leave alive” means. Is Jac Avila telling us that faith conquers death? Internal strength survives the pain of torture? Church oppression is never final?

Or, is Leticia offering us an undeniable feminist statement, thus transforming Monxa Mala into a feminist film? In other words, is paganism pro-woman because it flies in the face of Church patriarchy?

After all, some nuns get what they want, don’t they. . . ? Which brings us to the malleable Julia.

A Tidy Little Masochist

Julia is central to the film if one considers it to be a sadomasochistic horror tale with enough whipped backs and boobs to fascinate dedicated BDSMers. The novice is itching for her punishments and can mete out a bit of sadistic pleasure herself.

She uses the Father, seducing him in ways she knows will work. Julia confesses she is “a great sinner” who has “sinful thoughts about your Grace.” She fawns at his feet and extracts a kiss from him. The perfect toady. Important because another novice, the whipped Barbara, ends up on the wheel . . .

. . . and Lucrecia will endure the collar, then the rack.

By the way, when he kisses Julia, the Father pulls down her garment to bare her breasts, triggering her sexual excitement.

Julia’s conflation of pain and sex is well noted in the film. When Leticia’s bloody marks are being treated, Julia says, “Did it hurt very much?” Leticia replies, “You would have loved it.”

Later as Julia is being lashed by Barbara’s hand, Leticia walks in and watches with a half-smile. Julia closes her eyes in ecstasy and hardly flinches.

“Your dream becomes reality,” Leticia says with a degree of sarcasm.

“I’m doing my penance with humility,” Julia says softly, “but I don’t feel the pain.” She smiles with smug superiority.

Who is being manipulated here?

Julia is the masochistic delight of Monxa Mala so don’t miss her whipping scene on the ladder. She is arrogant in her own way when she says to the Father that it’s her turn “with the flagellum.” “My wish is to be whipped by your grace,” she declares, so there are no shackles or restraints. This is Julia’s fun and she gets another kiss for her submission.

The scene is back side/front side and a naked Stephanie Vargas is eye candy. We hope to see her in future films.

Beyond the Red Feline series, rarely has the Pachamama/Decadent library captured a better pure masochist on film.

By the way, Julia is a switch of sorts. Using the needle probe, she increases Leticia’s agony when she gets the chance. Just goes to show you that pain lovers can be feisty if the opportunity rises. The needle has a deeper meaning, however. Julia’s fascination with it is a thinly veiled comment on her own raging need for penetration of another sort.

Oh yes, there is something else this moment reveals. Competition and revenge festers among the women. During Julia’s earlier whipping, Leticia pokes her in the ribs with a nail used in crucifixion. Turnabout is fair play, is it not?

Various Sides of a Woman

Writer/director Jac Avila leaves the viewer to decide what the Father means when he references the “big lie” that is making its way around the monastery.

No matter how such a lie is interpreted, remember that each novice/nun in Monxa Mala represents a side of the human condition that is tested by it. Leticia is the rebel who is unrepentant while Julia is the cultist who refuses to question. Barbara is sexual lust and power personified, the opposite of Lucrecia whose pragmatism guides her actions.

Martina and Justa represent the old adage, “the less said, the better.” In Martina’s case, she solves problems. We see that when talk with the Father turns to performing abortions to rid the monastery of its recurring unspoken “problem.”  Lucrecia volunteered for one, Martina informs us.

It’s the big coverup that gets out of control. Except for Leticia who remains defiant and pays with a crown of thorns, the women have sold their souls to the Devil in a bargain driven by necessity. They have forfeited their choices.

Throughout the film, the tension between the Father and Leticia becomes a psychological tug-of-war. He threatens, she resists. As the story moves into its later stages, Leticia becomes the omnipotent power of freedom that sees everything for what it is.

In the final scenes, only the Enforcers, Lucrecia and Barbara, remain on-screen. They are crucified and the Father penetrates them once again, this time symbolically with the needle probe.

Finally the stage is empty of its victims. The Father sits calmly, pleased with his cleansing of the holy order.  The Church is left naked and alone to wallow in its self-righteousness, or so it seems because there is more to this ending.

Some Final Comments

Unlike previous Jac Avila films, there is not much total nudity in Monxa Mala. For some viewers, this will be disappointing.

Only Barbara and Julia get down to complete exposure. The others rely on loin cloths when the action gets rough. From my experience writing in the film industry, directors rarely push actresses to nudity if they are not amenable to that. Respecting boundaries is paramount.

If you are a fan of a girl bound and bare, watch the scenes with Barbara on the wheel . . .

. . . and Julia on the ladder. They are worth the price of the film.

By the way, Daniela Borda and Simonne de la Riva are stars in the making. Both are “hot,” to use a sexually charged term, and their acting is quite good. Daniela has an earthiness and Simonne an air of sophistication that offer contrasting interpretations of what BDSM sexuality is about. Here’s hoping for more of both soon.

Also, Graciela Tamayo and Inces Copa represent a counter-balance to the Father’s debauchery. They are guiding figures whose presence reminds to viewer of the goodness that the Church offers.

As for Mila Joya, this reviewer admits he has an enduring affection for her portrayal of tortured victims in Pachamama/Decadent Films. She has a rich and sensuous resume to her name.

Mila is superb with a quiet, gentle demeanor and a willingness to suffer for her art. Not only is this demure sweetheart talented, but she fills the screen with a body to die for.

Don’t take my word for Mila’s commanding presence on-screen. Check out two previous Jac Avila films that feature her solitary suffering in the chamber of pain. They are Le Marquis de la Croix (reviewed on this blog: April 29-May 5, 2017) and her newest offering, Mila a la Croix.

In conclusion, no commentary on a Pachamama/Decadent production is complete without a final mention of Amy Hesketh. As referenced in Part One, she’s not cast in this film but her presence is evident in the story. And, of course, the whipping scenes carry her stamp. Amy is the standard for the visual feast that is Monxa Mala and deserves a special nod from all of us.

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After rigorous filming and lots of “torture,” the cast enjoys a well-deserved party. Congratulations on a cool and entertaining production!

 

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A Commentary on Monxa Mala: Part One

by Rich Moreland

In this first installment on Monxa Mala, we’ll set the stage for the film.

Photos are courtesy of Pachamama/Decadent films. The Inquisition drawing is from gregfallis.com.

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This latest Jac Avila niche creation celebrates the visual delights that enrich his fan base.  Maleficarum II: Monxa Mala is a variance of the earlier Maleficarum, also a Pachamama/Decadent Cinema offering that tells the story of persecuted lovers who are condemned as witches. Both productions focus on the Inquisition tortures carried out in the name of the Church some five hundred plus years ago.

Amy Hesketh, who appears in the original movie, serves as the executive producer for this update. Amy is not on-screen this time around and her absence is regretfully noted. On the other hand, Amy’s long-time filming compadre, Mila Joya, returns for a role in which she is less a victim, at least on the surface, than a reluctant whip-wielding punisher. More on that later.

Jac Avila is the writer and director of Monxa Mala, scoring another winner for the BDSM horror genre that is his specialty. With enough deviltry to make the story believable, he once again assumes the role of the torturer. What is particular about this film is that Jac is really “a director within a director.” His on-screen persona is commanding the nuns to satisfy his will just as off-camera he is moving the players around on the stage, so to speak.

Speaking of the nuns and novices, Monxa Mala introduces a talented group of female performers whose comeliness is a perfect fit for the dark evils of the dungeon. Their punishments will surely please BDSM aficionados.

Make no mistake, however, there’s more than just “tie ‘em an’ beat ‘em” to this movie. It has psychological implications that reach beyond sadomasochistic themes.

Let’s take an in-depth look at all of this beginning with the characters that occupy the story.

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The Players

Leticia (Simonne de la Riva): The Marquise’s daughter. She organizes a pagan feast that breaks “the sacred silence of the monastery” and is punished for her transgression.

Lucrecia (Mila Joya): The Enforcer. She is loyal to the Father. When he orders a scourging to “correct” a deviant novice, Lucrecia steps in to do his bidding.

Father Agustinus (Jac Avila): The “Mad Monk.” He sets it upon himself to “correct” novices to the holy order when they step out of line. The Father runs the underground dungeon show and loves the art of inflicting pain.

Barbara (Daniela Borda): The sexually-charged novice. She carries a prize the Father bequeathed to her, or rather inside her. Barbara desires to be the Enforcer and accommodates the Father for her own gain.

Julia (Stephanie Vargas): The masochist. Eager for the pain is this novice’s forte. Julia suffers the welts of humiliation with a smile while having a nasty sadistic streak of her own. When it comes to “getting off” on pain—be it receiving or giving—her favorite phrase is, “It’s my turn now.”

Martina (Graciela Tamayo): The quiet observer. Martina intercedes for the tortured souls under the Father’s wrath. But, as they say in politics and crime, she knows where the bodies are buried. “The walls are guarding secrets,” she says.

Justa (Inces Copa): The wrong nun in the wrong place at the wrong time. Because she is loyal to Leticia, she is more of a nuisance than the Father can endure.

The Images

Four images of importance dominate the film. First is the whipping post where the crucifixions are also carried out. It’s a Freudian phallic symbol and central to the male dominance of the dungeon. Leticia’s suffering while manacled to it is the main focus of the film. Later, Lucrecia also spends time there when her usefulness to the Father is finished.

Second is the metal collar. Attached to the post, it immobilizes its victim, holding her in place for her punishment. The circular shape is a Freudian symbol for female genitalia, as is the wheel, of course, and a reminder that the Father controls the most intimate of female parts for his pleasure. When Leticia and Lucrecia endure their tribulations, the collar enforces their submission.

The third is the rack. Its has a depraved attraction for the Father who “treats” the condemned to its misery.

The last major image is the flaming kettle where the branding iron awaits the Father’s bidding. Leticia is its victim. Simply put, the kettle and its hot coals are the fires of Hell awaiting her, at least in the Father’s eyes.

The Back Story

By the Early Middle Ages, the Church’s patriarchal, anti-woman attitude dominated Europe. Though fighting heresy was their major thrust, churchmen had a history of torturing misguided nonbelievers condemned for dancing with the Devil. The abused victims were often the weaker sex vulnerable to Beelzebub’s seduction.

For some holy men, the Church’s tribunal, known as the Inquisition, turned a blind eye to its own sexual licentiousness and sadism that victimized many women. Such was the case with another Lucrecia, a 16th century Spanish girl whose dreams and imaginations were too much for the king. She was charged with heresy, imprisoned and tortured.

Another female was the virgin martyr Saint Leticia whose Spanish cult is celebrated through feasting. According to legend, Leticia was executed along with the virgin followers of St. Ursula in the Early Middle Ages. No surprise then that Leticia in this film is accused of promoting a pagan repast.

It’s worth mentioning that Inquisition tortures were often carried out by the civil authorities who were not subject to the control of the Church. Their barbarity comes from the Roman word for the savage, the non-citizen: the barbarian.

Notice that the novice in Monxa Mala who has not yet taken her vows remains outside of the holy order. Her name is Barbara and she wants to be an Enforcer.

In this film, the Father is a metaphor for the church and uses his dungeon devices to satisfy his personal sexual and sadistic urges. As for the women of Maleficarum II: Monxa Mala, there’s more than accusations of impiety at work here. They are victims of medieval sex trafficking by western civilization’s most stellar institution.

Of course, Maleficarum is a reference to witches and we’re left with the question of a cover-up. Who is the Devil in this story and are the nuns worshiping him?

A Note on the Production

The set for Monxa Mala is a modified version of the underground chamber that appears in other Jac Avila films. Because of its limited size, the stage gets crowded at times.

However, the cinematography is excellent and the camera is adept at placing everyone in the right position for each scene so that none of the visual impact of the story is lost.

*           *           *

In Part Two, we’ll examine Monxa Mala as a sadomasochistic horror tale.

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Sofie Marie: Part Two, Micro Bikinis and Solo Cams

by Rich Moreland, May 2019

Our talk with Sofie Marie, a sultry MILF who is the very essence of a porn vixen, continues.

(All photos are courtesy of Sofie Marie)

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Camming

Next, we turn to camming. Unlike some porn stars, camming for Sofie Marie was not a portal into shooting adult scenes.

She explains.

“I started camming about two years after I started my website so I could interact with my fans and promote my website. I am a very shy person, but I do love chatting with people, so I have really good time talking on cam.

“I view my camming as great way to support my porn career and let my fans know who I really am as a person. I treasure my personal connection with my cam friends and I look forward to talking with them!”

Considering your three adult activities—swinging, camming, and porn—which one is the easiest to do and which is the hardest?

Believe it or not, porn is the smoothest, Sofie claims.

“It’s much easier for me to get mentally ready to shoot a porn scene than it is to go out swinging. Porn is my career and I take it very seriously,” she says emphatically.

On the other hand, “camming is harder than porn,” she believes, but it has its advantages.

“I love talking to my fans and I have learned so much about fetishes and what they want to see.” Her fans are super cool and offer Sofie support in everything she does.

“They do like it that I am so busy!!  Mostly they like that I do porn or swing, but the guys on cam are the ones asking me about my activities.”

What’s more, camming has a significant upside. “I hope it has made my porn scenes better for my fans,” she says.

A Possible Dud

Sofie chuckles that swinging presents challenges camming does not. “In comparison, swinging is kind of awkward in a funny way since I don’t have a camera to pay attention to while I am getting laid!”

Now there is a conscientious porn star!

Sofie Marie adds that swinging has a downside when it comes to personal satisfaction.

“Swinging can be the sexist thing I do, or it can be a dud. Most of my fantasies in my ‘spank bank’ are from swinging experiences that were super hot and horny! Group sex, threesomes, voyeurism, girl/girl, are some of the scenes that get me off when I am masturbating on cam!”

She reassures us that it’s all good in the end.

“When swinging is a dud, I still get to go home and fuck my husband, so it’s a winner, too!”

The Creation Process

From her personal perspective on adult entertainment, which is more rewarding, camming or porn?

“I like porn the best because I love the creation process and the legacy of the video, especially if it’s a good one!” Sofie declares. “I usually cam solo, so it’s a totally different experience than working with a performer. But I always get to have a bunch of orgasms [with camming], so it’s a fun job for me in that way.”

If you had to drop one of your three sexual adventures, what would stick around in your adult portfolio?

“I would keep porn and camming since they give me [the] most [satisfaction] sexually and emotionally,” Sofie says with conviction.

Micro Bikinis

Finally, what is the most important piece of advice anyone wanting a rewarding adult career like yours should consider?

“Being comfortable in your own skin was key for me,” she declares. “As I have said, I was very shy and body conscious when I was younger.”

Of course, today’s Sofie is a different person.

“I am a nudist now and love micro bikinis. My old bikinis were big enough for us to use them as a sail on a sailboat!” she laughs.

Without doubt, modeling was an important factor in the changes Sofie experienced.

“Becoming a micro bikini model and shooting in public really forced me to get over my self-critical perception of my body. I have had so much positive feedback since I started modeling. I had to start listening to the good compliments over my own self-doubts.”

Once she became “confident in her skin,” as she puts it, the beach beauty remarks that the rest of her adult journey fell into place.

“Having sex in front of the camera and then in front of people was a logical step for me.”

But we can’t forget how important support at home is for any adult performer.

“I have a wonderful marriage built on trust and honesty which gives me the emotional confidence to perform and know that I am loved, unconditionally.”

Well said and thanks, Sofie Marie, for an inside look at a spectacular porn star’s career.

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Take a look at Sofie Marie:

https://yummygirl.com/

https://sofiemariexxx.com/

 

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May 23, 2019 · 9:17 am

Sofie Marie: Part One, Girl in Charge

by Rich Moreland, May 2019

Talking with Sofie Marie is always a pleasure because she is a mature, professionally-driven adult entertainer who is incredibly sexy.

One of the things that makes Sofie stand out is her affection for the swinging lifestyle. I wanted to find out how that avenue of her sexual lifestyle factors into her porn career.

Let’s see what she has to say.

(All photos are courtesy of Sofie Marie)

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Sheltered

First tell us how you got involved with swinging.

“When I met my now husband, he had to tell me what a swinger was because I had no idea! I was very sheltered,” Sofie begins. The idea of sexually experimenting with other people fascinated her, but she needed a spark to kindle her fire. That came via a video production.

“I saw a hot music video with lots of sexy girls in lingerie running around at a party. I really wanted to go to a party like that, so we did . . . a swinger party, and I was hooked!”

I’ve talked with porn girls who dabble in swinging and they’ve told me about their personal guidelines for the sex they have. Does Sofie have any of her own?

She does. When “playing” with other swingers, be they singles or couples, Sofie says, “I have to have a connection and like the people. I have never been a random sex person, so the personal connection is key.”

Having said that, she points out, “sex for me is just fun!” It becomes emotional when “it’s with my husband.”

And, the statuesque California babe wants it real and sends a message to her play partners. “I prefer bareback sex, so please be fourteen-day STD tested because condoms are the only other way we can play.”

Girls are in Charge

Next, give us an inside look at swinging. What are some of its dynamics?

Sophie explains the scene.

“Girls are one hundred percent in charge in the lifestyle. The men who survive in swinging let the girls drive the program.”

In the end, “bossy men are weeded out pretty quickly” and it’s important that girls should “never take one for the team, as we say,” she adds.

By the way, girls who are interested in other girls proliferate in the lifestyle, so “that is the best ice breaker,” Sophie remarks. Swinging is most rewarding when the girls are “confident in themselves and enjoy the attention.”

To clarify how important that is, Sofie insists that “when you wake up the next morning you should be smiling and basking in the experience of sex, not cringing and wishing it didn’t happen. Never have any regrets!”

Sex in Front of People

Compared with a porn set, what’s it like to have sex in front of an audience?

“It’s harder to be watched by onlookers than a porn crew,” Sofie states. They are “focused on their job and generally detached from the sex they are shooting.”

(Sofie is spot on about this. From personal experience, I can tell you her words apply to industry journalists, as well.)

On the other hand, Sofie comments that “swingers are like kids in a candy store. They are watching for sexual pleasure!”

That suits our MILF hottie just fine, by the way.

“I like having sex in front of people because it’s fun to see them looking at the scene.  I wonder what they may be thinking, and sometimes I will ask them to join in the fun!!”

Of course, swinging means having sex with people who don’t necessarily throw their bodies out there for public consumption. What problems might come out of this?

Sofie replies that swinging can present interpersonal challenges that she doesn’t find with porn or camming.

“From swinging, I have had to deal with the awful feelings of jealousy. The dreaded green monster is usually the destruction of most relationships.”

That’s understandable, of course, since Sofie is married.

“From the very beginning of my relationship with my husband, we have discussed the root causes of jealousy,” she explains, and the “insecurity” it fosters.

“By focusing on trust, respect, and honesty in my marriage, I have seen my fears dissipate and my sexual energy increase. I have come to see that any jealously I felt was due to my feelings of adequacy versus the actions of my spouse, so now I love watching him as much as he likes watching me.”

Talking about her husband stimulates her juices. “Wow, I am really wet now!” she says with a broad smile.

*          *          *

Follow Sofie Marie at:

https://yummygirl.com/

https://sofiemariexxx.com/

Watch Sofie Marie here.

 

 

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May 22, 2019 · 9:39 am

Emori Pleezer: Princess in Training, Part Two

by Rich Moreland

This is the second installment of our interview with Emori Pleezer. She is with Foxxx Modeling. Her model page can be found here.

Photos are credited to Kevin Sayers and Emori Pleezer.

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Parties and Porn

As a lifestyle couple, Emori and her Dom attend private BDSM parties, most of them at private residences. However, Emori is reluctant to play out scenes at these gatherings because she is shy, she says.

The bondage newbie offers this insight.

Compared with shooting porn, “being beat in front of people [in a BDSM setting] is way different than just fucking on a set, you know?”

Understandable. A room filled with onlookers is a time warp apart from a film set where actors, directors and crew have professional responsibilities.

Porn, after all, is a business and film shoots don’t admit the curious to gawk at the action.

As we’ve established, Emori Pleezer is relatively new to the “whips and chains” kink and is navigating her way along its learning curve.

Of her Dom, she says, “He’s actually the only top I’ve played with. I had one of my friends tie me up. But other than that, I don’t play with anyone else. He’s the only one I trust, so far. It’s like marking my body, you know? He knows how to control it.”

Emori comments that scening with other Doms at a BDSM gathering is a hassle. She’d have to become familiar with the guy so he’d understand that if she has a porn shoot coming up marks are verboden. That’s “way too much work and I’m not gonna deal with it,” she says.

Japanese Shibari is popular with the fetish community and is revered for using bondage designs that turn live models into works of art. Is her rope artist friend versed in these techniques?

Apparently. “He’s the one who roped me up. It was a lot of fun. All the Doms and sadists had a lot of fun with that,” Emori says.

She recalls a particular pattern that “has knots all the way down and there was a knot right here.” Emori points to that tender spot between her legs. When the sadists pulled on it, she had an “instant orgasm.”

“They had a bunch of fun at that party. I had a lot of fun, but I think they had more,” she laughs.

Open Up and Let Go

Things are progressing in Emori’s world of submission. She has earned her collar.

How difficult was that?

“To be honest, I had to be myself. I had to open up, I had to let go of some things. I’m stubborn and so with him I had to let go of all that and not be passive aggressive or anything. We had to get to know each other, trust each other, kind of play a little bit to see if we bonded.”

As is common in the community, the Princess and her Dom have a contract which took a few months to settle. They went through it three times before Emori granted her approval. Patience is important when documenting expectations and limits.

It so happens, by the way, there is another sub involved with Emori’s Dom.

“He has two of us and me and her are really good friends, I love her to pieces,” Emori says.

How does all this factor in with her Dom?

“Basically, me and her will just like fuck around. [We’ll] start off with just us and he’ll be like ‘Okay, you guys, that’s unfair. I want love too,’” she smiles with delight.

“It’s like a triple relationship, you know? But the contract is just strictly me and him.”

Emori indicates that everything is coming together. “Yeah, it took a lot to get to where I am with this and I’m really happy with it to be honest.”

No Sex

Is she in a polyamorous arrangement with her Dom and the other sub?

“I’m in a relationship with them,” Emori says, “but I would never be with other people [sexually] other than for porn. I take relationships seriously and if they [her Dom and the other girl] wanted to go be with other people, I’m like ‘Okay be safe about it. Care about me.’”

Incidentally, her Dom has imposed a rule on her, Emori remarks. “I’m not allowed to have sex with anybody unless it’s for porn.”

There is a caveat, however, that includes his other sub.

“Yes, me and the girl can be with as many girls as we want,” Emori says before proclaiming, “All girls come to me please, ‘cause I love girls!”

If girls are okay for sex, men are not. . . at least in Emori’s private life.

“Yeah, no sex with other men. I’m strictly his,” she announces with pride.

Porn is another matter, as you might expect. It’s Emori’s profession so there was a meeting of the minds in that regard.

“Obviously I got into this (porn) way before I met him so he cannot tell me to not have sex with industry male talent. They are a part of my work which we have established he cannot infringe upon,” the collared sweetheart says.

“He cares about what I do and knows those males are acceptable to be with. So, no sex with guys unless they are male talent and I can sleep with all the girls I want.”

Seems to be a win-win for everyone.

Teach Me a Little

How did you discover the existence of BDSM communities?

“I didn’t actually start knowing anything about [BDSM] until March of 2017 when my roommate—she’s one of my best friends now—was like ‘Oh I’m into this, you know,’” Emori begins.

“I was like, ‘Oh that’s cool Can you teach me a little?’ We started going to these coffees and that’s how I met him (her Dom),” Emori says. The gatherings also benefited her friend who found her guy there, also.

Most importantly, Emori was emotionally primed to find her passion.

“It was amazing, an eye opener. And I was like, ‘Wow, learning so much more about myself that I didn’t know.’ I thought I was just some bossy girl. Turns out I’m just a princess,” she chuckles.

Are you a lifestyler?

“Yes. At first, I was like maybe I’ll dabble in it, go to some parties and stuff. But now I’m collared. I feel like this is a lifestyle choice.”

Do you think you may drift into shooting BDSM porn along with the vanilla stuff you’re doing now?

“I feel like I will get heavy into it but I’m still gonna be that half-half girl. I’ll work out the two because I like both of them.”

Congrats, Emori Pleezer! Relish your new-found love and we hope that Kink.com, Infernal Restraints, Sexually Broken, and Hardtied will soon be picking up the phone to explore your fetish half!

 

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Emori Pleezer: Princess in Training, Part One

by Rich Moreland

AINews editor Steve Nelson is always on the look out for BDSM performers because he knows I love to talk with them. At this year’s AVN show, Steve came through with Foxxx Modeling’s Emori Pleezer.

Our AINews team corralled her for an interview in the press room. Let’s see what she has to say.

Photos are credited to Kevin Sayers. The bondage pictures are courtesy of Emori Pleezer.

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My Regular Life

Emori tells us she’s new to porn and shooting vanilla scenes right now, but she’s open to anyone who wants to capture her kinks.

“I haven’t gotten to the BDSM scenes, but I really want to,” the twenty-one-year-old exclaims.

You’re not far enough along in the industry to call yourself a fetish model, right?

“Not strictly. I mean if I could be one, I would totally be one. But, as of right now, it’s just the regular stuff because that’s all I’ve gotten booked for,” she says. To reassure everyone that kink is her sexual gold standard, Emori adds, “I do this in my regular life.”

Following that opening into her private life, I mention that she is collared (her Dom has marked his territory, so to speak)

Emori flashes a broad smile. “Yes, it’s definitely more than just he’s my Dom and I’m his sub. It goes way further than that.’

How does she address him to show her submission?

She laughs that “master” is appropriate, though “my sir, my owner, whichever one,” also works.

Is sir the same thing as master?

Emori changes gears just a bit. “I call him either ‘sir’ or ‘daddy,’ whichever one works at the moment ‘cause sometimes I get really like daddy-ish and then there’s other times I feel like just my normal self, so I call him ‘sir.’”

The buxom lass concedes that any term she uses to address him is an acknowledgement of the power she gives him. I get that. Any submissive voluntarily plays her role for her own pleasure, but Emori seems to be learning the ropes (pun intended) as she finds her way into the lifestyle.

Older Men

Daddy often references age differences, which is true here. Emori admits her Dom is forty-six, a twenty-five-year spread, and adds that he adores younger girls.

From her perspective, Emori is in tune with the age parameter. “I like older men and I don’t mean I like them five years older. I like ‘em older!” she declares with that enduring smile.

In fact, a fifty-year-old guy is fine with her. (Since we talked, Emori shot a bondage scene for New Sensations’ award-winning director, Eddie Powell. Her partner was Steve Holmes, a well-known German dominant who is fifty-six).

As for her current BDSM squeeze, “I’m still learning a lot of things about myself because he is my first owner [and] hopefully my last,” she says.

Mind Games

Emori still struggles a bit with the BDSM terminology.

“Most people are like subs or something like that. I’m a princess, apparently,” she says, explaining how her Dom’s expresses his preference for her.

As for the basics, Emori admits she is a masochist and her man is clearly a sadist, but roles are not cleanly cut for her. I fact, she drifts toward switching. “I’m also a sadist, but not towards men. I’m a sadist towards women. But I’m learning how to manage that to where it’s fun and not just mean.”

So, is your sadomasochism emotional, psychological, or physical?

“With us, it’s all three. He likes to play mind games with me. It’s physical because I do like the beatings. Pain is pleasure,” she declares in true masochistic fashion.

However, there are emotional moments in their kinks, she remarks, but they are not negative. “He’ll bring out my tears to make me just cry. [He’ll say] ‘You need to cry,’ so he’ll do that in a good way emotionally.”

Marks

Are there marks in her private life and how does that factor into scheduling her porn scenes?

She’s a brat, Emori announces humorously, and that challenges her Dom. When she pushes the envelope, he’ll ask when her next shoot is. Important, you see, because recovery is central to every masochist’s arrangement with her Dom.

“He takes my career very seriously. So, when there’s two weeks I’m not doing anything, no scenes, he can time how long the marks last. So, that gives us the fun,” Emori chuckles, and quotes her man, “You’ll have a lot of ass whoopings.”

Because, they don’t live together, their BDSM play is at his house.

“He actually has a paddle engraved with ‘Punisher’ on it and that thing is heavy, let me tell you! My ass took a good beating that day,” Emori comments, mentioning a recent playtime they enjoyed.

Some subs top from the bottom. Do you?

“I’m definitely not a top from the bottom kinda girl ‘cause I’m scared of the repercussions,” Emori declares.

She continues that power exchanges between Dom and sub “depends on your dynamic, whatever you do [when you play]. Some call it topping from the bottom, others call bratting. I would say I’m not a topper from the bottom.”

Safe words?

“Yes,” Emori exclaims, “yellow and red. Yellow means I can’t take this anymore, just go in another direction. Like kinda lead it over here [and] maybe come back to it [later].”

Like most accomplished Doms, Emori’s lover can read body language and how much his sub can take. That brings us back to red.

“With my guy, you cannot call red unless you need to go to the hospital. There’s no point in calling red ‘cause he considers that topping from the bottom. So, I like it.”

Wow, things must get pretty rough. However, I do suggest to Emori that as a sub she yields all control and enjoys herself.

“Pretty much,” the Princess exclaims with that beaming smile.

*          *          *

In our next installment, Emori Pleezer talks about BDSM parties, rules about sex and porn.

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AEE 2019: B and J, Riding the Wave

by Rich Moreland, April 2019

Our second camming couple, a husband and wife team, go by B (or Mrs. B) and J. Our AINews team met them informally on the trade show floor and set up a quick interview.

B and J’s site, Hot4Teacher, can be found on Chaturbate. 

Photos are credited to Kevin Sayers and Hot4Teacher.

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The Age Thing

How did the two of you get started?

J watched a camming special on TV that included a couple who are friends of theirs, he says. He showed a YouTube presentation of the program to B whose immediate response was, “I’m not doing it because I’m a teacher!”

A month later, she agreed to give it a try.

“It started to kind of get him off my back . . . and then it took off,” B says with a smile.

Conversation in their chat room led to more followers and their popularity spread.

“There was a draw [to us] because there’s not a lot of couples that are our age. We’re both teachers so I think that’s maybe a fetish for some people.”

They had another surprising advantage.

In the couples category, there’s a shortage in the “thirty-five and over group,” B says.

“The age thing was huge,” J interjects.

No Script

B and J insist they put in considerable time to make their site a success. “There was a demand that we had to supply and here we are today,” J says with pride.

Does sex online and selling clips make them a porn couple?

“I don’t think it does,” B responds. “I feel like the cam is different from porn. There’s not a script, you’re chatting with people. You’re doing what they want you to do . . . and it’s with my husband. It’s not with other porn stars. It’s different.”

J concurs. “I’ve always felt that it’s different.”

B does admit that other people may not see it that way, however.

“I guess my vision of porn is I feel like it’s different than what I do. I’m just hanging out in my room and chit-chatting with people that come into it.”

Self-Pleasure

Do some of your fans masturbate when you’re online?

“Yes, I know that some of them do,” B chuckles.

Makes sense, but porn fans masturbate to what they see. Are your shows doing the same thing?

“I did say I don’t do porn. But I still enjoy what I do,” B says.

J believes that if masturbation is “what we’re going to take as the definition [of porn], then yes.”

However, B insists that she is “not interested in moving into the porn industry.”

At the suggestion that she may already be there, she concedes that for anyone who conflates porn with camming, indeed she is there.

Who Directs?

Some porn people believe that camming may take over the industry within the next few years. What is your take on that?

“That’s where porn is going,” B affirms.

J brightens and asks, “Are we the pioneers?”

B agrees that they are.

Some critics hang the amateur porn label on cammers. In your view, is that accurate?

That’s probably true, B says.

“I think one hundred percent we’re amateurs,” J responds, especially when it comes to directing.

B chimes in, “He’s directing me all the time. Move this leg so we can get a better view, you know?”

When fans buy tickets to their shows, the broadcast is different. J explains that everyone is included. “You’re our director. We’ll follow your lead because you bought a ticket. That’s what you want to see.”

He compares their shows with a porn shoot where fans “have an idea of what that scene is and what that movie is about,” when they buy a studio production.

As for what they do, J says, “we want to make you happy so that you come back again and purchase another ticket or buy another video.”

But he reminds us that “it’s absolutely one hundred percent amateur.”

J mentions that studio shoots involve a director and crew and other performers who may not be in a particular scene and, on occasion, media people.

Fair enough, but isn’t everyone getting paid in the long run?

The Performance

B acknowledges that shooting on a set is different. She and J started out “in the privacy” of their home and it was hard to imagine there was anyone there because the audience was online.

That changed when they did “couples shows.”

In fact, they had a “raffle and fans came to my room and were in there when we cammed,” she adds. “It was really uncomfortable the first time and kind of weird.”

Over time the tension eased for her.

J mentions, “Like last night there were other people in the room who were not participating.” They still did the show and “put on the performance,” he says.

B recognizes that J is more at ease than she is “when there’s other people watching.” But she is making progress. “I [am] much more comfortable with it than I was six months ago,” she says.

What We Are

Asked about where they see themselves down the road, it seems their venture into camming has a termination point. There’s family to consider. For the future, “who knows what’s going to happen,” B says. “We’re doing well now, but . . . “

As for this week in Vegas, they are here at the Adult Expo to support their fellow cammers and they have the credentials to make a difference.

“We’re one of the top couples on Chaturbate,” J says. “We’re riding the wave where everything’s hot.”

In other words, they’re using their success to give back some of the love extended to them.

In retrospect, do you think you are drifting in the porn direction?

“Well, it’s funny,” B comments, “I feel like I’m not in porn and then you (referring to J) were like ‘one hundred percent we’re in amateur porn.’ So, I think we just totally contradicted what we said.”

J clarifies his comment. “No, amateurs [are] what we are because I don’t feel that we’re at that professional level.”

B is delighted to confirm his statement.

“Oh, we’re not!” she exclaims, and recalls her thoughts the first time she was in the room having sex. “I do not belong here. I just felt like I was not at that level . . . .”

Perhaps.

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