Tag Archives: Seth Gamble

AEE 2020: Seth Gamble, Multilayered

by Rich Moreland, February 2020

Photos by Kevin Sayers.

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Seth Gamble has been around porn for a few years. He began in 2006 and reflects the veteran status men in the business often reach, much different from many female performers whose on-screen careers are often no more than a few months.

Maturity has moved him forward. For the 2020 AVN Awards, Seth went home with Best Leading Actor honors for Adult Time’s Perspective. Incidentally, his co-star in the production, Angela White, also copped the Best Leading Actress trophy for her role in the film.

Parodies

We start our conversation with his early days.

“In the earlier part of my career, no one [had] an idea of what I could do,” Seth begins. Then, a break came his way with an Exquisite Media parody. The film was a take-off of Saturday Night Fever and Seth was convinced he should be cast in the lead.

“I literally went into the office, didn’t have an audition. I don’t know what came over me,” he says. His persistence paid off. “Give me a piece of the script [and] I’ll show you,” he remembers announcing. “Twenty-four hours later, I’m booked for the role [and] I’m doing dancing lessons”

The film came out in 2011. From there, Seth’s talent and audacity led him to the Stars Wars parodies directed by Axel Braun. Seth recalls doing a “nine-page dialogue stretch on one take” that cemented his talent for acting.

“The parodies got me in the door and to be honest with you, when it came to actually doing more intellectual [and] layered roles, that really came from Pure Taboo,” he concludes.

By the way, Seth Gamble is not about to step over his friends. He mentions those who have helped him along: Dale Dabone, Bree Mills, and Craven Moorehead.

At this point in his career, Seth knew his journey was set and more was needed. “I actually went to acting school for two years,” he says.

Seth’s career has come together, highlighted by his 2019 performance in Perspective. “The prep work I and Angela did on that [film] was insane.” Needless to say, the results were cinematic gold.

Honesty

My next question concerns transitioning from an acting moment into a sex moment. How does Seth do this seamlessly on set?

The native Floridian answers with an example. In the closet scene in Perspective, he has sex “in character” with Angela.

In other words, “The whole time I was having sex with her,” he says.  “I didn’t do normal things that Seth Gamble would do in a sex scene, if I was just doing a scene as me. I did what I thought Daniel [his character] would do in that moment.”

Making this kind of transition is an actor’s responsibility, Seth believes. “I don’t think that is on the director, I think that’s on the talent. But I don’t know how many talent have the thought process to want to do it or think about how to do it,” he observes.

Seth admits he often “overthinks” a role. “I strategize and analyze exactly [how] this would happen. Sometimes it’s not even a thought it’s more of a feeling” when it comes to making the transition, he says.

I interject that Jacky St James once told me that as a director she thinks of sex as being part of the dialogue.

Seth agrees and points out, “Anytime there’s dialogue in any scene, I think it should be involved in the sex as well. If there is dialogue involved, then you should be acting physically with the sex.”

He emphasizes that however the scenes are depicted on-screen, the most important ingredient is honesty.

Adult film is “a fantasy regardless if there’s sex involved or not. What enthralls them [the fans] in any film is if the character feels honest. And if there’s no honesty to the character, then they don’t want to watch.”

His remark offers a springboard to a further analysis.

“A lot of porn is disingenuous because it’s like ‘do this, do that,’” Seth says. But he strives to be unique. “I didn’t want to come into this industry being a carbon copy of anything. I decided to be honest about all of my performances.”

That’s what makes it real, he believes.

Multilayered

Next, we turn to his directing. I ask about his style.

“I want to use what I have and give it to other people to bring out better production,” Seth says and highlights three directors—Axel Braun, Bree Mills, and Kayden Kross—whose style he thinks works best. He adds Jacky St James to the mix, but mentions that she does not have the financial backing of the others. “She deserves to be able to have those budgets for those films because she’s that talented [and] I truly enjoy working for whatever she does because even with what she’s got, she makes it good and amazing.”

His directing “forte” is “story based,” Seth comments, and as a director he wants to use his on-screen experience “to give [his actors] insight into what they’re doing character wise.”

Seth perceives porn acting to be “multilayered” and there is an industry shift in that direction.

“AVN Performer of the Year nomination is such a big deal because for so long it hasn’t been looked at as [demonstrating] versatility” he declares. For too long it’s been interpreted as who can deliver the best sex scene.

Because of his acting, Seth perceives that he is “in that conversation [that] is showing the shift.”

In that vein, he admires Axel Braun for being a star maker. “That’s what I want to do as a director,” Seth says.

Mystique

I mention the idea of crossing over from porn into Hollywood. Seth responds that young performers these days have evolving ideas on that.

He looks back ten-twelve years ago and says, “I was not a famous porn star. No porn star was famous, they were infamous. You weren’t going to see them on social network. You might get Jenna Jameson on Howard Stern. You might get her in an R-rated B movie.

“Now we’re allowed on social platforms. We have fame now. We’re being put on ShowTime and Cinemax.”

He does point out that “being in adult film comes with mystique.” It’s what “makes adult film actors and actresses so alluring. I agree that adult film actors and actresses doing R-rated films would be cool.’

But there is a limit, or rather a complication.

“If you put me on the Disney Channel, it isn’t right, because kids aren’t dumb. There’s something to be said about let’s do mainstream but how do you make Seth Gamble an international star that children can watch?

“You take an Angela White or a Kristen Scott or a Casey Calvert and put them in a Quentin Tarantino film. I think that’s a possibility.’

Then Seth brings up a point I had not considered.

“There was a time where you went on a mainstream audition and [were] asked you if you did pornographic films. I’ve heard now they don’t ask. So, I think we’re pushing that boundary.”

The thirty-two-year-old veteran sums it up nicely.

“I think that porn is more mainstream than it ever has been. A lot of the newer talent don’t understand that or see it that way because they weren’t here. Yes, we want our rights we want all these things, but there’s also a flip side to it.

“Something about [porn] is alluring to you, but then you don’t look at what you’re putting out there” and the consequences it might have.

That is the issue, Seth Gamble believes.

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A hint of mainstream in the trade show

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AEE 2020: Hard Core at the Hard Rock, Final Curtain

by Rich Moreland, February 2020

Photos by Kevin Sayers.

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Call it the end of an era or the final curtain, but never suggest it’s a swan song. The Adult Entertainment Expo and the Hard Rock Hotel are no more, but the trade show is not going into retirement.

Here’s the story. The talk around the Hard Rock this year was what to expect in 2021. What is going to be new and different? Well, as it turns out, not a whole lot. The Hard Rock is going under a name and branding change.

“We are signed with the Virgin Hotel through 2023 already. They are thrilled to have the AVN Awards and Expo at their property,” Dan Miller, managing editor of the AVN, told me. The only real change is the name because the venue remains in place. Next year fans and industry people will meet and greet at the new Virgin Hotel on Paradise Road in Las Vegas, the same location that carried the impressive guitar logo of the Hard Rock.

Enough said on that. Let’s take a look at what this year offered.

Networking

The Expo’s opening day on the collective floors of Artist Hall, Muse Hall, and The Joint is much appreciated by media people. A modest number of fans are just getting into the swing of things. The bulk of them will arrive Thursday and Friday so movement around the three adjoining facilities is less crowded which means many of the stars are conveniently accessible. For an industry writer, corralling porn’s finest for a short interview or brief chat is hassle free.

Simply put, this is orientation time, if that’s what I may call it. Find out where the talent agencies have their girls, scope out the best times to visit the booths of the major studios, and check the layout of the novelty expo. For veterans like yours truly, the day is filled with networking and renewing old acquaintances before everyone’s schedule becomes too hectic.

My photog Kevin and I stopped by ATMLA’s (Adult Talent Managers) signing area to pass a few moments with a favorite I interviewed last year, Ember Snow, and one of the industry’s most likeable MILFs, Sarah Vandella. We first met her on a Girlfriends Films set a couple of years ago.

Sarah Vandella

Stopping by Adult Time in late afternoon, I congratulated Tommy Pistol on another productive year. I congratulated him on a superior performance in one of the year’s top comedies, Love Emergency, but didn’t stay long because a couple of fans showed up and they always come first. Then I dropped by Foxxx Modeling to set up an interview with newcomer Paris Amour.

Tommy Pistol

Taking a few seconds of conversation with AINews editor Steve Nelson at the Foxxx Modeling booth

One of the fascinating aspects of networking day is an impromptu chat with a performer I’ve never met, but am familiar with her work. Early in the day I introduced myself to Victoria Voxxx, an AVN award nominee for a shoot she did with Kink.com. Very personable and I mentally put her on my list of talent to interview if time allows.

The Press Room

Kevin and I have learned that the best way to take a break from the hyperactive pace of the trade show floor is to retreat to the press room. Everything there is calm, bottled water is available (we are in the desert, after all), and talent comes and goes in response to interview requests.

We had some informal time with Cory Chase, whom we interviewed last year, spoke with Bree Mills as she passed through and with Seth Gamble whose acting talent is unmatched in the industry. Even offered a brief “hello” to Lauren Philips as she waited for someone from the media.

Lauren Phillips

Good-natured Tim Williams and Jill Hagara are the bedrock of the room, checking people in and keeping everyone informed. If anyone needs anything, they’re the ones to ask.

Tim and Jill

During the week, Kevin and I networked in the room and, as we did last year, enjoyed our conversations with Captain Jack who knows every performer in the business (or seems to).

Later in the week, I reconnected with Jillian Janson whose porn comet is rocketing into the galaxies of stardom. She was sitting on a couch waiting for her interviews (she had a couple lined up).

Jillian’s no longer that skinny kid I remember from a few year ago. Lamenting that I did not get a scheduled interview with her for this show (it’s tough, she’s in demand), Jillian gave me a hug and we made informal arrangements for next year.

Getting back to the floor, Kevin and I spent a few moments with John Stagliano of Evil Angel early in the day and later with veteran actor Dick Chibbles who was holding down a spot at the AVN booth.

John Stagliano

Dick Chibbles

No Vixen

In summarizing our sweep through the show’s major venues, three thoughts crossed my mind. First, some kiosks were cleverly placed among the signing tables available to talent. That was particularly helpful for fans in The Joint where corridors are narrow. The facility is a really a theater with tiered seating and a stage where the AVN Awards show is held. Traffic flow was much less congested so fans could move more freely from one girl to the next for momentary conversations and signed photos.

Second, more performers were there on the first day than I remember from the past, a boon for fans eager for a selfie with their favs. And lastly, director Greg Lansky’s Vixen Media Group was absent this year. Lansky sold his business shortly before the show to pursue other interests. In the recent past, Lansky’s presence was a focal point for meeting talent.

Sex Dolls

On a final note for the day, Kevin and I invested significant time getting an overview of the novelty part of the AEE, something we had done only cursorily in the past.

This year I had an interest in an up-and-coming topic: sex dolls. My knowledge of what constitutes a sex doll was limited to TV skits and off-color jokes. As someone in the press room mentioned to me, “who would buy one of those things?”

I was determined to find out and that is where we go next!

 

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