Tag Archives: Bree Mills

AEE 2019: AINews Reports from the Show, Part 1

by Rich Moreland, February 2019

This is the first of two installments highlighting the 2019 Adult Entertainment Expo (aka the AVN Show) in Las Vegas. Our team circulated on the floors of the hosting venue, the Hard Rock Hotel, networked where we could, and conducted interviews to get an in-depth look at the porn industry today.

So far, we’ve reported on Evil Angel’s thirtieth anniversary and Nina Hartley’s thirty-fifth. We’ve also taken a look at how the show reflected the changes in our culture.

A pair of talented visual artists, still photographer Kevin Sayers and videographer/filmmaker Davyana San Miguel, provided the visual energy that graces these articles.

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Is there love between AVN and the cam world?

 If the last few years at the Adult Entertainment Expo is any indication, the porn world is experiencing an internal evolution.

That’s right, things are changing because the new kid on the block—the cam girl (and boy)—is altering the landscape of what defines porn, at least the commercialized version.

First, a little in-house geography. For those of you who have never visited the Hard Rock Hotel, the “floor” is divided among four major venues, three devoted to the on-screen industry and one to novelties.

A walk around the environs reveals that cammers are more evident than ever before. Not only do they have their own booths and tables inside the show rooms, they dominate the hallways that connect them.

That raises interesting questions. Are cam girls the newest version of porn girls?

Do cammers believe they are creating pornographic content when they perform for their fans and sell their shoots online? If that seems obvious to you, it isn’t to everyone and “therein lies the rub.” (my apologies for the well-worn misquote of Shakespeare)

Are cammers open to shooting for studios in a scripted environment?  It’s certainly outside their comfort zone where they interact with fans unencumbered by directors, cinematographers, and their crews.

And, how do the established porn stars—the studio moneymakers—regard cammers? Do the stars also cam as a way to build their brand?

In the interviews we did for Adult Industry News, I posed these questions. Answers varied, as you might expect, and we will look at some of them in later posts.

For now, here’s what we encountered during our meanderings about the premises.

Something for Everyone

The cammers greet fans in the hallways . . .

. . . And in the rooms! They seem to be everywhere armed with their connection to the fan world: their computer.

Cammers are not restricted by agents, you see. As a result, they are on their own to mix and mingle.

As a contrast, let’s take a few snapshots of porn’s traditional studios and the well-known stables that supply the talent.

The Agency Booths

We stop at the booths of a couple of modeling agencies I’ve dealt with in the past. At Foxxx Modeling, a brief chat with some girls we’ve already interviewed kicks off the afternoon.

The sexy Scarlett Mae.

The sultry Emma Hix.

And the perky BDSMer Emori Pleezer.

Nearby over at John Stevens’ Matrix Models, we find one of my favs in the biz, Vanna Bardot. Kevin and I met her recently on a Girlfriends Films shoot.

Porn’s Commercial Tradition

Then it’s on to the studios, the heavy hitters of porn. First is Adult Time, Bree Mills’ venue where . . .

. . . I renew old acquaintances with three of porn superstars, all of whom are up for AVN awards. We set up interviews to explore new topics we’ve not talked about before.

Tommy Pistol, one of adult’s finest male actors.

The popular Derrick Pierce whose on-screen personality is in high demand.

Then we have the talented Casey Calvert, a longtime friend. (It’s generational with our schedule making, as you can see. She’s electronic, I’m old school with my pen as we discuss arrangements!)

And a new contact, the luscious and award-winning Kenna James who later gives our team a terrific interview!

And, of course, Bree is there. We had interviewed her earlier in the day.

Other stops include Evil Angel where Katrina Jade is signing for fans.

And Jules Jordan where we pause a few moments with model Emily Willis.

Moving on to Greg Lansky Media, a rip-roaring booth pulsing with club music that engulfed the hall, we pick up a couple of conversations there.

We didn’t forget to take a quick look at the AVN booth (it’s their show, after all!) where a variety of girls were signing each day.

After some searching, we finally locate Sofie Marie, a girl (or MILF, depending on your point of view) who shoots for studios AND maintains her cam site. Later she gives us a terrific interview.

Before wrapping up our mini-tour of the rooms, we visit The Lair.

It’s sponsored by Kink.com, the leading BDSM porn producer in the business. Since the fan has to go upstairs to see the The Lair, there is the undeniable connection to Kink’s popular website, The Upper Floor.

And, as is the habit at AEE, an after-hours party for fans who want to pay for the privilege is offered.

Mostly, The Lair is a quiet respite from the clamor of the show floors. It’s vendors mostly with a demonstration here and there. For BDSM enthusiasts, it’s somewhat of a letdown unless the fan wants to shop .

Veterans

For anyone who writes in the porn biz, there is the “go-to” interviewer (and this is not to diminish any writer presently working). By “go-to” I mean the guy who sets the table for the basics about a performer. In other words, bio facts, personal preferences, shooting history, and the like. Everything that helps a girl build her fan base and gets the rest of us thinking about what we want to ask her.

He is “Captain Jack” and I have the privilege of meeting him after all these years.

Speaking of those in the industry who’ve been around the block a few times, our team briefly greets Evan Stone and has a short talk with Katie Morgan. No interviews this time around due to time and the hectic pace of the show. Maybe next year.

Then there is a new face and an old friend. For the first time, I make the acquaintance of Prinzzess Felicity Jade, a Girlfriends Films superstar, and update personal news with now retired performer, Daisy Layne.

Blended or Separated?

So, where does our brief tour leave us? For sure, the line between camming and shooting scenes is blurred. Take shooting, for example.

Today, the trend is make your own. Everyone, porn vets and cammers, can produce and manage their own content. After all, that’s what the fan wants . . . easy access just a click away.

There’s an old standby, Clips4Sale . . .

. . . And a newbie in the mix, Iwantclips.

At a convention that for decades touted video tapes and performer meet-and-greets, today cammers and studios play side-by-side. With Greg Lansky’s Vixen, Tushy, and Blacked responding to fans on the left of the picture below while the cammers’ ManyVids draws a crowd on the right, what does that tell us about 2019?

Well, maybe a solid “spank” in between to get our attention about a changing industry!

Peaceful Co-Existence?

In our next post, we’ll move to the novelties part of AEE 2019.

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Sexual Harassment: Old Hollywood and Modern Porn

by Rich Moreland, February 2019

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Sexual Harassment is a Hard Art production starring a bevy of porn performers with Niki Snow, Robby Echo, and James Bartholet playing pivotal roles.

Directed by Sally Forth and co-directed by Jake Jacobs, the film features a musical score by Archie Brunswick. Misty Stone’s voice graces the theme song.

The premise of the story is a long-standing Hollywood trope. Lucille Le Seur, played by Niki Snow, leaves her Iowa hometown to venture westward for a career in film. Once she arrives in Tinseltown, roles are hard to come by, as we  might expect. To pay the rent Lucille turns to the easy money (if there is such a thing) offered by filmed sex. From there the story moves into a commentary on the #MeToo Movement.

Overall, the narrative is well-paced with a comedic touch to keep the viewer engaged. In other words, there is never a dull moment.

The Old Days

Much of Sexual Harassment is as throwback to the old days of porn when good shooting was at a minimum. For example, during sex scenes the verbal soundtrack of grunts, moans, and sighs was often out of sync with the lip movements of the performers. And don’t forget the cheesy background music that seemed an afterthought to the action on-screen.

Both were frequently looped (repeated) as the sex progressed. Needless to say, it was all very amateurish and not at all a problem. Porn in those days was hardly Hollywood.

And, there is more. The cinematographer’s lens concentrated on closeups of the penetration shots as if every shoot was a gynecological or oral exam. The camera was remiss in framing bodies equally on-screen, a direct contrast to modern directors who prefer to show the sex as human interaction. The result? Gonzo techniques, often attributed to Evil Angel’s John Stagliano, took over the industry.

Director Sally Forth is well aware of these shortcomings and cultivates the old days with humor. By the way, she throws in the “no-no” of modern porn during the film’s second sex scene. Claudia Fox reminds us of the past when she glances at the camera while doing her oral duty.

It’s worth a comment that Sexual Harassment’s fifth sex scene highlights the journey porn shooters have taken into modern times. It’s a three-way between Allessa Von Camp, Brad Sterling, and Niki Snow who walks into the boy/girl action as the French Maid, another old porn trope. The bodies are shown in their entirety with an emphasis on pleasure. This is the best carnal scene of the film.

There’s More

Sexual Harassment mixes its porn time periods with tongue (yes, just tongue) firmly planted in cheek. When Lucille is looking for work, she picks up a newspaper similar to the still-in-print LA Xpress. Also, a cordless phone circa last century graces a couple of scenes to remind the viewers that we’re visiting the past.

But modernity is always close at hand. By the time Forth’s narrative reaches its final act, LCD computer monitors appear in Herb Weinsteins’ Hollywood offices. Technology, like the porn act, has been updated.

Oh yes, a couple of things to spice up the viewer’s interest need mentioning. After she makes her mark in porn, Lucille drops in an adult book store and sorts through DVDs of her movies. The DVD came out in the late 1990s and it’s a good bet that had old video tape box covers been available for the scene, they would have found a place in the director’s heart.

Also, when a cross over opportunity knocks for Lucille, she takes a shot at B picture fame in another Hollywood stereotype, the horror-gore flick. We get a quick glance at the feature performer, the “Chainsaw Man,” who cuts his way through his cameo moment wearing a mask.

There’s some history there that dates to the second year of the Porno Chic era when the Bryanston Production Company distributed The Texas Chainsaw Massacre. The company ran into trouble when its producer, mobster Anthony Peraino, faced obscenity charges resulting from his involvement with Deep Throat, the film that began the modern adult industry in 1972.

Of course, the mask concept recalls another old stereotype that shows up the stags of yore when men donned only in black socks concealed their identities.

Give Some Head

As the film winds down, Lucille makes an impression on Hollywood mogul, Herb Weinstein (played by James Bartholet who, by the way, is Sexual Harassment’s executive producer).

Lucille’s encounter is set up by Herb’s “interview” with a new intern (Destiny Love). Yielding to Herb’s insistence, she hears, “If you want to get ahead, you have to give some head . . . suck like your career depends on it.” Not exactly original dialogue, but it fills the bill nicely. Herb pops on a photo of Lucille who is next on his harassment list while an ignored Destiny quickly vacates the room.

As you might expect, Sexual Harassment has a Harvey Weinstein ending. From that perspective, Sally Forth’s production is imbued with strong female empowerment. In fact, Lucille is in control of her career from the very start and that in itself is a welcome update on Porn Valley’s checkered past. To underscore her point, director Forth can’t resist throwing in Lucille’s snarky indictment of “Mr. Limp Dick” who can’t get it up for their scene. Oh, those pre-Viagara days!

All Over Your Body

There is an abundance of sex scenes in Sexual Harassment that feature the following performers: Jesse Bunyan, Claudia Fox, Black Ken, Robby Echo, Payton St Clair, Jay Crew, Jayde Symz, Chad White, Vanessa Cage, an uncredited female performer, and the already mentioned Niki Snow, Allessa Von Camp, Brad Sterling, and Destiny Love.

Pay close attention to the abrupt ending of Chad and Jayde’s scene. It’s a nod to rising adult writer and director, Bree Mills of Pure Taboo fame.

There is much to love about Sexual Harassment. It is cleverly written and sharply filmed. For example, when Lucille shows up for her test stills early in the story. The photographer Bernie Hyman (maybe hymen with an “e” is more accurate because Lucille, who is no virgin, is being primed for the porn camera and has to be initiated into sex for pay) is played by AINews managing editor Steve Nelson.

Steve is skilled with the camera and it shows in the scene. He offers up an amusing line when he pulls down her top to free her boobs and lifts her skirt for the treasures “down there.” Lucille is caught off guard. To ease her mood, Steve says with a chuckle, “skin’s good, skin’s good . . . it’s all over your body.”

And at film’s end, Herb’s mug shots will stand in vivid contrast to Lucille’s test photos in this scene.

Like in the old Hollywood production  A Star is Born, Lucille’s name will be dropped in favor of something a bit catchier. “Helen Bedd” becomes her stage moniker and another kind of “star” is popularized.

Ray

There is also a love element in Sexual Harassment. Robby Echo plays Ray, a writer and Lucille’s newly found off-camera romance. Their sex scene is sweet and make no mistake, Niki Snow is easy on the eyes. At one point Ray says, “We’re both trying to become something.” That something is unclear, but their satisfaction is heightened when they later see the #Metoo images on TV that reinforce Herb’s arrest.

There are other characters in this film that are worth a look. There is Lucille’s caustic female agent, the cleanup crew who takes a moment out of their task to have a jolly encounter, Herb’s obese secretary, and Donnie Rock’s cameo as a film editor.

In fact, for an adult film there are perhaps too many personalities on-screen because the viewer never gets to know any of them well.

Who is Lucille?

For the porn fan who might miss the film’s ingenious nod to cinema history, allow me to fill you in.

Writer/director Sally Forth pulls off a coup with Lucille Le Seur. You see, in the 1920s in old Hollywood a young woman by that name became a star in silent film and moved into talkies with aplomb. Eventually, she became a Hollywood legend, winning an Oscar in 1947.

But the rumor persisted (and still does today) that this real-life Lucille shot stags, the earliest of porn films. Nothing was ever verified, no films ever emerged, but the story always hung over her. By the way, Lucille’s sleeping around with both men and women honed her reputation for a prolific sexual appetite among the Hollywood crowd. Thus, she was “hell in bed,” just as Sally Forth tells us with her version of Lucille.

So, what was the stage name for this real-life Hollywood icon? Joan Crawford.

A Final Word

Bright, sassy, and whimsical, Sally Forth is a quality filmmaker whose sense of movie history permeates Sexual Harassment. I’m certain her future work will be equally as engaging.

There is one thing, however.

The good folks at Hard Art have got to clean up their print editing. The cast is overly large and this may have led to occasional sloppiness regarding proper documentation. Some names are misspelled on the box cover while other names are left out entirely, particularly an uncredited female performer who gives her all in her sex scene. Remember that directors, cinematographers, and performers consider adult film to be their art. Let’s not short change them.

That said, I highly recommend Sexual Harassment, a film that shows us how we got from there to here in a business that is often vilified and dismissed as culturally irrelevant.

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The 2017 AEE Extravaganza: Part Two

by Rich Moreland, February 2017

My thanks to AVN’s Dan Miller, Brian Gross, and Jill Hagara for making my visit to the show enjoyable. Their hard work cannot be appreciated enough.

Also, special kudos is extended to my favorite PR company, StarFactory. Thank you Tanya and Alex!

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Seminars

Rarely do I get to attend all the seminars that pique my interest and this year’s AEE was no exception.  Nevertheless, I did make a few.

On the show’s opening day, the seminar on money was super informative.

Tasha Reign, Alan Gelbard, Lee Roy Myers, Adam Grayson, Nate Glass

Tasha Reign, Alan Gelbard, Lee Roy Myers, Adam Grayson, Nate Glass

Hosted by sociologist Dr. Chauntelle Tibbals, the panel discussed turning a profit in a time of piracy. Attorney Alan Gelbard set the tone with a statement that at first seemed a capitulation but as the seminar went on, proved to be the most salient. Money can still be made in this age of tube sites and free porn, he said, and pointed out that “the music industry has figured out a way to let the piracy just be there.”

Lee Roy Myers

Lee Roy Myers

Filmmaker Lee Roy Myers of the parody website WoodRocket got it right when he insisted that everyone should maintain ownership of their content and “choose to give it away.” In reality, this seeming anomaly sells traffic to your site at a time when “less and less people are paying for porn in traditional ways.”

Evil Angel’s Adam Grayson’s assertion that identifying niche markets can turn a profit for your content through a reliable customer base made sense when thinking of porn as subgenres that capture pieces of the larger adult universe.

On the practical side to the money equation, a company like Nate Glass’s Takedown Piracy can be a great benefit to all producers in protecting their content.

2017-01-18-07-39-26Before the panel began, I spoke briefly with Nate Glass and met Chauntelle for the first time, a real treat.

Thursday afternoon offered up the seminar on the legal battles that may lie ahead with the incoming Trump administration.

After attorney Clyde DeWitt recounted the history of the Meese Commission’s pursuit of pornographers in the 1980s, Reed Lee, First Amendment scholar from Chicago and a member of the Free Speech Coalition, calmed nerves somewhat when he asserted that “history is on our side” and the “clear march of social progress is in our favor.”

Nevertheless, Free Speech Coalition’s President Eric Leue emphasized that passivity can no longer be the watchword and that everyone has a dog in this fight. In other words, support FSC.

Clyde DeWitt, John Stagliano, Eric Leue, J Michael Murray , Reed Lee, and moderator Mark Kernes

Clyde DeWitt, John Stagliano, Eric Leue, J Michael Murray , Reed Lee, and moderator Mark Kernes

Outside the hall, I had a moment to catch up with Colin Rowntree of Wasteland.com who plays both host and panelist when needed at these seminars. We talked about the possible political outcomes that face the industry.

Later that same day, another panel highlighted the increasingly independent role of women in adult.

Filmmaker Angela White said it best, “if you think porn is degrading, then you probably think sex is degrading.” Her words stressed the message of this seminar aptly named R-E-S-P-E-C-T that focused on celebrating empowered people who are comfortable with their sexuality. Moderated by Chauntelle Tibbals, the panel also included filmmakers Kay Brandt and Bree Mills.

Interestingly, an audience question led to a brief sparring over the interpretation of words. At issue was the concept of “feminist porn” which may be giving way these days to the idea of “ethical porn.”

Is the sun setting on “feminism” in the industry as some attendees seemed to hint?

Downtime

2017-01-18-09-17-39AEE is a constant round of rockin’ and rollin’, but there is occasional downtime, or to be honest, the need to take a break. I found a few minutes in the press room where the always upbeat Jill Hagara took some time for a chat. We’ve know each other for a few years now and she is a delight.

More relaxation moments came at the small Dunkin’ Donuts shop right off the casino where the convenient access for a quick coffee attracts industry people.

I talked with performer Daisy Layne after running into her earlier in the hallway.

Amber Jo

Amber Jo

A statuesque beauty named Amber Jo sidled up next to me with her java and Boston cream doughnut in hand. She’s networking, AJ said, and that began an informative chat.

Later Amber posed for my photographer and I offered to do a story on her. She’s an exotic dancer from the Midwest who has thoughts of LA and the biz. Stay tuned to see what happens with this gorgeous girl. Maybe a new star will soon be on-screen!

Setting up interviews is never easy and once again this year I relied on the best PR people in the business, Star Factory, whose watchwords are dependability and reliability. Their clients do not flake on the press.

With the help of Steve Nelson, the editor of AINews.com, I usually nail down a couple of people for impromptu interviews. This year the highlights were the previously mentioned Emma Hix at Foxxx Modeling and Kasey Warner, the star of B Skow’s Color Blind. Kasey and I are from the same part of the country which made our talk special.

Emma Hix

Emma Hix

Speaking of Skow, his productions are distributed by one of my favorite companies, Girlfriends Films. As mentioned in part one of this post, Moose, the company president, invited me to the GFFs suite for a morning coffee on Thursday, a great way to start the day.

Kudos to AVN

Eventually, a text helped me find AVN’s senior editor, Dan Miller. I first met Dan’s warm personality and infectious smile when he was with XBIZ.

We took a few minutes to discuss the passing of adult film historian Bill Margold (Dan did a wonderful obit for AVN online) and I mentioned that this year’s show was well-organized, enriching everyone’s experience from fan to media.

James Deen and Dan Miller Photo courtesy of AVN

James Deen and Dan Miller
Photo courtesy of AVN

Helping to make this year’s AEE enjoyable were some not so subtle changes in the “feel” of the show.

The club music in The Joint wasn’t nearly the volume of the past which made conversation easier–a boon when one carries around a digital recorder–the lighting much improved, and best of all, the traffic flow was smoother among the various rooms. Thank you AVN!

After experiencing the breezy atmosphere of the Sands Center some years ago, I was doubtful AVN could pull everything off in a more broken up environment. And at first it was a challenge, but the bugs have been worked out.

On the downside, there was one thing distinctly different this year: the weather. The days were cloudy, very cool, with periods of rain, the same weather pattern I left back home. The only difference, it seemed, were the trees. I’m not used to seeing rain, mist, and palm trees!

Despite that, inside the Hard Rock the action was invigorating and informative.

I encourage everyone to visit next year, or to put it another way, attending AEE at least once in your adult life should be on your bucket list.

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