Tag Archives: Adult Entertainment Expo (AEE)

AEE 2019: B and J, Riding the Wave

by Rich Moreland, April 2019

Our second camming couple, a husband and wife team, go by B (or Mrs. B) and J. Our AINews team met them informally on the trade show floor and set up a quick interview.

B and J’s site, Hot4Teacher, can be found on Chaturbate. 

Photos are credited to Kevin Sayers and Hot4Teacher.

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The Age Thing

How did the two of you get started?

J watched a camming special on TV that included a couple who are friends of theirs, he says. He showed a YouTube presentation of the program to B whose immediate response was, “I’m not doing it because I’m a teacher!”

A month later, she agreed to give it a try.

“It started to kind of get him off my back . . . and then it took off,” B says with a smile.

Conversation in their chat room led to more followers and their popularity spread.

“There was a draw [to us] because there’s not a lot of couples that are our age. We’re both teachers so I think that’s maybe a fetish for some people.”

They had another surprising advantage.

In the couples category, there’s a shortage in the “thirty-five and over group,” B says.

“The age thing was huge,” J interjects.

No Script

B and J insist they put in considerable time to make their site a success. “There was a demand that we had to supply and here we are today,” J says with pride.

Does sex online and selling clips make them a porn couple?

“I don’t think it does,” B responds. “I feel like the cam is different from porn. There’s not a script, you’re chatting with people. You’re doing what they want you to do . . . and it’s with my husband. It’s not with other porn stars. It’s different.”

J concurs. “I’ve always felt that it’s different.”

B does admit that other people may not see it that way, however.

“I guess my vision of porn is I feel like it’s different than what I do. I’m just hanging out in my room and chit-chatting with people that come into it.”

Self-Pleasure

Do some of your fans masturbate when you’re online?

“Yes, I know that some of them do,” B chuckles.

Makes sense, but porn fans masturbate to what they see. Are your shows doing the same thing?

“I did say I don’t do porn. But I still enjoy what I do,” B says.

J believes that if masturbation is “what we’re going to take as the definition [of porn], then yes.”

However, B insists that she is “not interested in moving into the porn industry.”

At the suggestion that she may already be there, she concedes that for anyone who conflates porn with camming, indeed she is there.

Who Directs?

Some porn people believe that camming may take over the industry within the next few years. What is your take on that?

“That’s where porn is going,” B affirms.

J brightens and asks, “Are we the pioneers?”

B agrees that they are.

Some critics hang the amateur porn label on cammers. In your view, is that accurate?

That’s probably true, B says.

“I think one hundred percent we’re amateurs,” J responds, especially when it comes to directing.

B chimes in, “He’s directing me all the time. Move this leg so we can get a better view, you know?”

When fans buy tickets to their shows, the broadcast is different. J explains that everyone is included. “You’re our director. We’ll follow your lead because you bought a ticket. That’s what you want to see.”

He compares their shows with a porn shoot where fans “have an idea of what that scene is and what that movie is about,” when they buy a studio production.

As for what they do, J says, “we want to make you happy so that you come back again and purchase another ticket or buy another video.”

But he reminds us that “it’s absolutely one hundred percent amateur.”

J mentions that studio shoots involve a director and crew and other performers who may not be in a particular scene and, on occasion, media people.

Fair enough, but isn’t everyone getting paid in the long run?

The Performance

B acknowledges that shooting on a set is different. She and J started out “in the privacy” of their home and it was hard to imagine there was anyone there because the audience was online.

That changed when they did “couples shows.”

In fact, they had a “raffle and fans came to my room and were in there when we cammed,” she adds. “It was really uncomfortable the first time and kind of weird.”

Over time the tension eased for her.

J mentions, “Like last night there were other people in the room who were not participating.” They still did the show and “put on the performance,” he says.

B recognizes that J is more at ease than she is “when there’s other people watching.” But she is making progress. “I [am] much more comfortable with it than I was six months ago,” she says.

What We Are

Asked about where they see themselves down the road, it seems their venture into camming has a termination point. There’s family to consider. For the future, “who knows what’s going to happen,” B says. “We’re doing well now, but . . . “

As for this week in Vegas, they are here at the Adult Expo to support their fellow cammers and they have the credentials to make a difference.

“We’re one of the top couples on Chaturbate,” J says. “We’re riding the wave where everything’s hot.”

In other words, they’re using their success to give back some of the love extended to them.

In retrospect, do you think you are drifting in the porn direction?

“Well, it’s funny,” B comments, “I feel like I’m not in porn and then you (referring to J) were like ‘one hundred percent we’re in amateur porn.’ So, I think we just totally contradicted what we said.”

J clarifies his comment. “No, amateurs [are] what we are because I don’t feel that we’re at that professional level.”

B is delighted to confirm his statement.

“Oh, we’re not!” she exclaims, and recalls her thoughts the first time she was in the room having sex. “I do not belong here. I just felt like I was not at that level . . . .”

Perhaps.

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AEE 2019:  Is Camming the New Porn?

by Rich Moreland, April 2019

Photos in this essay are credited to Kevin Sayers and Steve Nelson.

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At this year’s AVN trade show, cammers and their laptops were pervasive, demonstrating the popularity of online broadcasting. In fact, MyFreeCams sponsored this year’s adult extravaganza in a move that seemed to step over the industry’s traditional studios.

The upshot, I believe, is a pretty straight-forward question: Is camming redefining the adult business? From the interviews completed by our AINews team (which included photographer Kevin Sayers and videographer Davyana San Miguel) and posted in this blog, the answer is “maybe.”

What it is not, is “no.”

Delivery Platforms

From what I can see, the adult industry is experiencing a twenty-first century revolution driven by new delivery platforms. Not surprising, by the way. Fans old enough to remember the bygone days of the video tape and its replacement, the DVD, recognize that, as always, technology is porn’s best friend, moving it culturally forward with each new innovation.

Whether the DVD will pass into porn history in the manner of the VHS tape is a matter of debate. As one director told me, commercial studios still produce them for their “hands on” collectable value. In other words, display your favorite DVDs on the library shelf for immediate reference.

What is obvious, however, is that porn’s online presence is today’s mother lode. High quality shooting with easy-to-manage advanced systems is ubiquitous for both the commercial studio and the cammer. When capturing the porn moment is technically simplified, everyone can learn the skills required to post just about anything online.

In other words, anybody can become a pornographer and suddenly every cam girl can claim a professional mantle, at least from the shooting perspective.

As for the bodies in front of the camera, the number of performers, models, or whatever you choose to call them, is expanding. There are plenty of girls available to shoot the mainstream product and thousands who cam.

What is interesting is this. Do cammers believe they are shooting porn? Do accomplished porn stars believe cammers can make it in the studio, and does that matter?

If porn stars consider themselves to be professionals because they are being paid (the most basic definition of “professional”), what do we do with cammers who are also making money in their chat rooms and with self-published vids on hosting sites like Clips4Sale and ManyVids? They may think of themselves as amateurs, but how are they not professional?

And, of course, what constitutes the status of amateur? Is it more a style of shooting than an actual performer?

Two Brands

Though porn veterans appear to have clear-cut views on these questions, cammers remain conflicted perhaps because whatever level of sexual stardom has been thrust upon them (or in them, for that matter) has come fast and furious, blurring the definition of how they see themselves.

The two brands of performers seem like parallel universes until one realizes that established industry stars can easily turn to camming and widen the conduit of porn’s delivery system in today’s culture.

Conversely, cammers can seek out studios should they choose that avenue and abandon any pretense to be amateurs. Though Clips4Sale is not Brazzers or Jules Jordan, does it mean amateur only?

Trouble is, a bit of tribalism creeps into the picture as can be seen in the numerous interviews from this year’s show that appear on this blog.

Is or Is Not

In the final posts from the Adult Entertainment Expo 2019, we have interviews with two cam couples. They have nuanced perspectives on where to place camming in adult entertainment and what it means to make the adult product.

Keeping that in mind, here are the questions we asked.

If it is sex on-screen, regardless of the source, is it porn? Or, if the intention is to amuse and entertain a paying–and therefore exclusive–group of followers who enter a “private” chat room, does that make it restrictive and informal enough to “not” be porn?

Or, are the two groups—cammers and porn stars by one definition, and amateurs and professionals by another—simply drifting into each other’s space to the extent that one day there will be no difference?

Perhaps. But that would require porn stars to drop their self-proclaimed exclusivity and cammers to abandon their “not me, I don’t do porn” mantra. If each begins to cross over into the realm of the other, does the whole industry benefit?

That, I believe, is AVN’s bet in expanding the trade show umbrella in the years to come.

 

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AEE 2019: Porn Stars on Camming. Derrick Pierce

by Rich Moreland, April 2019

This is the fourth installment in our porn stars and camming series from the 2019 AVN trade show.

Whenever I need honest, no holds barred opinions on the adult industry, Derrick Pierce is one of my go-to performers.

The porn vet is among the handful of male models who are sexually reliable performance-wise and insightful with their understanding of the business.

Above all, the Massachusetts native is an industry gem, a performer with acting skills.

While on the floor of the trade show, I stopped by the Adult Time booth to say “hello” and asked Derrick for his take on porn and camming. We later met up in the press room.

Photos are credited to Kevin Sayers.

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Money

“The AVN show, and the trade shows in general, are now becoming more cam affiliated,” Derrick begins.

The driving force behind the change is money. It’s persuading the cam networks like MyFreeCams (MFC), Chaturbate, and Live Jasmine to market their product to a wider audience.

“They’ve always done very well, but now they’re putting a lot of money out to shows. As you can see, they are sponsoring AVN. I don’t know what the number is, but I guarantee you it’s seven figures,” Derrick speculates.

“Nobody even had that [financial] ability before. I don’t even think it was on the table.” He includes the big production studios like Evil Angel and Jules Jordan in that mix.

In reality, cam networks make big bucks “damn near printing their own money in some cases,” he says, and that enables them “to do things the production companies can’t do.”

Face Time

For Derrick, however, the situation presents a problem for the cam companies.

“The dilemma is nobody gives a shit about a cam girl. Not in person,” he says.

In other words, for the cam fan “to stand in front of them, to see them at the show” is no big deal, the certified martial arts instructor implies, because he has already chatted with his favorite girls online.

In fact, Derrick asserts, the show comes up short for the fan because he “probably gets more face time with them (cam girls) when he’s online than he ever would at the show.”

And, it would be more private.

Derrick’s honesty continues,

“Nobody cares about Tiffany451blue,” because fans don’t attend the Adult Entertainment Expo to see her.

“When you come to the trade show, you want to see Asa Akira, to see Abella Danger, Casey Calvert. All of these legitimate porn stars.”

What MFC does is accommodate a couple of hundred cam girls to attend the show with the promise of floor time, rooms, cool stuff. Just “enjoy have a good time,” he says. That’s “all it is.”

Ford Focuses

Derrick Pierce compares the cammer scene at AVN to stopping by a car dealership and seeing “rows and rows of Ford Focuses.”

“Cam girls are a bunch of Ford Focuses. They’re not doing what the professional girls are doing and, in some cases, I think some of those girls think they’re better than the porn girls. ‘Well I don’t do what they do, I’m a cam girl.’”

Derrick challenges that with “You’re not better.”

“Here’s the deal,’ he explains. “When you come to these shows you have two hundred and fifty cam girls to see and you have fifty of the top female performers in the business to see. Who do you think they’re lining up for? The porn stars because there’s something nostalgic, because there’s something unattainable” about them.

It’s like a “fantasy about who they are because whatever you’ve trumped them up to be in your head is who they are when you see them.”

“But with a cam girl, you know them. You know her favorite color is blue and she hates jalapeños or whatever her deal is, right? Cause you had time to socialize with them. So that’s the deal and I don’t think they’ll ever be on the same level,” Derrick concludes.

However, he comments that AVN and other trade shows now face a dilemma.

“Do you continue to take this money from the cam companies, which of course you’re going to? You’re in business to make money. But then do you phase out the production companies because they don’t contribute the same financial endeavor as the cam companies?

“When it comes to the trade shows, fans are lining up for porn people, but the cam people are the ones that are printing the money.”

Just a Cam Girl?

Derrick raises the question of how to merge the two, if that is at all possible.

How is the cam girl of the year chosen? For porn performers, it’s easier to debate who is the best this year because each girl has a body of work. The only reasonable way to select the winning cam girl is by counting up the dollars she makes over the year.

“Whoever made the most money wins,” he says.

As for joining camming and porn under one umbrella, Derrick believes the “level of separation” between the two will always remain.

To back up his point, he makes this observation.

“I just found out today that [on] MFC all the girls are solo girls. They don’t do anything with guys or boy-girl scenes or anything like that. I don’t understand that.

“Chaturbate has a couple of guys here, I noticed. How do you put them into play? Obviously, there’s a market for them too. MFC doesn’t have that, I don’t think.”

Our team’s photographer Kevin, who follows cammers, interjects, “We learned that they only allow women.”

“So, they’re completely man-less [and] it works for them, obviously,” he says.

“However they’ve designed this, it’s flawless in my opinion because they’re killing it. They’re making so much money.”

Regardless, the question lingers for Derrick Pierce.

“Are you really a porn performer? Or are you just a cam girl?”

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AEE 2019: Porn Stars on Camming. Kenna James

by Rich Moreland, April 2019

This is the third installment in our porn stars and camming series from the 2019 AVN trade show in Las Vegas.

Four of the top porn performers will discuss their views on camming. Then we will talk to a pair of cam couples who have sex online for their fans.

Here we begin with Kenna James, a popular industry performer known for her friendliness, on-camera warmth and acting ability.

Photos are credited to Kevin Sayers.

 

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Though she’s cammed in the past, Kenna James no longer devotes a lot of time to her online endeavors, but that may soon change.

The vivacious blonde explains that when she began her adult career, she “moved from a stripper into the webcam world five days a week, three or four hours a night.”

“I loved it,” Kenna says. “It was great. I got to stay home, I made money in my bed in whatever I wanted to wear. No more heels, I could sit there in nothing and that’s fine.

“But when I started taking off in the industry, my camming schedule got a little less regular. I moved out of a duplex into a forty-foot camper. I didn’t have reliable options for internet which is why I no longer regularly cam.”

Looks like that may change soon. Kenna’s learned she can now get high-speed internet, so she’ll be back online eventually.

Depends on What You Show

Is the cam girl a porn girl?

Kenna responds with an immediate “no,” then backtracks a little. She says it depends on what a girl does on film versus her online broadcasts.

“If you don’t show anything below topless. I wouldn’t consider you part of porn.

“If you full on masturbate, I would consider you do a little bit of porn.”

Will the cam girl ever become the new porn girl?

“I don’t know,’ the Missouri native replies. “I don’t know what the future of camming holds. Who knows? This is an ever-changing industry and we’re all learning to adapt with it.”

Running on My Own

Don’t cam girls have to wear several hats — performer, director, editor, and marketer?

“It depends on the individual because a lot of porn girls are their own distributor,” Kenna says, and mentions that some cam girls use paid service to tweet for them.

“They are their own bosses, I mean, we all are. For instance, I don’t have an agent. I haven’t had one for two and a half years. I’ve been running on my own. So, my stuff is all done with me.

Camming is hard work, right?

“It can be. I moved into it from the stripping world and I consider camming much harder than stripping. Stripping’s easy because you don’t have to talk, you don’t have to be smart, you don’t have to be entertaining. All you gotta do is give a good dance, giggle, and be naked. That’s all they care about.

“Whereas camming, you gotta have a personality. You have to have something about you that draws other people to you and makes them want to stay. That can be a lot more challenging. Thankfully, I’ve always been a talker, I’ve always been fun, I’ve always tried to keep things light. But it was a whole new level for me,” Kenna laughs.

She points out that a cam girl has to “own” who she is.

“I’ve been on my cams not at my best. One hundred percent truth. I’m a complete mess sometimes and my fans will tell me. But I own it. What it comes down to is how comfortable are you with you, in your skin, in your surroundings. And how much of you are you willing to let out there.

“Think of it as the most candid, ad-libbed thing you’ve ever done. It’s reality that can’t be edited,” the Las Vegas resident concludes.

Always be You

If a girl wants to cam as an intro into porn, Kenna has a warning.

“My advice is always be you,” she says. Avoid trying to be what you’re not. You don’t have to pretend or act unnaturally and remember not everyone’s going to love you.

“Don’t get caught up in all the negativity, ‘cause there’s a lot of it,” she cautions.

“There’s negativity everywhere and this industry especially. People [will] come down hard on you. So, it can be a really difficult.”

Within the industry?

Both within and without, she says, but offers an encouraging thought.

“The industry as a whole is getting better. It’s not so competitive. We’re banning together a little bit better. It makes us stronger, so just don’t sweat the small stuff.”

Empowerment

Are porn girls more empowered than they were twenty years ago?

“Oh yeah. I definitely think so. I’ve met a lot of girls that have come from camming into the industry,” Kenna says, and praises their self-awareness.

“I like the girls who have found their personality. They’re like, ‘This is me. Let’s do it. This is who I am.’ This is a new thing and it brings on a whole new feel to everything as well.”

Finally, I ask Kenna about the traditional three-legged stool of porn — shooting scenes, dancing, and escorting. Is camming now the fourth leg?

“I think so. We can definitely call camming the fourth leg.”

With her ever-present smile, Kenna James adds with a gleam in her eye, “I’m a three-legger. I don’t escort. But I dance, shoot scenes and cam.”

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AEE 2019: Porn Stars on Camming. Casey Calvert

by Rich Moreland, April 2019

This is the second post in our porn stars and camming series from the 2019 AVN trade show at Vegas’ Hard Rock Hotel.

Casey Calvert is a popular BDSM performer who has expanded her acting skills and moved into the upper echelon of porn performers. Recently, she joined Gamma Entertainment’s Adult Time as a director, advancing her industry resume into Hall of Fame territory.

For the record, Casey and I have known each other for years and have had our share of frank conversations about the industry.

Photos are credited to Kevin Sayers.

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Benefits

Have you ever cammed?

Only a couple of times, Casey responds.

Because the alluring brunette shoots scenes as her primary source of income (she doesn’t dance or escort), does she believe that camming is advantageous for a porn girl?

“Yes, it definitely benefits her to cam,” Casey says, and mentions Dani Daniels. “She started as a girl-girl performer shooting scenes, transitioned to boy-girl. Now she cams and does Snapchat and other social media. She’s made that transition really seamless. Her fame that she built as a performer drove her cam traffic.”

Casey agrees that porn girls bring their audience with them when they cam. But, she suggests, that same accomplishment might be tougher for a cam girl who gravitates to porn.

“There’s a lot of cam girls who have gotten flack for shooting scenes because of their fans. Camming is a really intimate, dynamic relationship” and there is a cost involved, the University of Florida grad says.

Fans do not always take to cam girls who “are doing solos” online then “go shoot a boy-girl scene, Casey believes. Some of them will say, “’You’re taking dick on camera now? That’s not okay!’”

Fans seem to regard cam girls as their own and get a little jealous and offended when they shoot scenes. So, the bottom line of this interpersonal dynamic is risk for the cammer.

“I think that’s a part of it,” Casey says. “I think there’s some slut shaming which is inappropriate. But I know that happens.

Cam Girl Stigma

Are cam girls creating amateur porn?

“That’s exactly what they’re doing,” Casey replies. “They’re entrepreneurs, they’re businesswomen and they’re amateur performers. And I don’t mean amateur in the derogatory sense. Just amateur in the literal sense.”

In her opinion, cam girls are not porn stars, but they’re “making porn”, nonetheless.

“Some of them also see themselves as amateur performers,” she adds, while others insist, “’I don’t do porn, I am not a sex worker, I am not a porn performer.’”

Things get complicated from there.

“There’s this cam girl stigma of ‘I’m not a porn star’ and there’s this porn star stigma of ‘I don’t cam, why would I need to cam? I’m a performer.’” Casey explains.

Is that a dividing line?

“No. To me, all of us are sex workers,” she asserts, and mentions there are plenty of cammers and porn performers who agree with her. But she understands those who don’t.

“I know that there are some people who live within the stigma. When I was just a fetish model, I told people ‘I don’t do porn, I’m not a porn star.’ I was wrong. I was doing porn.”

Without penetrative sex?

“I was creating a product for people to masturbate to. That’s porn.”

The highly respected Speigler Girl elaborates.

I didn’t know that then. I was afraid of the stigma. I didn’t want to be a porn star. I don’t do fluid exchange, I’m not making porn. But in hindsight now I see that I was being a sex worker. I just wasn’t doing ‘this.’”

I suggest that anyone can watch porn and not masturbate. But I do concede Casey has expanded my interpretation of what porn is.

From her perspective, porn’s “intention is to create something masturbatory,” as she puts it. Of course, the viewer makes that decision and there are people who don’t.

“I watch porn all the time and don’t masturbate to it,” the long-time Kink.com model says, “But it was created as a product to be masturbated to.”

For a moment we get into the phrase “porn star” and I got from Casey what I expected.

“I don’t know if I even like the phrase ‘porn star.’ I’m a porn performer. I’m an adult performer. I don’t feel like I’m a porn star. But porn star means something so I use that word to convey meaning.”

A portal

Does Casey think that camming to a portal into porn?

“No. There are thousands of cam girls and how many of those girls go shoot porn…a hundred? So, just statistically, no. Not enough people make the transition for [me to] agree with that.”

Should a cammer want to get into porn, does it matter if she gets an agent?

“Yes, it does matter because it shows an interest in sex work and an interest in creating pornography,” Casey insists.

“You have some experience talking to the camera and being sexy on camera and all of those things that an agent finds desirable. It’s not a necessity. There are plenty of girls who get into porn who have never cammed, who have never worked in a strip club, who have never done any fetish modeling and just go right into hardcore.

“But, for the most part, I find that most girls did some form of sex presentation before they started doing hardcore porn.”

In the end, Casey summarizes her take on our discussion.

“There are fans who don’t want to watch scenes ever. They just want to watch girls on cam. [Then there are] scene fans who have no interest in watching their girl on cam.

“There’s that degree of separation that a porn performer has with their fans that cam girls do not have because they ‘cam-to-cam.’ You see the guy [and] interact with them on a really intimate level. Much more intimate than shooting a scene.

“There’s no real interactions with the fans just from shooting scenes. So, I think there are fans who want that level of intimacy, and fans who don’t.”

It’s a choice, Casey Calvert concludes, that will prevail for some time to come.

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AEE 2019: Bree Mills, Part Four

by Rich Moreland, April 2019

In this final installment on writer/director Bree Mills, we asked three female porn super stars about working with the Gamma Films head of production. 

Photos are credited to Kevin Sayers.

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Casey Calvert

I’ve interviewed Casey Calvert several times over the years she has been an adult film actress. I can always depend on the native Floridian to give me the lowdown on the industry. She is honest and smart.

Today’s topic is Bree Mills.

“Bree is one of my favorite directors to work with. She cares about her product and to me that means performance,” Casey says.

The former fetish model refers to the “product” as the “actual scene” filmed, not a “pop-up” internet ad or a “photograph for Instagram.”

That’s important because Bree’s attitude privileges her cast to also “care about the product.” It’s leadership by example.

Does Bree’s gender matter? Is she formulating the modern female director in porn?

Casey doubts that. “I don’t think that Bree’s gender impacts how she runs her set. I think Bree’s personality impacts how she runs her set.”

Admittedly, many directors care about what they shoot, Casey continues. But with Bree, things are different. “Bree is just in a really unique position where the company that she is working for also cares about the product.”

Speaking of the brand and its content, I suggest that Pure Taboo is edgy and a little bit creepy.

Casey doesn’t dispute my assessment, but qualifies it with “sometimes,” particularly as it applies to “creepy.”

I reference her performance in Don’t Talk to Strangers. Of special interest to me is the moment Casey jabs the syringe in Gina Valentina instantly terminating a victim Casey and her husband had kept in sexual confinement. I describe her role as “nasty.”

Casey smiles. “That was my character. I was a lot of fun.”

Did Bree give her any special directions to bring out that malevolence.

“She gave me the freedom to do what I wanted to do with that character,” Casey replies.

I speculate that Casey must have dug into her psyche to find the capacity for evil we all carry within ourselves.

“Right,” she responds. “I had the creative freedom to be weird and to be creepy. I didn’t have to make it campy. I didn’t have to make it silly.”

After a pause, Casey Calvert summarizes what is so special about working for Bree Mills.

“I was given permission to just be an actor.”

In the adult film world, that is an affirmation like no other.

Kenna James

Kenna James is new to me and a special girl, I immediately learned. Her bubbly personality is among the best in the industry. After introducing myself at the Adult Time booth, I persuaded her to sit down with my team in the press room.

I’m curious to know how Kenna describes working with Gamma Films.

“Shooting for Bree Mills is unlike shooting for anybody else in this business. I don’t know where she comes up with her ideas, if it’s just a memory bank or a vault. It’s incredible.”

Kenna’s smile warms her enthusiasm.

“Bree’s such an amazing person to be around because she’s so uplifting. Even when you’re dragging and you’re down and you’ve been on set for eighteen hours and you’re tired and cranky.”

I’m aware that Kenna has shot for Jacky St. James. What are the differences between the two directors?

The native Midwesterner observes that there are differences and similarities.

“They’re both very strong women who are brilliant at what they do.”

Kenna is effusive about Jacky. They are best friends, she says. “I adore her with all my heart. With Jacky it’s this playful, loving banter all the time.”

On the other hand, she mentions, it’s different with Bree, but it’s not easy to describe.

“I’m really bad at explaining with words, so I like mental pictures,” Kenna says, laughing.

I help her out a little. Perhaps Jacky may seem huggable.

“Yes,” Kenna replies.

And Bree may be down and dirty.

“Yes,” Kenna says, beaming.

Then I make the script observation I’ve done with other performers. Jacky wants dialogue as its written; Bree prefers improvisation.

“They’re very opposite,” Kenna affirms.

Finally, she distinguishes the two writer/directors with an analogy (or as Kenna would put, her “mental picture”)

“I would get on a motorcycle and go riding with Bree. Jacky, I would go dancing with.”

Perfectly put.

Whitney Wright

Whitney Wright is a native Oklahoman whose name in the business is A-list personified. She is one of Bree Mill’s go-to performers for reasons we’ve previously mentioned in first installment of this series.

When we relaxed in the press room at this year’s AEE, I ask Whitney to give me her version of the Bree Mills experience.

“I love Bree so much,” the former nursing student says with an affectionate laugh. “I had never shot for Gamma before she gave me a chance on Pure Taboo and I think that was partially thanks to Craven Morehead as well.”

Whitney and Craven follow each other on social media and he noticed a fetish scene she had posted. That led to a shoot for Pure Taboo.

Things took off from there.

“I’ve got seven or eight scenes on Pure Taboo alone [with] three more coming. So, Gamma is essentially like bread and butter. They’re the people I shoot for so much,” Whitney says.

Give us some words to describe Bree.

Whitney quickly rattles off “motivational. inspiring, vivid, animate.” Then, she adoringly adds “weird.”

“I think that’s why we get along so well,” Whitney says, reflecting on her list, especially “weird.”

I mention her role as the girl who is sexually used by a group of guys on her prom night in the Pure Taboo film with the same name.

“I believe that was the second time I had shot for Bree. It was really great. I loved the whole concept and again the taboo of it. That’s something I’ve loved in every scene I’ve shot for her.”

Whitney addresses what attracts her to the Bree Mills product.

“[It’s] the taboo and the complexity of whatever role I’ve been given whether it’s someone with a hidden agenda or someone who’s been wronged and tries to wrong someone else to make up for it. Or like my character in Prom Night who was just an innocent bystander,” Whitney explains.

Pure Taboo is website generated with an active membership so the fans comment on what they see. Whitney loves to hear what they have to say.

“There’s definitely an interesting mix of them,” she says, and their opinions are all over the place. Some fans will say the scene was “too rough” or they felt sorry for her character and they “couldn’t get into it.”

She understands their comments, Whitney says, but reminds us that pulling off the taboo component on-screen is up to the cast.

“Maybe the actress didn’t portray it well or they [fans] couldn’t get into the guy character ‘cause he didn’t sell it.”

That’s important because, as Whitney explains, “I feel like your partner is so vital in how the scene comes off.” That means everybody should be at the top of their game.

Whitney Wright concludes, “I always try to go for the gold. Especially with anything taboo. Whether it’s rougher sex or family stuff or anything like that.”

Achievement requires commitment and hard work, elements this private Christian school grad learned through the value of personal responsibility. They have served her well.

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As we stated at the beginning of this series on Bree Mills, the writer/director is reshaping the future of porn. Among her most important contributions is validating that women in positions of influence can make a difference in content, production, and marketing.

Perhaps the days of porn’s entrenched patriarchy are beginning to wane.

 

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AEE 2019: Bree Mills, Part One

by Rich Moreland, April 2019

Bree Mills is a rising power in adult film. By that I mean writer, director, producer, and businesswoman. Her bold creativity and ability to play on the edges of legitimate (i.e. mainstream) production is reshaping the future of the adult industry.

We sat down in the press room for an engaging discussion during this year’s adult trade show in Las Vegas.

Photos are credited to Kevin Sayers. Pure Taboo supplied the logo.

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The Process

The focus of our interview is Pure Taboo, the studio and its productions.

Bree give us the basics. “I actually oversee quite a few different studios. When it comes to Pure Taboo, I have two intentions. The first is to challenge the psychological side of sexual desire and sexuality and take popular porn tropes and tell them with a different tone.”

That means taking a typical porn scenario and “treating it like a drama” or “tragedy” rather than “a lighthearted comedy.”

She explains. “I want to make people think about the content [they’re] watching, to confront it . . . to question [what they see].”

The native Bostonian believes viewers will either love or hate what she produces, but they will certainly never forget it.

After looking at a handful of Pure Taboo films, it’s hard to disagree with her.

Bree’s second intention involves her casts. “How can we work with these very underrated actors [and] provide a vehicle for adult actors to show their range?”

Part of the answer involves dialogue. “What’s interesting to note, which you may not have realized, is that those are all improvised acting performances. There are no scripts,” she says.

Bree describes the process.

“We work off a scene treatment that I write, or a member of my team writes, and the directors bring those characters to life. We rehearse and choreograph it.”

In effect, the scenes turn into “long single takes.” In the end, it’s challenging because improvisation is the key. “That is the most powerful aspect of this,” she adds.

Gangbang in a Prom Dress

Bree uses words like “raw emotion, realism, grittiness” to encapsulate what she wants from her performers. To realize this outcome, she works with them “from their own experiences or their own emotions. This means supporting the “method acting approach” to getting what she wants.

“I call it porn script theater,” she says, and that means spending “the day like a theater workshop.” It works because Bree sees her role as “the storyteller.”

After that, she lets “the actors flush it out and then we rehearse it” which means tweaking things a bit here and there.

Because she likes to focus on “realistic situations and bringing them to life,” that became the genesis of Prom Night starring Whitney Wright.

The film is “one of a kind,” Bree declares. “I had the idea to do a gangbang in a prom dress.” There are many stories of women who “end of losing their virginity on the prom nights in ways that were not what they had expected and it’s very complicated,” she states. So, why not delve into what for many girls is a bizarre and painful rite of passage.

She and Whitney talked through “how we wanted this character to feel” and “how we wanted to keep the realism of it,” Bree says.

“Whitney is one of our go-tos. She’s a great actress. She’s versatile and a great sex performer,” the director says of the twenty-seven-year-old.

There’s more when it comes to this charmer. Whitney’s “just a really great person,” Bree continues. “She’s funny, she’s weird, shows up on set with a smile on her face. She’s very generous and very willing to go the extra mile. The perfect type of person to bring on your set as cast.”

In the end, Bree approached the plot as “this fantasy that so many people have.” Create a group scene involving a prom dress that becomes a nightmare and a film is born.

Don’t Talk to Strangers

The other film I bring up is Don’t Talk to Strangers. It’s about a young girl kidnapped and imprisoned by a married couple. Bree says it was “inspired by several famous true crime stories that occurred in the early nineties in Canada.”

Having lived there for a while, Bree says, the scenario was “this nightmare I grew up with.”

The narrative explores the “Stockholm Syndrome” and the film became “one of the grittier scenes that we’ve put out,” Bree comments. “It was interesting to work with all three of those actors who we’ve shot multiple times in multiple different roles.”

One of them is Casey Calvert.

“That was the first time that her and I have worked together,” Bree exclaims. “I was very impressed. She’s exactly how I would have imagined that character. Really beautiful, but very cold.”

Bree gets some of her ideas from others, including her fans. But what is of particular interest to her are the stories she hears from performers.

“I’ll work with them to bring that story to life and for some people it’s therapeutic . . .  a way for them to combat either something that happened to them personally or an issue that affected them otherwise,” she explains.

It’s an outlet, Bree believes, and she’s been able “to provide a platform for performers” to explore the deeper psychological aspects of their personality or their past.

“Sex is a complicated thing, you know. When making sex films, there’s a fair amount of emotion and anxiety and energy and vulnerability brought together. To be able to provide an outlet for people is therapeutic to me as a director. It’s one of the main reasons I’m in this business.”

Well said and we hope Bree Mills stays in the adult industry for a long time.

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You can visit Pure Taboo on twitter at https://twitter.com/puretaboocom

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