Tag Archives: Real Time Bondage

I Never quite Know

by Rich Moreland, August, 2015

The Mercy West story continues.

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Mercy West Photo courtesy of Hardtied

Absolutely Wonderful
Photo courtesy of Hardtied.com

“It was wonderful. It was absolutely wonderful.”

A smiling Mercy West sits on a towel with sections of rope scattered on the floor around her (she was hogtied and suspended from the ceiling). Rope impressions on her ankles can’t hide the pleasure she’s just experienced from her kinks. Her butt sports a submissive’s thrill, cane marks. An orgasm went along with the show.

grunge girl poster

Titled “Grunge Girl,” the Hardtied shoot runs for about an hour and puts Mercy through her paces. It’s her first hardcore penetration scene in adult film. She is whipped, performs oral sex, and is vaginally penetrated (she doesn’t do anal at this point in her career). Her Dom is Jacky Hammer.

The producer of Mercy’s shoot is Intersec Interactive Inc. Located in Oakland, California, the parent company of Hardtied is run by Matt Williams who once worked for rival Kink.com across the bay.

For each of its five websites (the others are TopGirl, Infernal Restraints, Real Time Bondage, and Sexually Broken), Intersec uses the Kink model of pre and post shoot interviews to introduce the performer and ameliorate criticism from those who see bondage shoots as degrading and abusing to women.

A Bondage Disneyland?

Things are not what they seem to be when it comes to BDSM porn Photo courtesy of Intersece

Things are always not what they seem to be
Photo courtesy of Intersec

Here’s a little post-shoot info for those who need reassurance that Mercy has her wits about her and is cool with her experience. She spoke at length with me about it.

Everything went well, she says. “I really can’t think of too much that didn’t go how I wanted it to go. Working with Jack was really nice.”

Each time she’s gone to Intersec, excitement and a positive nervousness abound.

“It’s like taking a trip to Disneyland as much as it is a job like the others I do on a daily basis in adult. I really, really love working with them. The atmosphere in the studio is impeccable, everyone seems to get along. Everyone is respectful.”

Bondage porn is Mercy’s magic. “I’m working with the type of people that I’ve interacted with since I decided to put myself in the kink community.” But, she adds, “I’m always a little nervous because I never quite know exactly what’s in store.”

Shooting with Bella Photo courtesy of Hardtied.com

Shooting with Bella
Photo courtesy of Intersec

And that’s exciting because Mercy knows at Intersec she is watched over and respected. The studio’s directors–she’s fond of Jack Hammer and Bella Rossi, in particular–work within her personal limits, as is expected in the BDSM community. Jack’s shoot had a “pretty girl” theme and after she picked out an appropriate outfit, the stills were taken.

Instead of relying on “screen shots from the actual video,” companies like Intersec “take the time of take good ones,” Mercy says.

Artistic Still from Infernal Restraints Photo courtesy of Intesec

Erotic Art
Photo courtesy of Intesec

From her experience, some studios may break the action to take 35s or “have someone using photography equipment during the filming to capture moments” outside of the typical screen shot. The petite model compliments studios that focus on good stills because they tend to be artistic, thus “falling under the category of erotic art.” The best ones are “absolutely stunning” and can easily end up as website banners and adverts, she believes.

After a second thought, Mercy humorously back tracks. “I could be wrong and people could just be jerking off to them!”

That’s quite likely.

Nevertheless, she’s pleased with hers. They have “more of an artistic intent than purely pornographic one,” she concludes.

Now to the Details

Rain Degrey before one of her Intersec Shoots Photo courtesy of Intersec

Rain Degrey ready for an Intersec Shoot
Photo courtesy of Intersec

Mercy enjoys the travel that reconnects her with people in the business. When she goes to Oakland, bondage superstar Rain DeGrey, an Intersec recruiter and still active model, picks her up at the airport. Arriving this time for Hardtied, Mercy circulated as usual, carefully avoiding anyone who was busy. “There are always people running in and out” and if they have a moment or two they will “say hello and ask how I’ve been,” she says.

A few days before her arrival, Mercy phoned Jack “about limits and ideas and clothing,” what they would have done if they were negotiating a scene at a club.

It’s a process Mercy knows.

“I’m used to talking to the person I’m playing with before hand to get a feel for their personality and for what they’re looking for. I’d already met Jack twice, first on my Infernal Restraints shoot and again at my TopGirl shoot.” She is comfortable with him, she says, he is “a really diverse performer.” Incidentally, Mercy was careful to make sure he liked her outfit.

Jack at work. The outfit passed inspection! Photo courtesy of Hardtied.com

The outfit passed inspection!
Photo courtesy of Hardtied.com

Because the scene was her first boy/girl, Mercy’s nerves were like her body, tied up . . . but less than if she’d been shooting for another company. “I couldn’t have felt better about the whole situation.” Not surprising, the adrenaline was pumping. “It really is a drug,” she exclaims, that undoubtedly enhanced her pleasure.

“After the initial interview on camera, we started to work things out and I got into my first position.” As the shoot progressed, Mercy mentions she did not “have to be taken out too many times.” Models get safewords to use when issues arise because BDSM is hard on the body and brain. Some performers, especially those derisively referred to as “LA porn girls,” are not accustomed to the stresses of the fetish.

Mercy knows about the bondage scene; pornwise, she is not in it solely for the paycheck.

Rope bondage, especially strappado, and suspension can be uncomfortable if not rigged properly. Models must be aware of their bodies and even the best like Casey Calvert and the now retired Bobbi Starr would agree with Mercy that nothing should be “tingly” or “falling asleep.” Make sure “you have feeling everywhere,” Mercy says.

Rope Work Photo courtesy of Hardtied.com

Rope Work can create a tingly feeling
Photo courtesy of Hardtied.com

Intersec is awareness personified. The director and crew monitor the set closely which makes our short-haired bondage babe feel safe. “We did three or four different sections and I was taken out at least two times in each tie just to give me a break and to last longer.”

Making sure Mercy isn't in a tie too long! Photo courtesy of Hardtied.com

Making sure Mercy is satisfied
Photo courtesy of Hardtied.com

Though Mercy admits “there is a certain amount of performance” in her shoots, “being submissive” has its own particular pleasures. Unfortunately, there is the “subspace” issue which can be risky for some performers. “Sometimes you can get into that headspace and not be completely paying attention to your limbs and your digits.” In fact, Mercy believes “It is really easy to get lost in subspace and if you are actually into bondage and S&M, not just modeling or pretending to be into it, working with experienced kinksters just feels so comfortable.”

A Reality Check

Mercy does remember one surprise. A nylon stocking cap was put over her head. “I didn’t realize it until it happened and I was being walked out on stage. Of course, they had asked me and I agreed—I just didn’t think twice about it.” Next a “tape gag” was put around her mouth and “a tape blindfold over the nylon.”

Stocking cap and gag Photo courtesy of Hardtied.cm

Stocking cap and tape in the hands of Jack Hammer
Photo courtesy of Hardtied.cm

“I had never been blindfolded and gagged at the same time,” she says and momentarily she felt like she was in over her head, as the old saying goes. Focusing on the sensation “a little too much, I stopped,” Mercy remembers, “shook my head a little bit to get myself straight. Jack grabbed onto me and made sure I was okay.”

‘“Are you all right? I got you. Is everything all right?’”

“I took a breather and he asked if I needed to be taken out of the gag and out of the blindfold. I just stood there and everything was fine. The moment I heard his voice, ready to do whatever I needed, I was immediately calmed down and sort of gave him the ‘let’s go forward.’ When they yelled action and everything went on as planned.”

Looking back, Mercy declares, “I needed a little reality check [which turned out] absolutely beautiful, I really needed that wonderful communication.”

The value of experience in the BDSM play scene is priceless and a lesson for everyone who doubts sane people engage in the fetish. Speaking of Intersec, Mercy says, “I feel like I am completely in control and that they are in control of themselves and aware of the situation.” Good news because her first on-film penetration, breaking her porn cherry as they say in the business, went really well.

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Mercy West is not finished at Intersec because she wants to shoot for each of their sites. “They are totally attentive, extremely friendly and I just love working there. I can’t wait to go back. I would love, love, love to do Real Time Bondage. . . that would be one of the most intense things that I have ever done.”

Before the shoot Photo courtesy of Hardtied.com

Maybe Real Time Bondage is next?
Photo courtesy of Hardtied.com

What makes that site so special?

“They say it’s about four and a half hours straight of live streaming with tiny breaks in-between,” Mercy exclaims with delight.

Sounds good to her fans, they’ll be ready to watch this bondage slut take it all in.

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Bent in Half: Part Two of an Interview with Holly Heart

by Rich Moreland, February 2015

Holly Heart is a native Californian and veteran of adult film. In her early thirties, she is now a popular MILF performer working regularly for LA’s Porn Valley studios. Her fetish resume is highlighted by her one hundred plus shoots for Kink.com. Holly is one of their most sought after BDSM models.

Our interview continues.

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Shooting as a BDSM submissive in adult film can be just another booking or an authentic experience, depending on the model. For some girls who make the transition into the real deal, psychological and emotional changes take place that can be a slow rising tide or a sudden bolt of lightning. My interviews with Kink.com submissives reveal that pathways awakened to discovery are very personal as illustrated in two earlier posts on this blog, Casey Calvert and Dylan Ryan.

Holly Heart now joins these performers, putting her own spin on her transformation.

The Milk Bucket

A self-assurance emerged after Holly’s shoot with James Mogul’s TTO.

“When I started doing live scenes like The Upper Floor [and] being in front of an audience doing what they are telling me to do, I started to get this slave confidence that I could obey, confidence that I could be prestigious, that I could do what I’m told in a timely manner.”

Inspiration lights up Holly’s eyes as she describes her transformation. Her intensity increases and she borders on proselytization, reinforcing my belief that BDSM adherents have their own faith, a kind of conversion that leads to peace and an affirmation of their minds and bodies.

“That’s when I started to really feel it,” she says. “It’s almost like the unknown is gone and now you can really be what you want to be because what was clouding you has been removed. Only a submissive in the BDSM community can really understand it [and] you have so much fun doing it.”

Holly has expanded her Kink experiences. Over “the last five years,” she declares, her life has “changed dramatically” because of them.

“It’s made me more respectful, it’s made me a kinder, more compassionate person, more understanding and I’m really grateful for that [and] for the community [and] for all the people that had the patience to teach me.”

Holly on Device Bondage. Photo courtesy of Kink.com

Holly on Device Bondage.
Photo courtesy of Kink.com

Holly praises Matt Williams. “He was so gracious with me. He was my first Dom ever.” Her initial shoot was for Device Bondage, the Kink website Matt directed at the time. To make her experience proceed well, Matt employed Rain DeGrey be on the set for Holly’s live show.

“I had no idea what I was getting myself into. All I knew was I had read books about bondage and I wanted to be a slave. It enticed me, it was glorifying to me to be a slave, to be on that pedestal, just to be there and be a part of that. To be available for service is just hot and sexy! It just feels good!”

Holly dips into an amusing episode during the shoot: the crew put some hot sauce between her legs.

“I was sweaty and writhing and it was so painful! At the end of the shoot I’m thinking, ‘Oh, hot sauce on your tongue? Get some milk.’ Rain brings me two buckets of milk and I’m sitting in them during the [post-shoot] interview. That was my introduction to BDSM,” she laughs.

Years later Holly came to understand that she’s “a freaking masochist,” as she puts it. More live shoots at Kink, which she characterizes as “a really amazing experience and a really amazing journey,” reinforced that new sexual self-definition.

In it’s own way, perhaps BDSM is religious-like, certainly it’s emotional impact on those who love it is intense.

Subspace

It’s time to talk about something I like to bring up in these kinds of conversation: mindfucks.

Holly smiles broadly and tells me she has two great stories she will share.

“I was afraid of the hot sauce. In my head I knew that the sauce was never going to be there again because it was on my “no” list (like everyone in the BDSM community, professional or amateur, Kink honors a submissive’s hard limits, those things that are off the board in a shoot.)

“I was on the set with Lochai for Hogtied many years ago (Lochai has since left the company and now resides in Baltimore). He tied me up to a wall with my legs and arms spread with a bowling ball crotch harness attached to me. Then he had a zipper (cord with clothespins) on my tits and stomach.”

Lochai, whose personality is humor built on a flair for rigging that is widely respected in the community, pulls out a bottle.

“I don’t know what it is,” Holly relates, “but for some reason I thought it was the sauce. I got really scared and [in my eyes] you can see the fear. He sprays my face with it and it was baby oil!” Lochai is playing the mental dodge ball that spices up his shoots.

“He sprays my whole body and rips off the zipper. I was so thinking about the sauce that my mind was in a whole other place that I didn’t even feel the zipper!”

Holly then offers an example of subspace in a recent Sexually Broken episode for Real Time Bondage, a current Matt Williams site. She describes  being “bent in half” with arms and legs tied down. Matt and his associate Jackhammer are penetrating her mouth and vagina, “just back and forth, back and forth, no-stop simultaneously,” she says.

Bent in half. Photo courtesy of Intersec.com

Bent in half.
Photo courtesy of Intersec.com

“I literally went into this complete moment of subspace where nothing existed. It was like a perfect moment where I only thought of that moment and my brain tuned out and my body just went completely limp. It was like I never wanted that feeling to stop. It’s an addiction.” She adds a cautionary note. “Because they are professionals,” the director and crew recognize when a girl is closing in on that psychological dreamland.

Should a submissive teeter near the edge, monitoring her emotional balance takes over. “They know that you are zoning out and you are going to pass out any second because you feel so good.” But Holly understands she is safe because the filming will stop if a dangerous turn in the road is coming up.

Incidentally, subspace often prohibits a submissve from using her safeword. Some models tell me they self-monitor during filming to avoid losing control so they will not be accidentally injured. Casey Calvert, for example, reserves subspace for her private life, preferring to maintain total awareness when working professionally.

Bear in mind, Holly Heart is a veteran BDSMer. This is not Fifty Shades of Grey. It’s a community of people who understand and appreciate their fetishes and are careful in their play. She joins the best professional submissives I’ve written about such as Madison Young, Casey Calvert, Rain DeGrey, and Dylan Ryan who are very aware of the sensitive nature of subspace.

Holly ranks the Sexually Broken shoot among her best. “It was the most amazing experience, especially being in the community now for so long.” This California girl understands she is able to put herself in that situation and, as she says, “really feel the utmost pleasure and not be afraid.”

Reading the Body

Holly and I have something in common, sports. As a former triathlete and marathoner, I bring up the “runner’s high” that causes the endurance athlete to transcend the stress of the race. Her interest sparked, Holly mentions adrenaline. “I love to run, too, and I get that runner’s high.” Like yours truly, Holly is also a weightlifter to go along with her aerobic fitness and it shows in her taut body that, by the way, serves her well in another line of Kink shoots she loves, Ultimate Surrender, girl wrestling that ends in good sex. The site is widely (and wildly) popular among Kink models and is shot before a live audience.

Before the match. The competitors: Holly, Audry Rose, Bryn Blaine, and Rain DeGrey. Photo courtesy of Kink.com

Before the match. The competitors: Holly, Audrey Rose, Bryn Blaine, and Rain DeGrey.
Photo courtesy of Kink.com

Holly promotes the feel good aspect of working out.

“I think we need to express that to people unfamiliar with [the benefits of exercise]. You can get this natural high from your body that is actually good and its not going to harm you, its actually going to be better for your life.”

During the match the audience looks on. Photo courtesy of Kink.com

During the match the audience looks on.
Photo courtesy of Kink.com

This avid sports girl then makes a quick transition to demystify BDSM. “We’re not hurting each other when we are doing corporal punishment. We know the body’s limit. We educate ourselves on [changes in skin color for blood flow] and the way a person writhes when they are getting spanked, caned, or flogged. Reading the body language, eye contact, facial expressions, that is what makes a professional dominant so good.”

Fetish education is integral to the BDSM community, Holly explains. “If we could get the world to understand that, then the world may be more open to it.”

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Part Three of my interview with this extraordinary woman is coming next. She’ll discuss switching and learning from Kink’s Princess Donna.

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