Tag Archives: The Training of O

Vanity Stripped Away: Part One of an Interview with Holly Heart

by Rich Moreland, February, 2015

Rarely have I had the pleasure of interviewing a performer who comes close to Holly Heart. This sultry blonde and I speak a mutual language and I’m happy to say her enthusiasm leaps through the words of our conversation. In the all-too-short time together we had at the 2015 Adult Entertainment Expo in Las Vegas, she was so ardent in our pre-interview chat that I abandoned my prepared notes so we could focus on her passion for the fetish play that dances around the proprieties of vanilla America.

Be it known that Holly Heart is no missionary position porn girl who delicately wades into sexual experimentation. She revels in her fetishes, learns from them, and has achieved a personal satisfaction that flummoxes those whose erotic proclivities remain closeted. Holly has discovered the rarest of treasures: liberation and strength gained through a sexual awakening.

Overcoming her BDSM fears and the reticence they created, Holly is receiving her bondage merits, or hard-won marks (pun intended), with a determination that elevates serving to its highest honor. It’s an achievement reserved for a few of the brightest stars who entertain BDSM fans with a zealotry unseen in run-of-the-mill adult film.

A Submissive Person

Holly Heart makes her mark in our interview. Photo courtesy of 3hattergrindhouse.com

Holly Heart makes her mark in our interview.
Photo courtesy of 3hattergrindhouse.com

To get us started, I ask Holly to define her BDSM self.

She runs through submissive, bottom, and masochist, then adds, “I am a submissive person, but not all submissives are masochists.” Agreed. As Bobbi Starr once told me, many subs want to please, others get off on pain.

Holly quickly delves into her own story. “I happen to be a masochist. I love pain.” She explains that her self-definition goes back to her early shoots with Kink.com, the San Francisco porn company run by Peter Acworth, where a handful of directors that include James Mogul and Matt Williams (who now runs Intersec across the bay in Oakland), guided her along.

You are a slave in bondage play?

“[The Kink directors] helped me explore what I like as a masochist and that was so awesome for me. But as a far as being a slave, I wouldn’t consider myself someone’s slave because I’ve never had a master [in my personal life], but I’ve had dominant men submit me.”

Of course, Kink’s The Upper Floor is a submissive girl’s dream experience, at least on the professional level. Has Holly joined this elite rank of performers?

“I just did a scene on Wednesday for them with James,” she answers with unmitigated excitement.

This girl is on board with her fetish. BDSM fans should check out some of her work.

Too Perfect all the Time

Orgasm and pain are worshipped on the BDSM alter because reaching that special nirvana requires practice, self-understanding, and a processing ability that zeros in on the relaxation necessary to to go with the flow. No tensing up in this play space or the scene collapses very fast and the pre-negotiated safe word will quickly wrap things up leading to disappointment and feelings of failure.

One of the best training grounds at Kink.com uses preparation in its name, The Training of O. The website is managed by one of the studio’s best directors, James Mogul. A prominent submissive who shot for him told me James is the master manipulator. He establishes a girl’s focus on the first day–the issue she wants to explore–and goes from there, building the next three days to address her goal or need. The shoots become a personal journey of self-discovery that for some girls is a once in a lifetime experience.

“I didn’t really know how to process the pain [though] I did a few shoots for Kink [before] I did Training of O in 2010,” Holly says. “Oddly enough [James honored] my request to better myself.”

Under the tutelage of James Mogul. Photo courtesy of Kink.com

Under the tutelage of James Mogul.
Photo courtesy of Kink.com

She explains that James’ grasp of psychology allowed him to get inside her head and satisfy her desire.

“I was like super vain and I told them [James and his assistant Maestro who participates sexually in TTO shoots] that I wanted to feel beautiful even in my most detrimental moments when I’m not beautiful, when I don’t think I am physically beautiful. They really helped me break that vainness. I thought you had to be pretty and be like a perfect statuesque-like person and that’s not the case.”

Holly furthers her honesty. “I felt like I just wanted to be too perfect all the time and I didn’t always want to feel like that. As a submissive you’re not going to be pretty every day.”

Holly talks about having “spit on your face” and other things “that make you look not physically attractive to what you may think is the [measure of] standard beauty.” She elaborates. “You need to learn that [how you look in training] is beautiful because that is what your Dominant thinks is beautiful and as a submissive I wanted to learn that, to understand that I am beautiful no matter what I look like.” Holly “wanted to be stripped” of the vanity that compelled her to always strive for physical attraction on camera.

In short, she sought maturity and an understanding that to be enticing and provocative has different faces in different situations.

As was customary in those days at Kink, Holly stayed in the Armory (their Mission District facility) where she had homework assignments in the evening after the shooting day was finished. Her four days of TTO were rewarding, she recalls, with Day Three the most difficult.

During that session she was naked and carrying wooden pallets, the sort of workout James would schedule for a girl with an athletic, toned body and a background of fitness. “I was strong enough to carry them,” Holly remembers proudly. The Kink team made certain that she was protected from injury, as is their protocol. Holly wore gloves and steel-toed boots. “But the humility of it,” she says, was the “pig’s tail anal plug” she had to endure and the name-calling, “piggy and all these different names affiliated with pigs.” It’s BDSM play, of course, designed to ignite the crackling fires of explosive pleasure.

Training with James: the zipper. Photo courtesy of Kink.com

Training with James: the zipper.
Photo courtesy of Kink.com

“I just broke down,” Holly recalls, “and was crying.” They caned her feet and used zippers (clothes pins on lengths of cord) as arousal techniques while the ever present Hitachi induced orgasms. The blonde submissive believes Kink affirms the classical conditioning theories of Ivan Pavlov. “You start to associate the pain with pleasure,” she states, “and you learn to process the pain with an orgasm.” It was an awesome experience.

You Belong to Them

Was this any sort of revelation, I ask?

Holly says she’s done two TTO shoots (an honor in a sense because James does not always do a repeat show with a girl). In the first episode, the pig play and taunting made an impression. I was “such a new sub,” she remembers, and “didn’t understand the logistics of the dom and sub relationship,” so it was a learning process.

As is the Kink custom, the final interview wrapped things up, but Holly was not finished at the Armory. The next day she was initiated into The Upper Floor, Kink’s live parties that take place in the Armory’s version of an English country house where slaves serve their masters. In 2010 being a house slave was a choice position at the company because it offered regular work for performers and is the pinnacle of BDSM play at Kink.

The Upper Floor slave. Photo courtesy of Kink.com

The Upper Floor slave.
Photo courtesy of Kink.com

Reaching the achievement of “belong[ing] to the house,” Holly explains, means that “you belong to them. You will obey and do what they say if you want to be part of that and you’re going to be beautiful no matter what because they think it is beautiful.”

And, Holly Heart is grateful. “It took me years to get over that vanity,” but I “pushed through it” and “was a better submissive because I could serve,” she says with overwhelming pride.

The revelation is deafening because it’s the fetish that creates the loveliness in every submissive who must abandon her own self-definitions to achieve the non-judgmental pleasure she seeks. “I wasn’t thinking about myself because as a submissive and a slave you serve others. You don’t worry about you.”

What Holly means is what I’ve heard before. With serving comes liberation, a freedom and acceptance that results from going through trials and tribulations to prove to yourself how powerful you can be, a concept very foreign to the vanilla sexual world.

*          *          *          *          *

Holly Heart is represented by Star Factory PR. They can be reached at 818-732-0191 or via email at Info@StarFactoryPR.com or StarFactoryPR.com

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Pretty Girl

by Rich Moreland, September, 2013

The Collar Photo Courtesy of Kink.com and Casey Calvert

The Collar on Pretty Girl
Photo Courtesy of Kink.com and Casey Calvert

Kink.com’s The Training of O (TTOO) website is the purview of James Mogul, a kinky director whose personas are flexible and guaranteed to bring out the best in any girl who shoots for him.

In James’ mind, all new girls are to be treated with caution and care. His plan for a performer named Casey Calvert is no different. But in fact, James soon discovers that she is quite different. Casey’s sexual masochism becomes his welcome playground and a carnal delight for TTOO viewers.

In crafting a rewarding experience for her, James takes one of Casey’s self-confessed shortcomings and turns it into a project. Her four days at Kink’s castle in San Francisco will convince this seemingly shy young woman that she is indeed a “pretty girl.”

The first three days are an exploratory journey. On Day One, for example, Casey has clothespins attached over her body while she is bound by wrist and ankle. James rips them away one at a time while Casey’s grimaces accentuate her sensual gratification. The trials continue for two more days; arduous tasks intermittently complimented with penetrative sex.

By Day Four, many girls who shoot for TTOO are running on vapors, but not Casey.

Admitting that shooting for James is rigorous—“TTOO is physically very hard,” Casey tells me—she was still energized in Day Four and disappointed when she was finished. “I was really sad to have to go home,” she says.

James’s design for Casey is slave training while wearing a corset. From what I know of Casey, she is thrilled, but this is a walk in the park for her. He laces one snugly on her, attaches a leash around her neck and has her parade in circles while wearing heels. A few things are going on here. Casey’s heels are a bit of style and glamor and the corset keeps her upright. The scene is reminiscent of pony girl training in which posture is the centerpiece of a girl’s task. Casey is learning to straighten her back while being disciplined in the manner of a horse controlled with reins. She loves it.

The Corset on the First Day Photo Courtesy of Kink.com and Casey Calvert

The Corset on the First Day
Photo Courtesy of Kink.com and Casey Calvert

For TTOO shoots, James gets to know the model early on then configures the rest of the days to challenge what the girl wants to accomplish. In his mission to convince Casey she is “pretty,” James works on her command of her physical presence. It’s his teacher persona and it works.

Casey admits that calling herself a “pretty girl” is “starting to get in my head.” And the corset is doing its job. “My posture is better,” she comments proudly.

Watching Casey Calvert in this setting recalls Victorian erotica in which disciplined girls are outfitted in period clothing. A cane on her backside would complete the image of traditional British spanking; shortly, James will do just that.

All Collars Must Be Earned

As the days progress, Casey Calvert admits that she has a “hard time doing something that is so easy for me.” Pony girl training looks nice for the fans, but doesn’t challenge this gorgeous brunette. James takes note; a goal accomplished with little effort has no value placed upon it.

The Tank Photo Courtesy of Kink.com and Casey Calvert

The Tank
Photo Courtesy of Kink.com and Casey Calvert

On Day Three Casey orgasms while her face is submerged in a tank of water and she is penetrated from the rear. She later concedes it is difficult to climax in a scary situation. “Too much mental stimuli,” she says.

For James Mogul, this is progress.

Though the numbers may be hard to believe, Casey Calvert is an orgasm machine. During the debriefing at the end of Day Four, she and James estimate that over her week of discipline, she had seventy. Of course, it doesn’t hurt that James is adept at finding her G-spot.

The self-proclaimed pain slut confesses that orgasms were lovingly forced out of her. Never fear, for Casey that’s a cracking good deal, part of her definition of what it means to be kinky. The combination of pain from the training and hard sexual penetration will “make me cum even if I don’t want to,” she says.

The Bench Photo Courtesy of Kink.com and Casey Calvert

The Bench
Photo Courtesy of Kink.com and Casey Calvert

Tied over a spanking bench, Casey’s bottom is struck repeatedly by the strap James uses to generate the stinging sensations she relishes in a fetish booking. The Hitachi Magic Wand is laboring as her moans increase with the intensity of each succeeding blow. Ouches are now “ows”. Eventually, painful murmurs morph into screams. James keeps up his interrogation, demanding answers about wearing a collar and the feel of vibrators.

The conflation of pain, the vibrator and the mental exercises defines being trained by James Mogul.

Casey’s mantra on this final day is “All collars must be earned.” She repeats it after each application of the leather. The speed increases.

Casey wails, then partial silence, before a constant low level of guttural sound returns. Her face is focused on some faraway place; her eyes begin to dim, hanging straight forward. The whole body shudders, she whimpers limply, another long and laborious moment of glee only a highly sexualized woman can appreciate.

James takes the collar from her hands, where it has been since the beginning of the scene, and places it around her neck.

“Thank you, Sir,” she mutters almost incoherently.

“Pretty” Stuff

After a break, the camera rolls again. Casey is standing before James, her image complete in corset, heels, and now the collar. The director assumes his drill sergeant persona, taking his slave through boot camp instructions. She is exercised to improve her stamina.

No problem for Casey because she’s an athlete having been a gymnast as a kid and later a rock climber in college. The drill instructor demands push-ups, running in place and jumping jacks. Later, Casey kneels on a platform while James’ riding crop reddens her bottom.

Casey’s amused expression is that of a little girl secretly watching her bossy older sister do the dirty deed with her punkish boyfriend. Wait until Mom finds out about this! James orders Casey to “wipe that smirk” off her face.

As Casey places her head on the floor, James presses a boot on her cheek, a not unusual maneuver for him in these kinds of shoots. Spanking has led her to this moment and shortly she licks his boots in total submission. The kinky Floridian has another orgasm. Surprised? Don’t be, this is Casey Calvert at her best.

The shoot continues with oral, vaginal, and anal sex supplied by her co-star, Owen Gray. Everything is complimented with the cane or the riding crop. Casey is tired, but bright-eyed, when all is finished.

James wants her overall impression of the shoot when the debriefing begins. Kink.com always concludes its shoots with a conversation between the performer and the director.

“I had a great time,” she says, “It was fun.” She is momentarily spent, however, mentioning that her legs, arms and shoulders are sore.

“How do you feel mentally,” James wants to know.

“Great! Happy!” She is beaming.

Casey admits she orgasms repeatedly when she can’t breathe and can’t think. She relates some scary moments: all part of her personal kink. Best of all, Casey athleticism is tested in the shoot. She compliments James on the work he made her do. “Endurance challenges,” she calls them.

Asked if there was anything she didn’t like, Casey says no. “I’m happy with everything we did,” she says.

“What did you learn,” the professor/drill instructor asks.

“We got some of the ‘pretty’ stuff in my head.” With a broad smile, she adds, “which is good.” Absolutely. Casey Calvert herself is very, very, pretty stuff. A BDSM dream girl.

Pretty Girl in a Favorite Pose Photo Courtesy of SouthBound

Pretty Girl in a Favorite Position with Slave Collar Dangling
Photo Courtesy of SouthBound

*        *        *        *        *

Knowing Kink.com’s preferences in scripting its shoots, I ask Casey to reflect on her first TTOO experience.

James started her off slowly, she says, because the veteran director did not have a true indication of her level of kinkiness.

“He knew I had experience, but he didn’t know how much,” she tells me. As is his custom, James was willing to press a bit harder as each day led to the next, so the week was fun for her. Once James perceived her love of masochistic sex, “he started pushing all the right buttons,” Casey explains.

Both dom and sub learned from each other . . . and a bond emerged between Casey Calvert and James Mogul.

He is a true professional and “extraordinarily respectful,” Casey says of the TTOO director. She praises his caution when approaching newbies and his thorough understanding of the BDSM scene. BDSM play, especially for the bottom, must have clear limits and be closely guided because giving up all control (at least in theory) is the liberating experience of a bondage scene.

“James has earned my trust,” Casey remarks, and “trust is the difference” when BDSM is your fetish.

~~~~~~~~~~~~~~~~~~~~

In discussing this shoot with Casey, she assured me that at no time did she ever feel out of control or lack complete awareness of what was happening. She is a professional model who takes pride in the scenes she does for the studios that hire her. Though mystifying for many, it is her art.

The same can be said of James Mogul. The models who have worked with James tell me he is authentic and guides a performer with professionalism and care. He provides the palette of colors a girl chooses to reach her bliss.

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