AEE 2019: Bree Mills, Part Four

by Rich Moreland, April 2019

In this final installment on writer/director Bree Mills, we asked three female porn super stars about working with the Gamma Films head of production. 

Photos are credited to Kevin Sayers.

*          *          *

Casey Calvert

I’ve interviewed Casey Calvert several times over the years she has been an adult film actress. I can always depend on the native Floridian to give me the lowdown on the industry. She is honest and smart.

Today’s topic is Bree Mills.

“Bree is one of my favorite directors to work with. She cares about her product and to me that means performance,” Casey says.

The former fetish model refers to the “product” as the “actual scene” filmed, not a “pop-up” internet ad or a “photograph for Instagram.”

That’s important because Bree’s attitude privileges her cast to also “care about the product.” It’s leadership by example.

Does Bree’s gender matter? Is she formulating the modern female director in porn?

Casey doubts that. “I don’t think that Bree’s gender impacts how she runs her set. I think Bree’s personality impacts how she runs her set.”

Admittedly, many directors care about what they shoot, Casey continues. But with Bree, things are different. “Bree is just in a really unique position where the company that she is working for also cares about the product.”

Speaking of the brand and its content, I suggest that Pure Taboo is edgy and a little bit creepy.

Casey doesn’t dispute my assessment, but qualifies it with “sometimes,” particularly as it applies to “creepy.”

I reference her performance in Don’t Talk to Strangers. Of special interest to me is the moment Casey jabs the syringe in Gina Valentina instantly terminating a victim Casey and her husband had kept in sexual confinement. I describe her role as “nasty.”

Casey smiles. “That was my character. I was a lot of fun.”

Did Bree give her any special directions to bring out that malevolence.

“She gave me the freedom to do what I wanted to do with that character,” Casey replies.

I speculate that Casey must have dug into her psyche to find the capacity for evil we all carry within ourselves.

“Right,” she responds. “I had the creative freedom to be weird and to be creepy. I didn’t have to make it campy. I didn’t have to make it silly.”

After a pause, Casey Calvert summarizes what is so special about working for Bree Mills.

“I was given permission to just be an actor.”

In the adult film world, that is an affirmation like no other.

Kenna James

Kenna James is new to me and a special girl, I immediately learned. Her bubbly personality is among the best in the industry. After introducing myself at the Adult Time booth, I persuaded her to sit down with my team in the press room.

I’m curious to know how Kenna describes working with Gamma Films.

“Shooting for Bree Mills is unlike shooting for anybody else in this business. I don’t know where she comes up with her ideas, if it’s just a memory bank or a vault. It’s incredible.”

Kenna’s smile warms her enthusiasm.

“Bree’s such an amazing person to be around because she’s so uplifting. Even when you’re dragging and you’re down and you’ve been on set for eighteen hours and you’re tired and cranky.”

I’m aware that Kenna has shot for Jacky St. James. What are the differences between the two directors?

The native Midwesterner observes that there are differences and similarities.

“They’re both very strong women who are brilliant at what they do.”

Kenna is effusive about Jacky. They are best friends, she says. “I adore her with all my heart. With Jacky it’s this playful, loving banter all the time.”

On the other hand, she mentions, it’s different with Bree, but it’s not easy to describe.

“I’m really bad at explaining with words, so I like mental pictures,” Kenna says, laughing.

I help her out a little. Perhaps Jacky may seem huggable.

“Yes,” Kenna replies.

And Bree may be down and dirty.

“Yes,” Kenna says, beaming.

Then I make the script observation I’ve done with other performers. Jacky wants dialogue as its written; Bree prefers improvisation.

“They’re very opposite,” Kenna affirms.

Finally, she distinguishes the two writer/directors with an analogy (or as Kenna would put, her “mental picture”)

“I would get on a motorcycle and go riding with Bree. Jacky, I would go dancing with.”

Perfectly put.

Whitney Wright

Whitney Wright is a native Oklahoman whose name in the business is A-list personified. She is one of Bree Mill’s go-to performers for reasons we’ve previously mentioned in first installment of this series.

When we relaxed in the press room at this year’s AEE, I ask Whitney to give me her version of the Bree Mills experience.

“I love Bree so much,” the former nursing student says with an affectionate laugh. “I had never shot for Gamma before she gave me a chance on Pure Taboo and I think that was partially thanks to Craven Morehead as well.”

Whitney and Craven follow each other on social media and he noticed a fetish scene she had posted. That led to a shoot for Pure Taboo.

Things took off from there.

“I’ve got seven or eight scenes on Pure Taboo alone [with] three more coming. So, Gamma is essentially like bread and butter. They’re the people I shoot for so much,” Whitney says.

Give us some words to describe Bree.

Whitney quickly rattles off “motivational. inspiring, vivid, animate.” Then, she adoringly adds “weird.”

“I think that’s why we get along so well,” Whitney says, reflecting on her list, especially “weird.”

I mention her role as the girl who is sexually used by a group of guys on her prom night in the Pure Taboo film with the same name.

“I believe that was the second time I had shot for Bree. It was really great. I loved the whole concept and again the taboo of it. That’s something I’ve loved in every scene I’ve shot for her.”

Whitney addresses what attracts her to the Bree Mills product.

“[It’s] the taboo and the complexity of whatever role I’ve been given whether it’s someone with a hidden agenda or someone who’s been wronged and tries to wrong someone else to make up for it. Or like my character in Prom Night who was just an innocent bystander,” Whitney explains.

Pure Taboo is website generated with an active membership so the fans comment on what they see. Whitney loves to hear what they have to say.

“There’s definitely an interesting mix of them,” she says, and their opinions are all over the place. Some fans will say the scene was “too rough” or they felt sorry for her character and they “couldn’t get into it.”

She understands their comments, Whitney says, but reminds us that pulling off the taboo component on-screen is up to the cast.

“Maybe the actress didn’t portray it well or they [fans] couldn’t get into the guy character ‘cause he didn’t sell it.”

That’s important because, as Whitney explains, “I feel like your partner is so vital in how the scene comes off.” That means everybody should be at the top of their game.

Whitney Wright concludes, “I always try to go for the gold. Especially with anything taboo. Whether it’s rougher sex or family stuff or anything like that.”

Achievement requires commitment and hard work, elements this private Christian school grad learned through the value of personal responsibility. They have served her well.

*          *          *

As we stated at the beginning of this series on Bree Mills, the writer/director is reshaping the future of porn. Among her most important contributions is validating that women in positions of influence can make a difference in content, production, and marketing.

Perhaps the days of porn’s entrenched patriarchy are beginning to wane.

 

Leave a comment

Filed under Uncategorized

AEE 2019: Bree Mills, Part Three

By Rich Moreland, April 2019 

In this post and the next, we will take a look at how five performers who exemplify the super star concept in porn react to the question, “What is it like to shoot for Bree Mills?”

Photos are credited to Kevin Sayers. Box cover courtesy of Pure Taboo.

*          *          *

Based in Montreal, Gamma Films Group is an entertainment network that currently maintains several production studios. Among them are Girlsway and Pure Taboo that appear under the umbrella label, Adult Time. Recently, Burning Angel joined the corporate family.

Bree Mills writes, directs, and produces for Gamma Films. She is best known for the operation of Girlsway, an all-female content producer, and Pure Taboo, a niche-oriented studio that, according to its website, delves into “the darkest corners of sex and desire” through the exploration of “forbidden subject matters.”

Key to a Mills production is superb cinematography and impressive acting. Without a specifically written script, performers have the freedom to rely on their talents to create the characters the New England born director wants. The results are spectacular and, in the case of Pure Taboo, often disturbing.

Part of a rising group of female writers and directors in porn, the thirty-something Mills possesses the right skills to fuel performances previously thought foreign to the industry.

Like Jacky St. James, Kayden Kross, Angie Rowntree, and others, Bree Mills knows that the thespian talent in adult film is far greater than the public . . . and many in the industry . . . realize.

Proof is in the 2019 AVN awards. Gamma received an astounding eighty-four nominations that encompassed the best of filmmaking in porn.

*          *          *

In seeking opinions on shooting for Bree Mills, I was fortunate to talk again with three “old friends,” if I may be permitted to use that phrase, and chat for the first time with two performers whose work I’ve come to admire.

To begin, we’ll see what two of porn’s male veterans have to say.

Tommy Pistol

Interviewing Tommy Pistol is always a joy. His acting ability is beyond reproach and his enthusiasm for the industry is likewise unvarnished.

He begins by describing the fundamentals of a Bree Mills film.

“We’re making a feature but it is only a long scene. It’s almost like a play,” he says. “Bree calls it porn theater.”

The native New Yorker elaborates that Bree’s script is not really that, it’s more of a “breakdown, a blueprint.” She describes the characters and “the situations they’re in” and what it all leads to.

“She leaves it up to the actor to fill in the dialogue,” he says. That allows performers to give the characters their voice within the framework of the story.

The result is an intensity that adult actors rarely get to show on-screen.

“Bree trusts her performers to do dramatic, dark roles, to dig deep,” Tommy explains. “She gives us a platform to shine.”

I suggest that Bree’s set is “guided spontaneity.”

“Guided spontaneity is perfect,” he exclaims. “She already has a vision [and] trusts us to give it words.”

As an example, we discuss Tommy’s role as a parent in one of the Future Darkly series. In the story, scientists bring back his deceased daughter (played by Jill Kassidy) in the form of an avatar. He’s intense as the grieving father.

“I am a parent. I have two boys and I love them,” Tommy comments then talks about putting himself into the “mind frame” of how he’d feel if he lost them. The result was beyond awesome.

Next, I mention my urge to fast forward through the sex scenes to follow the story when watching a Bree film. Not that the sex falls flat, but that the story is so deeply engaging.

“Isn’t that something!” Tommy comments with glee. “We’ve grown as an industry.’”

Referring to the porn formulas of sex positions with minimal storytelling, Tommy says, “the cookie cutter stuff is cool, but we gotta do more [in making films]. We have the skill, the talent, [and] the equipment.”

“As a performer, sex is one thing, but when you get honest appreciation for the things you do [as an actor], that’s amazing.”

He leaves us with an observation. His role in Pure Taboo’s The Weight of Infidelity created quite a stir on set. The story is the brainchild of performer Angela White who stars in the production.

His portrayal of the repugnant husband “made people uncomfortable,” Tommy says, because he insulted and humiliated Angela. Nevertheless, he adds, outside media sources proclaimed that the film “isn’t a porno, this should be an art piece.”

That’s Bree Mills’ goal, to bring porn out of the shadows and into artistic daylight.

Incidentally, The Weight of Infidelity won AVN’s award for Best Featurette and Tommy Pistol for Best Actor in a Featurette.

Derrick Pierce

Porn veteran Derrick Pierce brings a business vision to the Bree Mills discussion. He points out that Bree became “a director out of necessity.” She was “a numbers person for Gamma,” so she knew the score at the company.

Bree learned directing on the fly?

“A hundred percent,” DErrick says. Bree is “the originator of what she does,” and takes the attitude with performers of “let’s try it and see how it goes.”

In describing the writer/director’s strength, Derrick says she gives performers “a lot of depth” to explore their roles within the scope of her narrative.

Her premise is to develop “the synopsis and the background” of the story and introduce the characters. The rest is up to the actors.

And, she pushes boundaries.

Bree is “always looking to see where the line of uncomfortable starts and finishes,” Derrick states. If the actors feel uneasy about what’s going on, Bree reminds them that the viewer will feel that way also.

“They’re clicking on the uncomfortable moments” that precede the sex scenes, the Massachusetts native adds. Those moments bring the sex in her films to life.

“That’s what makes her so dynamic as far as being a storyteller,” he believes.

Derrick goes into what now is evident about Bree Mills. She turns the porn formula on its head because the sex scenes are “secondary to what she wants.”

Bree is transcending the mantra of “sex is sex is sex,” Derrick explains. “The premise is always the key and if you don’t have the buildup the sex is always going to be mediocre.”

As he previously mentioned, Derrick insists that Bree never forgets the business fundamentals of building a brand and the fan following necessary to sell it.

“She came from the numbers. She’s watching and seeing what people are clicking on and purchasing.”

To reinforce his point, Derrick Pierce touches on Bree’s business acumen when he says Adult Time “acquired the rights to Vivid catalogues” and Burning Angels’ production.

“She’s purchasing and unifying other companies and their content and putting into a functional application that’s user friendly.”

In conclusion, he describes the totality of the Bree Mills enterprise as a “juggernaut.”

*          *            *

Next we’ll look at shooting for Bree from the perspective of female performers.

 

Leave a comment

Filed under Uncategorized

AEE 2019: Bree Mills, Part Two

by Rich Moreland, April 2019

In this second installment on Bree Mills, we will look at her filmmaking philosophy from a business and creative point of view.

Photos are credited to Kevin Sayers. Logo is courtesy of Girlsway.

*          *          *

Data and Creativity

Like every successful businesswoman, Bree Mills understands how to produce the best content for the dollar. And, like every renowned artist, she knows how to find the right story to keep her fan base coming back for more.

Neither of the above accomplishments works without a collective effort.

“My content is a real mix of data driven decisions and creativity,” the head of production tells me. “I sit on a lot of data and I have a whole team at Gamma that studies what people want.” She refers to the accumulated information as her Petri dish she can “source from.”

“I speak with customers and porn fans, so I use that intelligence to fuel my ideas. But I try not to let the data override the creativity. It ends up being a good balance.”

To what extent does fan response drive future productions?

For an “ongoing series” it has tremendous value, she insists. What’s more, fans can be co-authors of a Gamma Films production.

“Girlsway, one of our big studios, is very involved in member feedback and sourcing ideas for our stories. My finger’s always on the pulse of how our fans are reacting to content.”

Usually she will produce a full season of a series then get feedback to generate the material for the next one. But with the recent development of Adult Time, she’s changing things a bit. Now Bree puts out “pilots of concepts so we can start getting feedback from members right away.”

The result has an “impact on subsequent episodes that we shoot,” she says, “so that we can start building an audience, build engagement, [then] refine our series.”

It’s a partnership of sorts, she indicates, because we are “shaping the content together.”

Outsider

A closer look at her product reveals that Bree considers herself to be “a pop culture vulture.”

“I’ve watched a lot of films, read a lot of books, and watched a lot of television. It’s in my genes.”

She explains that inspiration for a project comes for many sources and likes to quote Pablo Picasso, “Good artists copy and great artists steal.”

“When I come up with a concept, I’ll pull a little thing I saw here, a frame of a film that I remember here . . . to help me craft the piece I’m doing. I allow my respect for pop culture to influence the way that I work,” Bree explains.

Having said that, she qualifies her work in adult. “I’m an outsider. I’m not a pornographer who grew up through this industry. I kind of came in and crashed it in many ways.”

Admitting that people may not understand exactly what she is doing with a film or a series, Bree is undaunted.

“I do it because that’s the pull that I’m receiving creatively or the direction I’m going.” In other words, she follows her instincts.

Lastly, Bree mentions the feedback she gets from women. There is “strength in the female characters in Pure Taboo that is more relatable to a lot of female viewers,” she comments. Consequently, they “find porn very empowering.”

Her films present “something other than just a stereotypical portrayal of a woman as a sex object” that is characteristic of the industry.

But the picture is complicated, Bree infers. With Pure Taboo productions, there are “no winners,” male or female. In fact, “there are a lot of anti-heroes.”

Sex is the Last Thing

Finally, we talk about crossing over from adult to mainstream, or, to put it another way, from Porn Valley to Hollywood.

Bree concedes that there is some crossing over between “mainstream pop culture and adult culture,” but that is more lifestyle oriented. Her dream is to have one of her films cross over.

For the upcoming year, she is developing a “primary project” that can be shopped to film festivals she characterizes as “mainstream outlets.” It will have a hardcore version for her fans.

Her objective is to create “a film with sex in it.” A workable idea, Bree insists, because “half of the films on Netflix these days [have] a good degree of sexuality being depicted.”

Though her intention is to “showcase quality stories, if people are interested in seeing the extended, uncut, uncensored version, they can,” she affirms.

Lastly, the writer/director offers her assessment of what she does as a filmmaker.

“The sex is kind of the last thing I’m thinking about,” she says. “I’m thinking about how to build the tension, build the narrative, how to develop the characters. If I have done my job right, I’ve gotten into the actors’ heads, they will carry out the scene with their own experiences.

“They know how to have sex. If can get them to have sex in their characters, it will be a good scene and secondary to the story. It’s the end result of the story.”

Then she summarizes her goal.

Create a “good enough story that people can watch all the way through, are left thinking about it, and are amazed that we can do a story that is really interesting.”

Bree Mills ends with “I think that is completely possible.”

Gamma Films’ record eighty-four AVN award nominations for 2019 validates her point.

Leave a comment

Filed under Uncategorized

AEE 2019: Bree Mills, Part One

by Rich Moreland, April 2019

Bree Mills is a rising power in adult film. By that I mean writer, director, producer, and businesswoman. Her bold creativity and ability to play on the edges of legitimate (i.e. mainstream) production is reshaping the future of the adult industry.

We sat down in the press room for an engaging discussion during this year’s adult trade show in Las Vegas.

Photos are credited to Kevin Sayers. Pure Taboo supplied the logo.

*          *          *

The Process

The focus of our interview is Pure Taboo, the studio and its productions.

Bree give us the basics. “I actually oversee quite a few different studios. When it comes to Pure Taboo, I have two intentions. The first is to challenge the psychological side of sexual desire and sexuality and take popular porn tropes and tell them with a different tone.”

That means taking a typical porn scenario and “treating it like a drama” or “tragedy” rather than “a lighthearted comedy.”

She explains. “I want to make people think about the content [they’re] watching, to confront it . . . to question [what they see].”

The native Bostonian believes viewers will either love or hate what she produces, but they will certainly never forget it.

After looking at a handful of Pure Taboo films, it’s hard to disagree with her.

Bree’s second intention involves her casts. “How can we work with these very underrated actors [and] provide a vehicle for adult actors to show their range?”

Part of the answer involves dialogue. “What’s interesting to note, which you may not have realized, is that those are all improvised acting performances. There are no scripts,” she says.

Bree describes the process.

“We work off a scene treatment that I write, or a member of my team writes, and the directors bring those characters to life. We rehearse and choreograph it.”

In effect, the scenes turn into “long single takes.” In the end, it’s challenging because improvisation is the key. “That is the most powerful aspect of this,” she adds.

Gangbang in a Prom Dress

Bree uses words like “raw emotion, realism, grittiness” to encapsulate what she wants from her performers. To realize this outcome, she works with them “from their own experiences or their own emotions. This means supporting the “method acting approach” to getting what she wants.

“I call it porn script theater,” she says, and that means spending “the day like a theater workshop.” It works because Bree sees her role as “the storyteller.”

After that, she lets “the actors flush it out and then we rehearse it” which means tweaking things a bit here and there.

Because she likes to focus on “realistic situations and bringing them to life,” that became the genesis of Prom Night starring Whitney Wright.

The film is “one of a kind,” Bree declares. “I had the idea to do a gangbang in a prom dress.” There are many stories of women who “end of losing their virginity on the prom nights in ways that were not what they had expected and it’s very complicated,” she states. So, why not delve into what for many girls is a bizarre and painful rite of passage.

She and Whitney talked through “how we wanted this character to feel” and “how we wanted to keep the realism of it,” Bree says.

“Whitney is one of our go-tos. She’s a great actress. She’s versatile and a great sex performer,” the director says of the twenty-seven-year-old.

There’s more when it comes to this charmer. Whitney’s “just a really great person,” Bree continues. “She’s funny, she’s weird, shows up on set with a smile on her face. She’s very generous and very willing to go the extra mile. The perfect type of person to bring on your set as cast.”

In the end, Bree approached the plot as “this fantasy that so many people have.” Create a group scene involving a prom dress that becomes a nightmare and a film is born.

Don’t Talk to Strangers

The other film I bring up is Don’t Talk to Strangers. It’s about a young girl kidnapped and imprisoned by a married couple. Bree says it was “inspired by several famous true crime stories that occurred in the early nineties in Canada.”

Having lived there for a while, Bree says, the scenario was “this nightmare I grew up with.”

The narrative explores the “Stockholm Syndrome” and the film became “one of the grittier scenes that we’ve put out,” Bree comments. “It was interesting to work with all three of those actors who we’ve shot multiple times in multiple different roles.”

One of them is Casey Calvert.

“That was the first time that her and I have worked together,” Bree exclaims. “I was very impressed. She’s exactly how I would have imagined that character. Really beautiful, but very cold.”

Bree gets some of her ideas from others, including her fans. But what is of particular interest to her are the stories she hears from performers.

“I’ll work with them to bring that story to life and for some people it’s therapeutic . . .  a way for them to combat either something that happened to them personally or an issue that affected them otherwise,” she explains.

It’s an outlet, Bree believes, and she’s been able “to provide a platform for performers” to explore the deeper psychological aspects of their personality or their past.

“Sex is a complicated thing, you know. When making sex films, there’s a fair amount of emotion and anxiety and energy and vulnerability brought together. To be able to provide an outlet for people is therapeutic to me as a director. It’s one of the main reasons I’m in this business.”

Well said and we hope Bree Mills stays in the adult industry for a long time.

*          *          *

You can visit Pure Taboo on twitter at https://twitter.com/puretaboocom

Leave a comment

Filed under Uncategorized

AEE 2019: Sofie Marie

by Rich Moreland, March 2019

The Adult Entertainment Expo gave me the opportunity to reunite with Sofie Marie. Having previously written about her in April of last year (those posts can be found here, here, and here), I looked forward to speaking with her again.

For readers who don’t know Sofie, she is a statuesque MILF with a body to die for.

Photos are credited to Kevin Sayers.

*          *          *

Because Sofie Marie is familiar with studio shooting and camming, she is equipped to talk about the cam girl versus the porn girl issue in today’s industry. But first, she gives us an update on what’s happening with her.

“This is my second AVN. I’m nominated again this year for hottest MILF,” she begins.

That’s understandable, I’m thinking. Thirty-something women don’t come sexier than Sofie!

“About four or five months ago I switched my website YummySophie over to an Elevated X platform. So now it’s SofieMariexxx.com you can still go to YummySophie for items like a hat or t-shirt, or whatever. But I definitely like the new look better, more professional,” she says.

Overall, the trade show has been a busy few days, Sofie explains, with “content shoots and signing” for fans.

A note before we move on. I had the pleasure of meeting Spike Irons, Sofie’s producer. He accompanied her to the show walked the red carpet with her.

One Big Party

Referencing an idea I’d heard from another cammer, I ask Sofie if she divides her fans into two categories: active and passive. The first are those who interact with her directly and the second are those who are only interested in her vids.

She does have passive fans, Sofie admits.

“If someone sees a video on ManyVids or my website or Clips4Sale and say, ‘Oh, Sophie. I saw you and you look great.’ I say ‘thank you’ and that’s it. They kind of disappear or [maybe] come back later.”

Other than that, “it’s all one big party. They like my videos [and] I love chatting with fans. It’s just kind of a mixture and I love it,” the native Californian says.

As every cam girls’ business model tells us, make the fan feel special and recognized. What separates Sofie from the pack is her love for doing just that.

Hand-in-Hand

When I suggest that cammers are moving in the direction of mainstream porn, Sofie implies they may already be there. She uses herself as an example.

“I started with my website three years ago–actually started bikini modeling four years ago–and had all this content with my producer.”

Her fans were asking for scenes and everything “kind of went from there,” Sofie says. Because she loves to chat with people, camming was the next logical step “to meet people to maybe get my name out there a little more.”

As a result, camming is now part of Sofie’s business platform.

We talk about Dan O’Connell and his interest in hiring her for a GirlFriends Films episode. Can we conclude that Sofie is shooting scenes for production companies and camming at the same time?

“In the last year, Dan included, I worked for other studios,” Sofie responds. “So, I cammed and worked for other studios hand in hand, same time frame.”

Reluctance

As an established porn girl and cammer, does Sofie believe that camming is a portal into porn?

“It depends on the girl,” she says, and mentions she’s “met a few cam girls this week” who are interested in branching out into mainstream porn.

But, that’s not for everyone, Sofie implies.

“Cam girls are all about the one-on-one [experience]. Porn girls are there getting paid, having sex on film with a crew [in the room] with one guy, or multiple guys or girls. It’s just different in that way. But I have found that a lot of cam girls are interested in getting into porn, a little bit at a time.”

Given a moment to think about camming and porn, Sofie concedes it may not be that clear cut between the two. In fact, she comments there may be only a slight difference and that seems to be the on-site director and crew.

The cam girl can be “having sex, not particularly on film [as shot by companies], but people are watching. And she’s getting paid.”

I’ve noticed that some cammers are reluctant to admit to shooting porn. Perhaps, they draw a line between the two and believe that “I’m a cam girl, not a porn star,” Sofie says.

On the other hand, I suggest that the cam girl is shooting “amateur porn,” Sofie agrees and retreats again to the shooters on the set as a marker for the porn definition.

“There’s not a professional photographer around [when they are camming],” she comments. “They’re on their own in their house wherever, doing their thing, whether it’s with another couple with another guy or girl or solo.”

That’s amateur stuff, but it’s still porn, Sofie concludes.

It’s All Still Similar

According to what she has learned, production companies and agents are interested in how many fans a cam girl has before they hire her.

“I’ve heard studios [ask] how many followers do you have on Twitter?” Sofie says.

If the cam girl has a lot of fans, she brings those eyeballs to her studio work. So, followers can make a difference when it comes to breaking into mainstream porn.

Taking a look at the reverse situation, is it difficult for an established a porn star to become a cam girl and build a fan base in that world?

“I wouldn’t think so,” Sofie  replies.

“She’s established, she has worked for all these studios, has her name out there and been in the business for a while. If she went over to camming I would think she would have that following.

“She can make a decent living depending on the hours [she’s willing to put in].”

Does Sofie believe that cam girls and porn girls are separate businesses because studio shooting is not the same as camming.

Not really, she indicates.

“It’s all still similar. You can be with a guy or girl and cam and you’re having sex, but there aren’t any lights. I can see the differences but I think it’s great to intertwine the two.”

As we wrap up, I can’t help but notice once again that Sofie Marie brings maturity and glamour into adult entertainment. Each time I talk with her, I appreciate her more. She is sweet, charming, and has an elegant presence rarely found in the business today.

Leave a comment

Filed under Uncategorized

AEE 2019: Cory Chase

By Rich Moreland

Cory Chase is porn veteran whose cam work began last year. In her thirties, this New Jersey girl who now lives in Fort Lauderdale, did her first “homegrown” porn shoot in 2003 and her initial adult film in 2006.

We made ourselves comfortable in the press room for our talk.

Photos are credited to Kevin Sayers.

*          *          *

Recounting her professional past, Cory mentions that her adult career began with “just pictures” for a site called MyHottestGirlfriend. She won contests on the site and popularity came her way, but the next step needed a little push.

“What really got me into porn was my husband now, boyfriend back then. He liked to videotape us having sex. So, we had this [private] library of our own content,” she says.

Cory mentions that the website she started, SouthernCharms, still contains that original work.

Now that her career is on solid ground, Cory’s goal is to expand her custom videos.

“The fans enjoy knowing that they’ve produced, in a sense, their own porn that other fans are enjoying as well,” she says.

Just Step Away

I bring up the idea that the new cam girl is really the new amateur porn model. Does Cory agree?

“Yes, especially if they’re going nude and inserting objects,” she replies.

In the midst of our discussion, Cory suggests that girls wanting to cam should take their time.

“Work slow. Don’t expose yourself completely if you don’t have to,” she begins.

“You don’t have to show off everything and do everything from day one. If you can talk and express yourself without having to undress, then go for it.”

The heart of camming is “being able to express yourself and tell a story,” she asserts. “So, don’t expose yourself completely unless you want to.” In other words, a girl needs to find her comfort level.

Cory offers the best advice I’ve heard about any girl who wants to begin camming.

“Remember that no matter how much you might feel like you’re being bombarded with commands or requests, they [the fans] are not actually in the room with you in person. You can just turn off your computer. You can just step away from it and that is it.

“So, understand that if you’re feeling overwhelmed, just step away.”

Market Trends

For cam girl success, Cory insists, fetishes are important because they keep the customers coming back. Whatever the fans want creates the marketing trends that dominate cam work.

“Going with those market trends are great for business. But you have to be creative on your own and come up with something that you are passionate about. So, yes, you have to want to expand and grow the things that you do. But yet you still want to go with the flow because if what you’re doing isn’t quite working, you have a fallback and you can do something that is in trend.”

She uses a personal example to explain what she means.

“I started out with footjobs, but the trend depleted. I stopped doing footjobs for videos.”

Cory clarifies that what goes viral establishes market trends and returns to footjobs for a moment to illustrate her point.

For “a couple of celebrities,” she remembers, “footjobs were big twelve, thirteen years ago. It was because celebrities were posting pictures of their feet on social media accounts. Footjobs just went through the roof that year and I jumped on that bandwagon.”

She reminds us, however, that what is hot today, may fade and then return.

“I find [that] trends kind of cycle through. Bondage is coming back in style. With Fifty Shades of Grey, [BDSM] kind of peaked a little bit, but it’s really coming back around [now],” she says.

Cory comments that she personally likes BDSM shoots, but the business world is not always receptive.

“Bondage sex has a tendency to be faux pas, credit card processors don’t really allow when a female is bound completely and not able to give consent [or] walk away. I wish things like that could be changed.”

A veteran of bondage play, Cory still dabbles in it with her husband though “most larger companies, other than Kink, don’t really play with it too much because of the credit card risk.”

Without an Agent

For the most part, cam girls don’t have agents in the traditional porn sense. Is that a good idea?

“It really depends on the mentality [and] the work ethic of the model. Production companies usually don’t talk to a girl if she doesn’t have an agent because there’s no fallback. If she doesn’t show up, they can go back on [the agent] and get funds or get another girl to fill in for the girl that cancelled or no-showed,” Cory says.

Having said that, if a cam girl wants to shoot scenes, an agent is probably a good idea.

However, Cory indicates that camming and porn tend to move in different environments within the porn world. There is a divide.

“A cam girl doesn’t have to be a porn girl. A porn girl doesn’t have to be a cam girl, but you can do both,” she affirms.

Considering that response, does Cory believe established porn stars ought to pick up camming?

“Yes and no,” she says.

“I’m more of an established porn girl who got into camming. I dabbled in a little bit of it when I first started [doing porn, but] it wasn’t for me. It didn’t feel right so I didn’t cam for seven years. I only started camming [again] back in July of last year. So, I really haven’t been camming that long.”

But Cory hits on a serious issue in the adult business that separates cammers from porn girls, but maybe not for long.

“Because of porn and how it’s all over the internet—a lot of times for free,” she says.

In other words, porn girls have a problem: piracy. Cory mentions that some cam fans will be talking with their favorite porn star/cammer “in the public chat while watching them somewhere else.”

The warning? “Established porn girls, you have to go back to making it personalized for that fan that is talking to you,” Cory insists.

That’s the cam girl’s chief advantage, I comment.

“Yeah, and they don’t have the content out there for free,” she quips. Or at least, that is what they think.

Cory offers up a reality check.

“It’s out there. Somebody is recording it, either with a camera, on their computer screen, or they’re capturing it directly from their computer screen. It’s being recorded and posted somewhere.”

That Fourth Leg

Cory has an interesting response to the three-legged stool question of making money. She sees camming as a “virtual strip club that allows a lot more visual display than the typical strip club.’

So yes, camming is the fourth leg, but like a girl’s other options, it’s a personal decision, Cory indicates.

“What makes you happy as a model? Producing content or providing a service. Is it escorting? Is it dancing? Is it camming? Because pretty much everyone can produce porn now.”

In the end, where is the adult business today when it comes to mainstream porn and camming? Cory makes an important observation that deals with the past.

“In the old days when porn started all the way up to the nineties when the internet first came out, fans were dedicated to the girl.

“Nowadays I’m finding fans are more dedicated to a website or a network, or a genre like camming or porn. They’re more dedicated to a style as opposed to the girls themselves.”

Her solution?

“I provide content and I have to post it throughout different websites. I’m getting more eyeballs, different fans, but they’re watching the same thing,” Cory Chase says.

Though technology and innovative platforms are pressuring industry girls to work harder, that’s a positive because eyeballs turn into dollars.

Leave a comment

Filed under Uncategorized

AEE 2019: Taylor Stevens

By Rich Moreland, March 2019

At this year’s Adult Entertainment Expo in Las Vegas, I had the pleasure of interviewing performers who prefer camming to shooting scenes.

Taylor Stevens is one and makes some important points porn fans ought to keep in mind.

Photos are credited to Kevin Sayers.

*          *          *

Comfortable Right Where She Is

Before interviewing Taylor Stevens, I did a little research. I found out she’s a cammer who has lost weight for health reasons.

Naturally, I want to know if the change in her body has affected her fan base.

“I started my career in about 2004, 2005,” Taylor explains. “I was about three hundred pounds back then and I got into camming by chance. I was told in the beginning, you’re a big girl, you’re never going to make it on cam.”

Taylor never let that deter her.

“If you tell me I can’t do something, I will absolutely do it.”

She stayed persistent and found her audience receptive.

“Score magazine and XL Girls asked me to pose for their magazine at the time and do a scene for them.” It was a solo presentation, she says.

But we all know that excessive weight can have health consequences and Taylor learned of her own.

“I was pre-diabetic and I was told I have to lose the weight,” she says. How was this going to affect her on-screen appeal?

“I was very worried about that. However, I have the best fans in the world. When I transitioned, a few left but most of them stayed. I gained a whole new fan base.”

As of now, she’s sticking with camming. No boy/girl shoots on her agenda. In short, she is comfortable right where she is.

Show Me This

Characterizing herself as a “tomboy in a girl’s body,” Taylor talks football and other sports with her fans. And those fans are loyal.

“My fans love to talk, they love to interact,” the blonde cammer says, “They want pictures of me, videos of me. They want to spend their money on supporting me whether it’s photos, videos or on-cam interaction.”

I bring up my question about the cam girl becoming the new porn girl. Taylor’s answer was different from what I anticipated.

“I think what’s happened is the opposite. You see a lot of the porn industry transitioning to camming. As opposed to the cam girl being defined as a porn girl.”

She explains the problem hardcore porn models face.

“It’s difficult for porn girls to be successful on cam nowadays because men have already seen them do every single possible thing through their videos. To transition and have a conversation on camera, [is] generally not that simple when it comes to ‘show me this or show me that.’”

In other words, the cammers have constructed parameters that are exploratory from a sexual standpoint. They can seduce a fan with a little bit here and there. Porn girls don’t have that option, they’ve already shown it all.

Incidentally, Taylor is not bothered by the lack of professional studio quality in her shoots.

“As a cam girl, you have actually more advantage because a lot of guys don’t like to know that everything is in a studio. Guys want to connect with a girl with a webcam. It’s just a girl being a girl. Not, you’re on set with fifty people and this is what’s happening.

“Guys want to connect to you without all the noise. They just want to feel that you are just a girl in the world doing her thing.”

The Marketing Burden

I ask Taylor if the cam girl is a new version of amateur porn.

“Absolutely, one billion percent,” she proclaims.

The cam girl is creating a new kind of porn, then, at least in the amateur sense.

“Yeah. Cam is the new porn.”

Could it be that today’s porn fan desires a personal one-on-one touch that he doesn’t get with an online shoot or a DVD?

Taylor has an interesting observation on that.

“When watching porn, guys have about a five-minute attention span. But when you’re talking to a girl on camera, you have more time, you get to know somebody. There’s more interaction than a five-minute clip out of a movie.”

Next, I bring up marketing. Is that a hassle for cammers?

It is a burden. You can’t just do one thing, I can’t just post one picture without posting it to Twitter, to OnlyFans, to Snapchat. That is integral to making money and keeping your name out there and hashtagging and so forth. I’ve got it down pat, but it’s very much a nuisance.”

I ask Taylor about her toys, bearing in mind that working out of the house can be problematic when children might find things. She laughs. No children running around, but she does have an issue in her household.

“I hide them from my dogs. One time I found my dog chewing something he wasn’t supposed to be chewing!”

We discuss the three-legged stool and Taylor agrees that camming is the fourth leg. She also has another observation worth mentioning.

When the possibility arises of a cammer turning to shooting scenes for studios, not all cam fans are on board with that.

“My fans don’t want to see me do hardcore porn. They don’t want to lose the thought that they might be able to have me one day.”

Interesting.

Preparation

Finally, I ask Taylor what advice she’d give to a girl who wants to go into camming.

Preparation is the best policy, she indicates, but remember, a girl is not going to be “instantly busy.”

For the most part, that’s a small issue compared with attacks on a girl’s self-esteem.

“Be prepared to be judged, to hear a lot of negative things about you,” Taylor says. It’s a “cattiness” that comes from other cam girls.

She brings up one more concern. “Be prepared for your life to change [especially] if you have a husband or if you have other people in your life. Once you’re out on the internet, you cannot take it back.”

Simply put, “if you don’t love it, don’t do it. I won’t do anything that I don’t love.”

Finally, Taylor emphasizes the importance of a consistent schedule for being online “so your fans know where to find you.” And, one more thing, always give your best.

Taylor Stevens concludes with a warning, “It’s a competition to get the members. It’s a very harsh cam world out there. More so than people would think.”

That’s especially true, I think, when it comes to every girl’s motivation–the money fans will pay to see the show.

*          *          *

On behalf of our team, my thanks to Taylor Stevens for a terrific interview.

Leave a comment

Filed under Uncategorized