AEE 2020: An Industry in Evolution

by Rich Moreland, February, 2020

Photos by Kevin Sayers.

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The Independent Performer

The adult industry is in flux and the evidence is everywhere at the Adult Entertainment Expo in Las Vegas. I’ve been writing in the business for over ten years now and what was once a studio-dominated industry is turning more to online webcams and websites.

It’s the influence of technology and money, of course, but it’s also more than that. The change is natural, expected, and unavoidable.

The trade show’s sponsor, MyFreeCams.com, underlines what is happening as does one of the largest kiosks on the floor, Chaturbate, a popular adult site offering live webcam performances. The influence of this evolution on the commercialized industry continues to pop up in discussions about the business today. Just check out the trade show seminars to see what I mean.

Simply put, camming gives performers what has been denied them for years: control over their image and their content. No longer dependent on studios, cammers brand their own name and engage their own fan base. Even talent agencies feel the pinch as the girls and many male performers, for that matter, need them less than a decade ago.

Does this mean that the traditional porn formula is dead? Of course not, it’s just been nudged aside so as to take up less of the limelight. Evil Angel, Jules Jordan, Adam and Eve and others will still do their thing, but the independent performer who runs her own show is emerging.

Change is often feared, but the message here is positive and we can thank the 19th century German philosopher Georg Hegel for understanding how it works. History is a living thing, he postulated, and is based on a concept called the dialectic: the interaction of the thesis and the antithesis to reach a new understanding called the synthesis.

Moving aside the clutter of language, here’s what it means. Every tradition (the thesis) will have an opposing idea (the antithesis) and the two will clash. The result is a new entity called the synthesis, an innovative way doing things. This is what is happening in porn. In other words, the big studios are the thesis (the tradition) and the online cammers the antithesis (the new kids on the block doing their own thing).

Technology is the catalyst which abets the “revolution” or the synthesis, the new way of doing business, and performers are the beneficiaries.

Has the synthesis caught on in the industry? Not entirely, but one company is out front on the change and illustrates what is happening.

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Shifting the Power

At the 2020 Adult Entertainment Expo, I met again with Bree Mills who is a driving force in adult today. We talked about the state of the industry.

“I know that I’ve been a part of a change that’s been active over the last few years. I’m certainly not the only contributor to that change. Other people have helped to get us to where we are now as an industry,” she begins.

“I have pretty outlier views compared to most people in terms of what I think we can do. So, if I can, [I want to] inspire other people to follow that same path.

“The industry has come to a point where the performers have the power. They’re the brands. Studios don’t have [that] power anymore. [Performers] have the means and the platforms to never need to shoot for a studio again. They can produce their own content; they can monetize their brand. And then they can choose who they want to work with. That’s the reality and that is probably the greatest change that can happen.

“It’s not only going to shift the power into the hands of the people that are really at the forefront of this business, but it’s going to continue to break all of the old mentality and rule books that existed. Some of the most interesting content that’s being created today is being created by these people. And it’s because they don’t have to answer to anybody.”

The message used to be that “you got to do something a certain way cause so and so said [so]. Or you’re not supposed to shoot this with this person because so and so said [not to],” Bree points out.

In other words, times have changed and the synthesis (the new way) has arrived.

The chief creative officer of Gamma Entertainment gives us a peek at what to expect.

“They (performers) can do whatever they want and that is awesome. And so, I can use my influence to empower them in whatever way that Adult Time can [benefit them]. So, if you got a great idea for a show, let’s collaborate. I would much rather see over time less stuff that I’m directly doing and more creativity that I can inspire and empower [others] to do their own thing.”

There it is, the new way of doing business and Bree Mills has set the tone. She is the emerging synthesis, the new force in adult and others will follow.

“That’s how we’re going to keep it happening,” she continues. “I’ve created the best advertisement for this with my own work. So, if someone wants to work with me because they love what I do, great. Let me help you do what you want do.”

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AEE 2020: Bree Mills: Educational and Inspirational

by Rich Moreland, February 2020

I was privileged again this year to interview Bree Mills at the Adult Entertainment Expo. Bree is single-handedly changing the industry, a topic we discuss in the next article. This portion of our talk offers a little background for that story to come.

A side note to our interview. When the press area at the Hard Rock Hotel is full of journalists and industry people, the overflow is assigned to the bathroom of the suite that serves the media. It’s quite luxurious and an enjoyable place to talk as Bree and I found out.

Photos are credited to Kevin Sayers.

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Social Statements

My question for the show this year is a definition of porn. In other words, how do the people who make the product define it?

In her usual thoughtful manner, Bree gives us her view.

“I consider porn to be an entertainment medium that has a significant influence over culture,” she says.

“As a community, we have a great advantage. We’re not afraid to express our sexuality [and] be vulnerable with people. [We] put everything out there for people to see, to help people recognize their own sexualities and their own kinks and their own interests.”

There’s more, Bree insists.  “We have the ability to raise subjects and make social statements that are going to impact a mass audience.” In other words, it’s an issue of awareness, she believes, especially in our “digital culture” where “everyone who grows up online, grows up watching porn.”

For Bree this is a positive to be cultivated.

“Porn is entertainment and it’s also an opportunity to talk about sex and sexuality in a culture that otherwise puts sex in a little box and causes so much shame around it. [That] has done significant damage to people,” she adds.

Bree Mills believes our culture lacks a “sex education infrastructure.” “Transphobia, homophobia, and racism, especially the sexualization of people of color, are not addressed,” she says.

Bree sees adult content as educational and inspirational, insisting that it helps people “feel more comfortable with themselves while providing great entertainment.”

The Spectrum

We move on to fetishes, something people would have kept under wraps a generation ago.

“Porn is an amalgamation of sex and sexuality,” Bree says, it “represents the spectrum of human sexuality.”

Does this mean that porn is normalizing the concept of fetishes?

“I think it is,” the director/writer responds.

“Fetishes have always been there” and people have been drawn to them, she points out. Now people can find others “who share the same interests. Porn has opened the doors for fetishes to become more identifiable.”

Bree sees a significant advantage to that: building communities in which people are “able to gain some comfort” through acceptance.

Directing

When she shoots a film, how does she treat the sex scenes in regard to the drama unfolding on-screen?

“Sex is part of the story, but it is always about the story to me,” Bree comments. Though she does all her own writing and casting, Bree admits, “I’m a lousy pornographer from a traditional definition, in the sense that I don’t really care about the sex. What I care about is that sex and sexuality are fascinating subjects [that] define all of us [and] shapes us. It’s fundamental to the human psyche. That’s great material. That is fascinating to unbox and to explore and to weave stories around.”

I congratulate her on Teenage Lesbian, AVN’s Movie of the Year, and, incidentally, a Silver Winner at the Queen Palm International Film Festival.

“The reason I made Teenage Lesbian was to make an independent film about somebody coming out in the era before gay rights became any sort of household discussion. While that was twenty years ago, it is remarkable to see the difference [today]. It is also a really important reminder of the need to continue to evolve as a society.”

Is the film intended to serve a larger audience?

“From the get-go, it was a movie that would have an uncensored version. It wasn’t this hardcore sex film that would have a softcore version,” Bree emphasizes. “It was an independent film that we could put out on YouTube [and] submit to film festivals.”

In other words, Teenage Lesbian is a richly engaging story before the sex is even considered.

That leads me to a final thought.

Kick-Starting

How does the Adult Time operation create so many unique stories and put them on film?

Bree, who is the business’s Chief Creative Officer, explains.

“We produce about twenty-five days a month out of LA with different crews, different series [and] different lines. Ultimately, I oversee our marketing or content strategy. But we have full teams in place writing [our stories].”

She brings up the Pure Taboo line as an example of how she starts a project then hands the ball off to her production team.

“For its first year, I wrote almost every script [and] directed every episode. But it got to a point where I was able to transition that over to a full writing [and] production team. Now I only do an occasional Pure Taboo episode. So, I’m good at kick-starting things, getting things to market, getting a certain amount of success and then being able to shift them over to being managed afterwards,” which, she says, lets her move on the other things.

As we wrap up our talk, I suggest to Bree that she is the premier woman in the business today and her industry footprint is driving the modern porn product.

She smiles and suggests my remark is “scary.”

Nevertheless, Bree Mills has a clear understanding of where she is.

“I certainly recognize the influence that I have and I recognize that with great humility and great respect.”

*          *          *

The next article on Bree Mills examines her role in the current evolution in porn.

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AEE 2020: Rolling Your Own

by Rich Moreland, February 2020

Photos by Kevin Sayers.

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“Rolling your own” sounds very personal, and, in fact, it is. However, this Adult Entertainment Expo seminar was not about indulging in a recreational activity. Rather, what’s personal here is film making; in this case, controlling content, building an image, and branding a name.

The panel featured four empowered women who talked about being your own boss, especially when dealing with cyberspace and porn.

Ready to take their seats. L to R: Violet Doll, Jada Kai, Mz. Kim, Madelyn Marlowe

The panelists were Mz. Kim, a domme who teaches classes on market strategies and owning content; Asian performer Jada Kai; Madelyn Marlowe, whose industry footprint was branded by Kink.com; and Violet Doll, online dominatrix and industry veteran.

A New Age

Moderator Glenn King of Mean Bitches Productions reminded the audience that the old days of talent agencies maintaining a hold on a girl are over. It’s a “new age in adult entertainment,” he proclaimed, emphasizing the “dramatic shift in the business” now taking place.

Referencing the participants, Glenn pointed out that each of them started out with webcam content.

Violet Doll stated she is an online model who shoots her own content. At the very least, she offered, today’s online atmosphere allows for solo modeling via a cell phone.

As a cammer, Madelyn Marlowe posts her shoots on Clips4Sale and has “come back to being independent,” she said. Taking online content beyond just camming, Madelyn’s work is often plot oriented. It’s like “making up a soap opera,” a sort of “reality tv,” she said. But she never loses sight of the fan in all of her activities, especially camming.

“My opener is a question,” Madelyn pointed out, before she gets them to “tell me all about your kinks and fetishes.” It’s important to “know who my audience is,” she commented.

Jada Kai is also active with webcam, making her own clips and putting them on Pornhub and Manyvids. Like Madelyn Marlowe, Jada believes fan preferences must come first. Always ask the customer, “What are your fetishes?” She makes her own content every day and “keeps that amateur feel” so popular with fans.

As a result of her fifteen years in the business, Mz. Kim brought up two objectives every online porn girl should consider. First, record content for a bigger audience beyond online and use skype sessions. “Talking to people” gets her “into the customer’s heads,” she believes. Madelyn Marlowe firmly added, “say people’s names” when dealing with the customers. Personalization is the name of the game.

Glenn summarized the conversations about satisfying customers as “learning to read the clues they’re giving.”

The final two topics centered on pricing and content trade.

Start at an Average Rate

“I am my own crew,” Madelyn Marlowe stated, and it’s the costliest issue she deals with. For her, “pay per view” is the way to go, emphasizing “some charges can go as high as $100.”

Violet Doll said that $1 per minute plus ninety-nine cents for clips is standard in the industry with charging more for specific acts somewhat the norm. Considering that, however, she advised, it’s “always better to start at an average rate.”

Mz. Kim’s pricing is $5.99 to $1500. She will up the price when “targeting specific people” who are interested in her product. Her forte is interacting with men. Ask what they are looking for, provide it, then charge, she suggested, because success is “about getting to know them more.” She did, however, mention that updating can be overwhelming. Update regularly, but not as often, was her advice.

Jada Kai pointed out, “my strength is making clips.”  As a result, the advantage of charging higher membership fees reinforced Mz. Kim’s point. Jada doesn’t update as often as others. Nevertheless, “I think of my fans as a premium store,” she said. They “give you the feel you’re there for them every day.” The result? They will tip more.

Pricing should reflect “people’s budgets,” Jada insisted, with a reminder that Pornhub “will pay you” for videos. Not bad since some people won’t pay for their porn at all.

The content trade issue was thorny. “Perilous” was how Glenn framed it.  Madelyn warned everyone to be diligent with the paperwork. You must know who is going to update and when, she said. Violet, who does not engage in content trade, said get content to the other party ASAP to show good faith.

Be Disciplined

When asked for their best advice, here’s a sample of what was rendered.

Talk to your customers and connect with people on social media.

Trust yourself and know your target audience. Stay with what makes you comfortable.

Above all, be disciplined, “it’s a work skill, it’s a job. Structure your time,” Mz. Kim said.

Glenn King agreed. Discipline is the key. “Stick with it” and don’t get discouraged. “Growth is not linear,” he concluded.

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AEE 2020: Sex Dolls

by Rich Moreland, February 2020

Photos by Kevin Sayers

At this year’s Adult Entertainment Expo’s novelty exhibition, I wanted the inside scoop on a topic that I’ve seen evolve over the years: the manufacture and sale of sex dolls. Today’s dolls are more than party items and they don’t have that cheesy comedic look popularized in 1960s porn mags. In fact, sex dolls in their earliest forms go back centuries. For modern times, we have a German businessmen to thank for bringing the public’s attention to the doll in the 1930s.

Putting aside the past, where are we today with the product? To find out, I talked with three companies that offered their artistic conceptions to trade show attendees.

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XR Brands

Michael Guilfoyle, XR Brands’ Director of International Marketing and Business Development, was gracious with his time. Though XR has a broad array of intimate products and toys beyond sex dolls, the company has upped its game for the sex doll market.

“We’ve tried to meet various customer needs throughout the whole demographics,” Michael begins, and that includes both gay and straight males. Doll sales are doing “amazingly well for us across the board. Somewhat surprisingly, more than we anticipated.”

As for the technical aspects of doll construction, XR Brands is aiming for better opposability (movable parts). Most important, however, is “longevity, making them more durable long-term,” he says. “To some of our buyers, these are companions [that] are not to be kept in the closet” and the company respects that.

Who is your audience?

“It’s across the board,” Michael notes. Some male dolls are sold to female customers, but not surprisingly, most of the product is purchased by straight males. He mentions the film Lars and the Real Girl “about a young man finding [and] falling in love with a sex doll.”

But that’s the movies, what about real life?

“I saw a man in Australia having dinner in a restaurant with his doll and it opened my eyes to how much of a companion this truly is. I thought of it as something you hid in the closet. When you’re embarrassed by it you don’t want anyone else to see it. I don’t know if you’ve seen the memes online where they’ll rent out movie theaters and twenty guys will bring their dolls to go see the movie. These are rare occurrences, but they happen.”

Michael goes on.

“People have joked with us about buying one to drive in the HOV lane.”

That makes sense to me.

The marketing director mentions another use.

“In Sydney, Australia they opened a Bordello that was nothing but sex dolls. My thought process was, ‘Why? Where is that coming from? It’s a little weird.’ But their big pitch was ‘It’s the only way, you can be sure no one is being trafficked.’”

Certainly a social benefit Michael concludes. “We can think of these as opening avenues to less trafficking.”

How does XR Brands tackle the affordability issue?

“We still make components of dolls,” he says. That’s the “door opener” to further interest in the whole package. If the customer is fascinated by detached body parts, moving to the larger, whole product is less imposing.

“Being comfortable with ‘This is what I’m having sex with,’” is important,” Michael insists. The customers must “rise over all of the hurdles [they face] to get to the point where they’re going to spend the amount of money [necessary] on something like this.”

What I understand from Michael is this. It seems as if the psychological barrier is most important in grasping customer needs rather than the money spent.

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Real Dolls

Mike Wilson of Abyss Creations, maker of Real Dolls, was next on my list. Mike is the firm’s co-owner and production manager.

First, I asked for the business’s backstory.

The twenty-two-year-old company has produced dolls for movies and TV shows, Mike informs me, adding that “we were made famous back in the early nineties by Howard Stern. He launched us forward.”

The company’s interest in “life-like mannequins” opened the business door. “We were contacted by several people that were willing to pay a lot of extra money to make them [the dolls] anatomically correct so they could have sex with them,” Mike says. Currently “we’ve been diving deep into artificial intelligence and robotics.”

How has sex doll manufacturing improved?

Over the years “we started making them out of different silicones” to meet affordability needs, Mike says. But the major moves forward have to do with “the internal structure of the dolls, the skeletons.” Then there is mobility. “All of our dolls are fully articulatable, meaning that every joint moves just like a real human joint, [in other words, they are] opposable.”

The craftsmanship is important, too.

“Every product is hand-crafted by well-paid artists here in the U.S.” Mike explains. “We don’t do any work overseas or in any other countries. Everything in San Marcos, California.” Company employees “are mostly special effects artists from Hollywood. So, we have that base knowledge of how to create things with hyper-realism and sculpting.”

For Abyss, sex doll robotics is the next move forward, Mike added.

What is a profile of an Abyss customer?

“Our audience is quite large. The majority of our customers are generally older. They have money,” Mike emphasizes. But he doesn’t rule out younger buyers.

“People these days are so trapped in their phones. I don’t know a single person under the age of thirty that actually can go to a bar and pick up a woman. That’s a time well passed. Everyone’s so insecure and has no personality skills that we all have to do it on our phones.”

But, he points out, prospective buyers “below the age of forty or fifty, with few exceptions, [don’t] have the money [to afford a doll].” Understandable. “Even the baseline dolls that are non-robotic, cost seven thousand dollars,” he adds.

Having said that, Mike delves into a concern that characterizes many buyers.

“The majority of our customers are looking for something. They feel like they’ve been burned in relationships [and] they don’t want to go back into the dating game. They just want something to find intimate connections with.

“Having a doll that you can come home to and talk to even if they don’t respond, there’s a lot to be said for that.”

But there’s more to consider. For some people a sex doll is a piece of “interactive art you can actually have fun with,” Mike says, adding “I see good friends that are really into cars and they just treat their cars better than they treat their girlfriends. The concept of us attaching ourselves to inanimate objects is not unheard of in any fashion. We do it all the time. You know?”

Looking into the future, Mike turns the conversation to nest systems and home security.

We have wireless cameras now, but the doll will do more.

“She could act as a security system. The app has got the intelligence and the brains.” In short, “the robotic, the doll itself, [is] the personality that exists within your wireless device.”

Finally, I ask Mike about his personal background.

“I was born in the Midwest. My father was an independent filmmaker (who) went into production design. I was home-schooled doing special effects art, light casting, sculpting, all of that. Went to college in Pittsburgh.

“I’m fascinated by the psychology behind sexuality and I’m also an artist, so, it was kind of a natural progression. What got me to California, where our company is located, was not Real Doll. I was working for the government doing hyper-realistic military training with medics.”

Then a career change came calling.

Real Dolls was looking for a painter. “I got hired,” he says, and brought “all my imagination and skill to the table.”

Also, Mike’s background in retail proved valuable and the rest is history.

“I love the sex industry. I love open minded things,” he says with an infectious smile.

 *          *          *

Dukes Dolls

Tucked away in an unpretentious booth on the novelty expo floor is Dukes Dolls and Toys.

The company is a fascinating story and who better to ask about it than owner Greg Charles.

“I started out with an adult cartoon comic website called dukeshardcorehoneys.com,” Greg begins. The site was developed from the adult illustrations he created back in his high school days and college years.

“I’ve always had a knack for drawing adult stories. My personal preference was curvy women, and, at the time, I didn’t really see a lot of content out there like that.”

Though his art work began as a hobby, Greg explains that he would post his images on “different websites [and] galleries” in cyberspace.

“I began to grow a following and eventually created a pay site, dukeshardcorehoneys.com. I started getting members.” As the work became more “taxing,” it also “became more fun,” he comments.

So here we have an artist who has taken his passion and turned it into a business.

Greg’s next move was to hire animators to do his stories and a new fan base emerged. Out that growth came the idea of sex dolls, “a fun thing [that is] very unique,” he declares.

How has that part of the business grown?

“Before it was more of a hobby,” he says, “if I made money, so be it. If it didn’t, I still had fun doing it.”

But everything has evolved.

“Now I’m looking at it as a revenue gainer and a business. I’m being more professional. My presentation’s better and the [product] quality is much better.

“I put more elaboration on the design. It’s more realistic.” He mentions that the newer designs are better proportioned with skeletons that facilitate ease of movement.

“I have more variation in designs also,” Greg explains, pointing out that the company offers dolls of different sizes and carries a line of “handheld collectible ones.” Refusing to rest on his current product, the New Jersey native plans to develop dolls with alien and monster themes.

Of course, there is the influence of a comic book artist in his work.

“That’s first and foremost, that’s where I’ve always been,” Greg beams. “Ever since I was a kid, I loved drawing comics.” Today, he continues to illustrate but with decidedly adult themes.

“So, at the end of the day, that’s what I like doing in my spare time, on my work time. If I’m sitting in meetings, I’m always drawing and sketching.”

My last question concerns his audience.

“Some people think, ‘Oh it’s some lonely losers that can’t get girl themselves.’ That’s definitely not true,” Greg says. “Most of my customers have been couples that wanted to experiment in threesomes but they didn’t want another woman screwing up their relationship.”

He talks about disabled military who are not confident they can find the companionship they want, “so they have a doll as a companion.”

And don’t forget the collectors and the artists.

“I’ve had artists that like to draw the human form” but using a live model is problematic, he suggests. “The sex doll is the answer for them because the metal skeletons are opposable (movable) which makes them perfect for artists. You can put it in any position and they hold it for you.”

All in all, Greg points out that the business has “different types of clientele and I definitely am proud of that.”

It’s worth mentioning that Dukes Dolls is minority owned. Greg offers a bit of his personal background.

“I grew up in Jersey City and it’s a kind of a rough area. Me and my friend Shawn, we grew up together, same area, went to high school together.” However, their college years separated them.

Getting Shawn’s take on marketing Duke’s Dolls

We were on “different paths,” Greg explains. “I was always an artist; he was always a video-audio guy. Our paths never crossed because I was doing comics and he was doing video and music.

“Once we began to work on animation, our talents started crossing and we began to work together in business. Sometimes it’s tough where we grew up. Not too many people understand entrepreneurship, let alone entrepreneurship on the internet. That’s alien, the concept of making money off the internet. When we try to explain it to people we know, they don’t understand. ‘Oh, you’re trying to goof off, why don’t you get a real job?’”

“Sometimes this fake job makes more money than the real job, you know?” Greg says with a smile.

Yes, I do, and good luck to you both.

*          *          *

Here’s contact information for the three companies covered in this article.

XR Brands

Real Doll

dukeshardcorehoneys.com

 

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AEE 2020: Hard Core at the Hard Rock, Final Curtain

by Rich Moreland, February 2020

Photos by Kevin Sayers.

*          *          *

Call it the end of an era or the final curtain, but never suggest it’s a swan song. The Adult Entertainment Expo and the Hard Rock Hotel are no more, but the trade show is not going into retirement.

Here’s the story. The talk around the Hard Rock this year was what to expect in 2021. What is going to be new and different? Well, as it turns out, not a whole lot. The Hard Rock is going under a name and branding change.

“We are signed with the Virgin Hotel through 2023 already. They are thrilled to have the AVN Awards and Expo at their property,” Dan Miller, managing editor of the AVN, told me. The only real change is the name because the venue remains in place. Next year fans and industry people will meet and greet at the new Virgin Hotel on Paradise Road in Las Vegas, the same location that carried the impressive guitar logo of the Hard Rock.

Enough said on that. Let’s take a look at what this year offered.

Networking

The Expo’s opening day on the collective floors of Artist Hall, Muse Hall, and The Joint is much appreciated by media people. A modest number of fans are just getting into the swing of things. The bulk of them will arrive Thursday and Friday so movement around the three adjoining facilities is less crowded which means many of the stars are conveniently accessible. For an industry writer, corralling porn’s finest for a short interview or brief chat is hassle free.

Simply put, this is orientation time, if that’s what I may call it. Find out where the talent agencies have their girls, scope out the best times to visit the booths of the major studios, and check the layout of the novelty expo. For veterans like yours truly, the day is filled with networking and renewing old acquaintances before everyone’s schedule becomes too hectic.

My photog Kevin and I stopped by ATMLA’s (Adult Talent Managers) signing area to pass a few moments with a favorite I interviewed last year, Ember Snow, and one of the industry’s most likeable MILFs, Sarah Vandella. We first met her on a Girlfriends Films set a couple of years ago.

Stopping by Adult Time in late afternoon, I congratulated Tommy Pistol on another productive year. I congratulated him on a superior performance in one of the year’s top comedies, Love Emergency, but didn’t stay long because a couple of fans showed up and they always come first. Then I dropped by Foxxx Modeling to set up an interview with newcomer Paris Amour.

One of the fascinating aspects of networking day is an impromptu chat with a performer I’ve never met, but am familiar with her work. Early in the day I introduced myself to Victoria Voxxx, an AVN award nominee for a shoot she did with Kink.com. Very personable and I mentally put her on my list of talent to interview if time allows.

The Press Room

Kevin and I have learned that the best way to take a break from the hyperactive pace of the trade show floor is to retreat to the press room. Everything there is calm, bottled water is available (we are in the desert, after all), and talent comes and goes in response to interview requests.

We had some informal time with Cory Chase, whom we interviewed last year, spoke with Bree Mills as she passed through and with Seth Gamble whose acting talent is unmatched in the industry. Even offered a brief “hello” to Lauren Philips as she waited for someone from the media.

Good-natured Tim Williams and Jill Hagara are the bedrock of the room, checking people in and keeping everyone informed. If anyone needs anything, they’re the ones to ask.

During the week, Kevin and I networked in the room and, as we did last year, enjoyed our conversations with Captain Jack who knows every performer in the business (or seems to).

Later in the week, I reconnected with Jillian Janson whose porn comet is rocketing into the galaxies of stardom. She was sitting on a couch waiting for her interviews (she had a couple lined up).

Jillian’s no longer that skinny kid I remember from a few year ago. Lamenting that I did not get a scheduled interview with her for this show (it’s tough, she’s in demand), Jillian gave me a hug and we made informal arrangements for next year.

Getting back to the floor, Kevin and I spent a few moments with John Stagliano of Evil Angel early in the day and later with veteran actor Dick Chibbles who was holding down a spot at the AVN booth.

John Stagliano

No Vixen

In summarizing our sweep through the show’s major venues, three thoughts crossed my mind. First, some kiosks were cleverly placed among the signing tables available to talent. That was particularly helpful for fans in The Joint where corridors are narrow. The facility is a really a theater with tiered seating and a stage where the AVN Awards show is held. Traffic flow was much less congested so fans could move more freely from one girl to the next for momentary conversations and signed photos.

Second, more performers were there on the first day than I remember from the past, a boon for fans eager for a selfie with their favs. And lastly, director Greg Lansky’s Vixen Media Group was absent this year. Lansky sold his business shortly before the show to pursue other interests. In the recent past, Lansky’s presence was a focal point for meeting talent.

Sex Dolls

On a final note for the day, Kevin and I invested significant time getting an overview of the novelty part of the AEE, something we had done only cursorily in the past.

This year I had an interest in an up-and-coming topic: sex dolls. My knowledge of what constitutes a sex doll was limited to TV skits and off-color jokes. As someone in the press room mentioned to me, “who would buy one of those things?”

I was determined to find out and that is where we go next!

 

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Director Billy Watson Finishes the Job

by Rich Moreland, September 2019

All photos are courtesy of FinishesTheJob.com

In order, the performers are: Emma Hix, Allie Addison, Casey Calvert, Riley Reid, and Madelyn Monroe.

*          *          *

Gun for Hire

Any fan attending the AVN trade show will tell you that today’s adult industry is a collection of innovative delivery platforms. From cam girls to sex toys, the internet drives porn these days.

Billy Watson, famed director for the online IR powerhouse DogFart (DF), is now making his individual mark in adult’s competitive cyberspace market. To be sure, he has the credentials, receiving a Best Director for Web Channel/Site nomination at this past year’s AVN awards.

After a seventeen-year partnership, Billy is now venturing out on his own, but not without gratitude for the relationship he’s had with DF. The company “allowed me to create my affiliate program, FabulousCash, as well as my website, FinishesTheJob.com,” Billy tells me in a recent interview.

“I loved working for DF. The producer is a great guy and still a great friend. It was just time to move on…for both of us. And we did so in a friendly, seamless transition. And I am proud of all the attention I got there as their director,” he adds.

Nevertheless, to grow professionally Billy had to face reality.

“I was a gun for hire; I didn’t own any of that content. And I just couldn’t do both–shoot for DF and run FabCash–so I made a big decision…the long money over the short.”

“About three years ago, my producer asked that I shoot on different locations. That effectively killed the time I had to focus on FabCash,” he says.

That meant a change in direction.

Our Niche

Before delving into his current product, Billy gives us some background on how he evolved professionally.

“I started with ManoJob in 2006. We immediately added TheDickSuckers and MrPOV, because that was the trend/business model then,” he says. But as we know, trends are unforeseeable and ten years in adult is a lifetime technology-wise. “If I could start over,” he remarks, “I would have created one site and updated it three times as much.”

I want to know if MrPOV, DickSuckers, and Mano are under the Fab Cash umbrella?

“They are, indeed,” he responds. “And we’ve created a fourth site–FinishesTheJob.com–that houses those three sites to make things easier for the end user.

“We call it that because that’s our niche. One of the most frequent e-mails I get from my members goes something like this: ‘Dear Billy, Are all the guys in Porn Valley gay? Why do they have to masturbate to finish? If I was with Madelyn Monroe, I sure wouldn’t need to jack off to cum!’

“And you know something?” Billy continues, “ninety-nine percent of the adult content produced in Porn Valley is just that–a guy finishing the job, so to speak. Not at my sites.”

A One-Man Operation

By the way, Billy Watson is hardly the outdated stereotype of the Porn Valley pornographer.

A Chicago native, he worked for a time in Arizona. A relocation to Texas “for a stockbroker gig” followed before moving to Northern California to attend graduate school. Next there was a brief return to Arizona “for more civilian work before getting into the Smut Biz in 2002,” he explains.

I visited with Billy a few years ago on a DogFart set. Considering he had an editor and make-up artist at the time, I’m wondering how have things changed since then.

“I am pretty much, at this point, a one-man operation,” Billy explains. “I have a coder/techie who’s part-time, and a business partner I answer to. I’m in the deep-end of the pool, so to speak, paddling…with full confidence that I’ll make it pay off.”

Billy’s business model is strictly online. He’s not into the DVD market and doesn’t see that in the cards he holds. “I’m planning to offer my product on the streaming services like AEBN and HotMovies. They’ll be packaged there to appear like DVD’s.”

Likewise, he is not into features. At least for now.

“Never say never, but I’m a run-and-gun gonzo guy. If I want to watch feature films, I’ll watch anything besides pornography. No disrespect to the fine folks who create features, but that ain’t my gig,” Billy declares with a smile.

Referencing a scene with Madelyn Monroe on that DF I visited, I want to know what makes the FinishesTheJob product unique?

“The experience I want my member to have,” he begins, is a personal one-on-one encounter that is everything short of sending the model to my member’s home to engage in one of the three sex acts [depicted on the sites].” Billy wants his audience to think of it this way. “Madelyn Monroe is jacking you off; Madelyn Monroe is giving you head; you’re lucky enough to bang Madelyn Monroe.

“That pretty much sums up my content. Now, whether or not I actually achieve that is purely subjective; however, one thing’s certain: our models finish what they’ve started…and objectively, that sets my sites apart from almost every single one [in the industry today].”

That basic spin on the traditional porn model is what makes Billy Watson’s FinishesTheJob.com  a go-to website.

*          *          *

We’ll let Riley Reid leave us with pure satisfaction . . .

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A Commentary on Monxa Mala: Part Two

by Rich Moreland, July 2019

In this installment of Monxa Mala, we’ll offer our analysis of the story. We’re getting literary here so to fully appreciate the visual impact of this drama, purchase the film from Vermeerworks.

Photos are courtesy of Pachamama/Decadent Films and Jac Avila.

*          *          *

Survival

Each woman in Maleficarum II: Monxa Mala is adept at self-preservation. Martina and Justa do it through silence. Barbara and Lucrecia use their sexuality. Both women identify with their abuser and become Enforcers to avoid the painful end of the whip.

Julia wants to please and coincidentally relishes her punishments meted out by the Father. Essentially, she’s a cultist who symbolizes the faithful sheep (worshipers) who never question. However, her allegiance also has a darker side. Julia is symbolic of both parties in the age-old struggle between the Church and the forces of Satan because she’s willing to dance with the Father, however he is disguised.

Leticia is an independent spirit and the Father is determined to crush her individuality, vowing to “expel those demons that mortify you.” Shackled and awaiting her chastisement, Leticia endures his sanctimonious judgment of her “transgressions” . . . reckless, conceited, proud, arrogant, defiant, unruly . . . just for a start.

As Leticia grimaces under the lash wielded by Lucrecia, the Father calmly tells her, “You are Eve. God’s sentence hangs over all your sex.”

It’s an age-old, time-worn accusation. If left to their own designs, women will disgrace and dishonor the Church. Their curse is the sexual urges they arouse in men, an intolerable situation that calls for action. The best way to stamp out carnal desire, according to the Father’s logic, is to act on it first and then delight in its destruction. In other words, discipline the messenger before disposing of her in a righteous way.

“The cross is a noble punishment,” the Father declares.

The Father sees women as pawns. As God’s representative, he is unsullied, giving him free rein to debase the novices for his personal gratification before justifiably torturing them. We see that with Barbara’s “problem.” It’s taken care of on the rack after she whispers that she might be carrying something of his.

Alive

Leticia’s single-mindedness and her strength are brought to light in the bedchamber where ointment is applied after her scourging. She says with grit, “I will leave this place . . . maybe broken up into pieces, but I’ll leave from here alive.”

Leticia’s pronouncement reverberates through the film as each novice/nun seeks a way to ameliorate her own situation.

The challenge for the viewer is to interpret what “leave alive” means. Is Jac Avila telling us that faith conquers death? Internal strength survives the pain of torture? Church oppression is never final?

Or, is Leticia offering us an undeniable feminist statement, thus transforming Monxa Mala into a feminist film? In other words, is paganism pro-woman because it flies in the face of Church patriarchy?

After all, some nuns get what they want, don’t they. . . ? Which brings us to the malleable Julia.

A Tidy Little Masochist

Julia is central to the film if one considers it to be a sadomasochistic horror tale with enough whipped backs and boobs to fascinate dedicated BDSMers. The novice is itching for her punishments and can mete out a bit of sadistic pleasure herself.

She uses the Father, seducing him in ways she knows will work. Julia confesses she is “a great sinner” who has “sinful thoughts about your Grace.” She fawns at his feet and extracts a kiss from him. The perfect toady. Important because another novice, the whipped Barbara, ends up on the wheel . . .

. . . and Lucrecia will endure the collar, then the rack.

By the way, when he kisses Julia, the Father pulls down her garment to bare her breasts, triggering her sexual excitement.

Julia’s conflation of pain and sex is well noted in the film. When Leticia’s bloody marks are being treated, Julia says, “Did it hurt very much?” Leticia replies, “You would have loved it.”

Later as Julia is being lashed by Barbara’s hand, Leticia walks in and watches with a half-smile. Julia closes her eyes in ecstasy and hardly flinches.

“Your dream becomes reality,” Leticia says with a degree of sarcasm.

“I’m doing my penance with humility,” Julia says softly, “but I don’t feel the pain.” She smiles with smug superiority.

Who is being manipulated here?

Julia is the masochistic delight of Monxa Mala so don’t miss her whipping scene on the ladder. She is arrogant in her own way when she says to the Father that it’s her turn “with the flagellum.” “My wish is to be whipped by your grace,” she declares, so there are no shackles or restraints. This is Julia’s fun and she gets another kiss for her submission.

The scene is back side/front side and a naked Stephanie Vargas is eye candy. We hope to see her in future films.

Beyond the Red Feline series, rarely has the Pachamama/Decadent library captured a better pure masochist on film.

By the way, Julia is a switch of sorts. Using the needle probe, she increases Leticia’s agony when she gets the chance. Just goes to show you that pain lovers can be feisty if the opportunity rises. The needle has a deeper meaning, however. Julia’s fascination with it is a thinly veiled comment on her own raging need for penetration of another sort.

Oh yes, there is something else this moment reveals. Competition and revenge festers among the women. During Julia’s earlier whipping, Leticia pokes her in the ribs with a nail used in crucifixion. Turnabout is fair play, is it not?

Various Sides of a Woman

Writer/director Jac Avila leaves the viewer to decide what the Father means when he references the “big lie” that is making its way around the monastery.

No matter how such a lie is interpreted, remember that each novice/nun in Monxa Mala represents a side of the human condition that is tested by it. Leticia is the rebel who is unrepentant while Julia is the cultist who refuses to question. Barbara is sexual lust and power personified, the opposite of Lucrecia whose pragmatism guides her actions.

Martina and Justa represent the old adage, “the less said, the better.” In Martina’s case, she solves problems. We see that when talk with the Father turns to performing abortions to rid the monastery of its recurring unspoken “problem.”  Lucrecia volunteered for one, Martina informs us.

It’s the big coverup that gets out of control. Except for Leticia who remains defiant and pays with a crown of thorns, the women have sold their souls to the Devil in a bargain driven by necessity. They have forfeited their choices.

Throughout the film, the tension between the Father and Leticia becomes a psychological tug-of-war. He threatens, she resists. As the story moves into its later stages, Leticia becomes the omnipotent power of freedom that sees everything for what it is.

In the final scenes, only the Enforcers, Lucrecia and Barbara, remain on-screen. They are crucified and the Father penetrates them once again, this time symbolically with the needle probe.

Finally the stage is empty of its victims. The Father sits calmly, pleased with his cleansing of the holy order.  The Church is left naked and alone to wallow in its self-righteousness, or so it seems because there is more to this ending.

Some Final Comments

Unlike previous Jac Avila films, there is not much total nudity in Monxa Mala. For some viewers, this will be disappointing.

Only Barbara and Julia get down to complete exposure. The others rely on loin cloths when the action gets rough. From my experience writing in the film industry, directors rarely push actresses to nudity if they are not amenable to that. Respecting boundaries is paramount.

If you are a fan of a girl bound and bare, watch the scenes with Barbara on the wheel . . .

. . . and Julia on the ladder. They are worth the price of the film.

By the way, Daniela Borda and Simonne de la Riva are stars in the making. Both are “hot,” to use a sexually charged term, and their acting is quite good. Daniela has an earthiness and Simonne an air of sophistication that offer contrasting interpretations of what BDSM sexuality is about. Here’s hoping for more of both soon.

Also, Graciela Tamayo and Inces Copa represent a counter-balance to the Father’s debauchery. They are guiding figures whose presence reminds to viewer of the goodness that the Church offers.

As for Mila Joya, this reviewer admits he has an enduring affection for her portrayal of tortured victims in Pachamama/Decadent Films. She has a rich and sensuous resume to her name.

Mila is superb with a quiet, gentle demeanor and a willingness to suffer for her art. Not only is this demure sweetheart talented, but she fills the screen with a body to die for.

Don’t take my word for Mila’s commanding presence on-screen. Check out two previous Jac Avila films that feature her solitary suffering in the chamber of pain. They are Le Marquis de la Croix (reviewed on this blog: April 29-May 5, 2017) and her newest offering, Mila a la Croix.

In conclusion, no commentary on a Pachamama/Decadent production is complete without a final mention of Amy Hesketh. As referenced in Part One, she’s not cast in this film but her presence is evident in the story. And, of course, the whipping scenes carry her stamp. Amy is the standard for the visual feast that is Monxa Mala and deserves a special nod from all of us.

*          *          *

After rigorous filming and lots of “torture,” the cast enjoys a well-deserved party. Congratulations on a cool and entertaining production!

 

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A Commentary on Monxa Mala: Part One

by Rich Moreland

In this first installment on Monxa Mala, we’ll set the stage for the film.

Photos are courtesy of Pachamama/Decadent films. The Inquisition drawing is from gregfallis.com.

*          *          *

This latest Jac Avila niche creation celebrates the visual delights that enrich his fan base.  Maleficarum II: Monxa Mala is a variance of the earlier Maleficarum, also a Pachamama/Decadent Cinema offering that tells the story of persecuted lovers who are condemned as witches. Both productions focus on the Inquisition tortures carried out in the name of the Church some five hundred plus years ago.

Amy Hesketh, who appears in the original movie, serves as the executive producer for this update. Amy is not on-screen this time around and her absence is regretfully noted. On the other hand, Amy’s long-time filming compadre, Mila Joya, returns for a role in which she is less a victim, at least on the surface, than a reluctant whip-wielding punisher. More on that later.

Jac Avila is the writer and director of Monxa Mala, scoring another winner for the BDSM horror genre that is his specialty. With enough deviltry to make the story believable, he once again assumes the role of the torturer. What is particular about this film is that Jac is really “a director within a director.” His on-screen persona is commanding the nuns to satisfy his will just as off-camera he is moving the players around on the stage, so to speak.

Speaking of the nuns and novices, Monxa Mala introduces a talented group of female performers whose comeliness is a perfect fit for the dark evils of the dungeon. Their punishments will surely please BDSM aficionados.

Make no mistake, however, there’s more than just “tie ‘em an’ beat ‘em” to this movie. It has psychological implications that reach beyond sadomasochistic themes.

Let’s take an in-depth look at all of this beginning with the characters that occupy the story.

*           *           *

The Players

Leticia (Simonne de la Riva): The Marquise’s daughter. She organizes a pagan feast that breaks “the sacred silence of the monastery” and is punished for her transgression.

Lucrecia (Mila Joya): The Enforcer. She is loyal to the Father. When he orders a scourging to “correct” a deviant novice, Lucrecia steps in to do his bidding.

Father Agustinus (Jac Avila): The “Mad Monk.” He sets it upon himself to “correct” novices to the holy order when they step out of line. The Father runs the underground dungeon show and loves the art of inflicting pain.

Barbara (Daniela Borda): The sexually-charged novice. She carries a prize the Father bequeathed to her, or rather inside her. Barbara desires to be the Enforcer and accommodates the Father for her own gain.

Julia (Stephanie Vargas): The masochist. Eager for the pain is this novice’s forte. Julia suffers the welts of humiliation with a smile while having a nasty sadistic streak of her own. When it comes to “getting off” on pain—be it receiving or giving—her favorite phrase is, “It’s my turn now.”

Martina (Graciela Tamayo): The quiet observer. Martina intercedes for the tortured souls under the Father’s wrath. But, as they say in politics and crime, she knows where the bodies are buried. “The walls are guarding secrets,” she says.

Justa (Inces Copa): The wrong nun in the wrong place at the wrong time. Because she is loyal to Leticia, she is more of a nuisance than the Father can endure.

The Images

Four images of importance dominate the film. First is the whipping post where the crucifixions are also carried out. It’s a Freudian phallic symbol and central to the male dominance of the dungeon. Leticia’s suffering while manacled to it is the main focus of the film. Later, Lucrecia also spends time there when her usefulness to the Father is finished.

Second is the metal collar. Attached to the post, it immobilizes its victim, holding her in place for her punishment. The circular shape is a Freudian symbol for female genitalia, as is the wheel, of course, and a reminder that the Father controls the most intimate of female parts for his pleasure. When Leticia and Lucrecia endure their tribulations, the collar enforces their submission.

The third is the rack. Its has a depraved attraction for the Father who “treats” the condemned to its misery.

The last major image is the flaming kettle where the branding iron awaits the Father’s bidding. Leticia is its victim. Simply put, the kettle and its hot coals are the fires of Hell awaiting her, at least in the Father’s eyes.

The Back Story

By the Early Middle Ages, the Church’s patriarchal, anti-woman attitude dominated Europe. Though fighting heresy was their major thrust, churchmen had a history of torturing misguided nonbelievers condemned for dancing with the Devil. The abused victims were often the weaker sex vulnerable to Beelzebub’s seduction.

For some holy men, the Church’s tribunal, known as the Inquisition, turned a blind eye to its own sexual licentiousness and sadism that victimized many women. Such was the case with another Lucrecia, a 16th century Spanish girl whose dreams and imaginations were too much for the king. She was charged with heresy, imprisoned and tortured.

Another female was the virgin martyr Saint Leticia whose Spanish cult is celebrated through feasting. According to legend, Leticia was executed along with the virgin followers of St. Ursula in the Early Middle Ages. No surprise then that Leticia in this film is accused of promoting a pagan repast.

It’s worth mentioning that Inquisition tortures were often carried out by the civil authorities who were not subject to the control of the Church. Their barbarity comes from the Roman word for the savage, the non-citizen: the barbarian.

Notice that the novice in Monxa Mala who has not yet taken her vows remains outside of the holy order. Her name is Barbara and she wants to be an Enforcer.

In this film, the Father is a metaphor for the church and uses his dungeon devices to satisfy his personal sexual and sadistic urges. As for the women of Maleficarum II: Monxa Mala, there’s more than accusations of impiety at work here. They are victims of medieval sex trafficking by western civilization’s most stellar institution.

Of course, Maleficarum is a reference to witches and we’re left with the question of a cover-up. Who is the Devil in this story and are the nuns worshiping him?

A Note on the Production

The set for Monxa Mala is a modified version of the underground chamber that appears in other Jac Avila films. Because of its limited size, the stage gets crowded at times.

However, the cinematography is excellent and the camera is adept at placing everyone in the right position for each scene so that none of the visual impact of the story is lost.

*           *           *

In Part Two, we’ll examine Monxa Mala as a sadomasochistic horror tale.

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Sofie Marie: Part Two, Micro Bikinis and Solo Cams

by Rich Moreland, May 2019

Our talk with Sofie Marie, a sultry MILF who is the very essence of a porn vixen, continues.

(All photos are courtesy of Sofie Marie)

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Camming

Next, we turn to camming. Unlike some porn stars, camming for Sofie Marie was not a portal into shooting adult scenes.

She explains.

“I started camming about two years after I started my website so I could interact with my fans and promote my website. I am a very shy person, but I do love chatting with people, so I have really good time talking on cam.

“I view my camming as great way to support my porn career and let my fans know who I really am as a person. I treasure my personal connection with my cam friends and I look forward to talking with them!”

Considering your three adult activities—swinging, camming, and porn—which one is the easiest to do and which is the hardest?

Believe it or not, porn is the smoothest, Sofie claims.

“It’s much easier for me to get mentally ready to shoot a porn scene than it is to go out swinging. Porn is my career and I take it very seriously,” she says emphatically.

On the other hand, “camming is harder than porn,” she believes, but it has its advantages.

“I love talking to my fans and I have learned so much about fetishes and what they want to see.” Her fans are super cool and offer Sofie support in everything she does.

“They do like it that I am so busy!!  Mostly they like that I do porn or swing, but the guys on cam are the ones asking me about my activities.”

What’s more, camming has a significant upside. “I hope it has made my porn scenes better for my fans,” she says.

A Possible Dud

Sofie chuckles that swinging presents challenges camming does not. “In comparison, swinging is kind of awkward in a funny way since I don’t have a camera to pay attention to while I am getting laid!”

Now there is a conscientious porn star!

Sofie Marie adds that swinging has a downside when it comes to personal satisfaction.

“Swinging can be the sexist thing I do, or it can be a dud. Most of my fantasies in my ‘spank bank’ are from swinging experiences that were super hot and horny! Group sex, threesomes, voyeurism, girl/girl, are some of the scenes that get me off when I am masturbating on cam!”

She reassures us that it’s all good in the end.

“When swinging is a dud, I still get to go home and fuck my husband, so it’s a winner, too!”

The Creation Process

From her personal perspective on adult entertainment, which is more rewarding, camming or porn?

“I like porn the best because I love the creation process and the legacy of the video, especially if it’s a good one!” Sofie declares. “I usually cam solo, so it’s a totally different experience than working with a performer. But I always get to have a bunch of orgasms [with camming], so it’s a fun job for me in that way.”

If you had to drop one of your three sexual adventures, what would stick around in your adult portfolio?

“I would keep porn and camming since they give me [the] most [satisfaction] sexually and emotionally,” Sofie says with conviction.

Micro Bikinis

Finally, what is the most important piece of advice anyone wanting a rewarding adult career like yours should consider?

“Being comfortable in your own skin was key for me,” she declares. “As I have said, I was very shy and body conscious when I was younger.”

Of course, today’s Sofie is a different person.

“I am a nudist now and love micro bikinis. My old bikinis were big enough for us to use them as a sail on a sailboat!” she laughs.

Without doubt, modeling was an important factor in the changes Sofie experienced.

“Becoming a micro bikini model and shooting in public really forced me to get over my self-critical perception of my body. I have had so much positive feedback since I started modeling. I had to start listening to the good compliments over my own self-doubts.”

Once she became “confident in her skin,” as she puts it, the beach beauty remarks that the rest of her adult journey fell into place.

“Having sex in front of the camera and then in front of people was a logical step for me.”

But we can’t forget how important support at home is for any adult performer.

“I have a wonderful marriage built on trust and honesty which gives me the emotional confidence to perform and know that I am loved, unconditionally.”

Well said and thanks, Sofie Marie, for an inside look at a spectacular porn star’s career.

*         *          *

Take a look at Sofie Marie:

https://yummygirl.com/

https://sofiemariexxx.com/

 

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May 23, 2019 · 9:17 am

Sofie Marie: Part One, Girl in Charge

by Rich Moreland, May 2019

Talking with Sofie Marie is always a pleasure because she is a mature, professionally-driven adult entertainer who is incredibly sexy.

One of the things that makes Sofie stand out is her affection for the swinging lifestyle. I wanted to find out how that avenue of her sexual lifestyle factors into her porn career.

Let’s see what she has to say.

(All photos are courtesy of Sofie Marie)

*          *          *

Sheltered

First tell us how you got involved with swinging.

“When I met my now husband, he had to tell me what a swinger was because I had no idea! I was very sheltered,” Sofie begins. The idea of sexually experimenting with other people fascinated her, but she needed a spark to kindle her fire. That came via a video production.

“I saw a hot music video with lots of sexy girls in lingerie running around at a party. I really wanted to go to a party like that, so we did . . . a swinger party, and I was hooked!”

I’ve talked with porn girls who dabble in swinging and they’ve told me about their personal guidelines for the sex they have. Does Sofie have any of her own?

She does. When “playing” with other swingers, be they singles or couples, Sofie says, “I have to have a connection and like the people. I have never been a random sex person, so the personal connection is key.”

Having said that, she points out, “sex for me is just fun!” It becomes emotional when “it’s with my husband.”

And, the statuesque California babe wants it real and sends a message to her play partners. “I prefer bareback sex, so please be fourteen-day STD tested because condoms are the only other way we can play.”

Girls are in Charge

Next, give us an inside look at swinging. What are some of its dynamics?

Sophie explains the scene.

“Girls are one hundred percent in charge in the lifestyle. The men who survive in swinging let the girls drive the program.”

In the end, “bossy men are weeded out pretty quickly” and it’s important that girls should “never take one for the team, as we say,” she adds.

By the way, girls who are interested in other girls proliferate in the lifestyle, so “that is the best ice breaker,” Sophie remarks. Swinging is most rewarding when the girls are “confident in themselves and enjoy the attention.”

To clarify how important that is, Sofie insists that “when you wake up the next morning you should be smiling and basking in the experience of sex, not cringing and wishing it didn’t happen. Never have any regrets!”

Sex in Front of People

Compared with a porn set, what’s it like to have sex in front of an audience?

“It’s harder to be watched by onlookers than a porn crew,” Sofie states. They are “focused on their job and generally detached from the sex they are shooting.”

(Sofie is spot on about this. From personal experience, I can tell you her words apply to industry journalists, as well.)

On the other hand, Sofie comments that “swingers are like kids in a candy store. They are watching for sexual pleasure!”

That suits our MILF hottie just fine, by the way.

“I like having sex in front of people because it’s fun to see them looking at the scene.  I wonder what they may be thinking, and sometimes I will ask them to join in the fun!!”

Of course, swinging means having sex with people who don’t necessarily throw their bodies out there for public consumption. What problems might come out of this?

Sofie replies that swinging can present interpersonal challenges that she doesn’t find with porn or camming.

“From swinging, I have had to deal with the awful feelings of jealousy. The dreaded green monster is usually the destruction of most relationships.”

That’s understandable, of course, since Sofie is married.

“From the very beginning of my relationship with my husband, we have discussed the root causes of jealousy,” she explains, and the “insecurity” it fosters.

“By focusing on trust, respect, and honesty in my marriage, I have seen my fears dissipate and my sexual energy increase. I have come to see that any jealously I felt was due to my feelings of adequacy versus the actions of my spouse, so now I love watching him as much as he likes watching me.”

Talking about her husband stimulates her juices. “Wow, I am really wet now!” she says with a broad smile.

*          *          *

Follow Sofie Marie at:

https://yummygirl.com/

https://sofiemariexxx.com/

Watch Sofie Marie here.

 

 

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May 22, 2019 · 9:39 am