Tag Archives: Casey Calvert

A Spark of Activism

by Rich Moreland, July 2014

In her recent Huffington Post article “Why I Don’t Want Condoms: A Porn Performer’s Perspective,” Casey Calvert explains the irony of AB 1576, the condom legislation that will alter California’s porn production landscape should it become law. Casey argues that the bill would lessen her sexual well-being at work because its provisions are less rigorous than the current industry requirements. At present, she points out, the Free Speech Coalition’s Performer Availability Scheduling Services (PASS) updates an actor’s status and protects everyone by identifying those who are not cleared to shoot. The system is based on a fourteen-day protocol that tests for seven infections including HIV, gonorrhea, and Chlamydia.

Casey goes on to discuss the realities of condom use. The downside of lengthy penetrations can negatively affect female talent’s availability if condoms are required, a fact apparently ignored by Michael Weinstein and the AIDS Health Foundation. Friction creates soreness and irritated vaginal and anal corridors can limit a girl’s work schedule.

In her argument, Casey repeats what everyone connected with the business fears if AB 1576 becomes a legal reality. Some companies will go underground to avoid compliance while others will depart for friendlier confines (Las Vegas heading the list), or go out of business altogether.

Self-Explanatory Photo Courtesy of Casey Calver

Self-Explanatory!
Photo courtesy of Casey Calvert

It’s not so much what Casey has to say that is the attention-getter. Rather, it is what her article reveals about performers that could spell changes for the future.

Michael Weinstein’s machinations aimed at curtailing adult film production is a call to action. He has pushed to the industry to the wall and there are hints that moving forward in a political way is more than just a discussion board topic. The testimony against AB 1576 in Sacramento is an indication of what porn people can do when they demonstrate a modicum of organization.

Some performers with sex-positive feminist leanings—Casey, Nina Hartley, Tasha Reign, Jiz Lee, Chanel Preston, and Lorelei Lee to name a few—have never shied away from their political opinions. Now we have the addition of a delegation that recently visited the Compton offices of Assemblyman Isadore Hall, the bill’s sponsor. Led by Nina Hartley, the group, which included Alex Chance, Anikka Albright, Mia Li, and Charli Piper, made the performer case against AB 1576 to a staff aide representing Hall. The account of their appearance can be found here.

Performers are learning that activism is possible in an industry unaccustomed to touting its political side beyond the work of the Free Speech Coalition (FSC).

Incidentally, should AB 1576 become law, the studios may be forced to regard performers as employees rather than independent contractors. If defined as employees, porn talent would then have organizational options. How much of a political voice they can muster may determine outcomes that are beneficial to them.

Organization demands leadership and its vital components, intelligence and commitment. Performers are exploring that scenario now with a new entity, the Adult Performer Advocacy Committee (APAC). Using education as its tool, APAC has established worthy goals that include the creation of a safe, professional work environment and a knowledgeable, respected performer.

Will APAC consider a more formal direction in giving porn talent a greater voice? The discussion has come up before. Industry vets will remember performer, director, and producer Ona Zee and her support for unionization some years ago.

Of course, talk of formal organization is problematic in an industry that tends toward libertarianism; porn performers value their unwavering independence and in the end, APAC may amount to nothing. But the specter of Sacramento, with its rules and regs, now looms over everyone and unless there is a dramatic shift in direction, the future is going to demand greater political involvement.

With a law on the books enacted under the auspices of AB 1576, would not performers be better off with a strong organization that would exclusively represent them? How, for example, is the law to be enforced on the set, who takes the blame if condoms are ignored, and how would workman’s comp issues be handled?

Nina Hartley, who believes organization is a good thing, once told me in a moment of frustration that performers lack an institutional memory about the business. They often assume that the way things are now in adult film is the way they have always been. Some performers do seem to get it, however. Like the outspoken Casey Calvert, they can become powerful activists if they choose to explore that possibility.

Here’s an example of the attitude needed for success. Casey says in her article that if studios “stay in California and flaunt the law,” AB 1576 will result in unsafe working conditions. Underground production is the easiest way out and sets up a scenario in which testing protocol evaporates and a host of problems can arise, endangering everyone.

“We self-regulate very well right now, but that’s bound to fall apart if we have to do it in secret. I’m not going to work if I don’t feel safe,” she declares.

What a feisty Casey does not say is she’ll leave the industry and she is adamant that she’ll not shoot underground. The Florida native and others will fight for all porn performers and their spirit of activism, evident in Sacramento’s legislative halls and in online articles and social media, will take up residence in APAC.

Positive changes begin with a spark, an attitude, and almost always a fed-up person. Remember Norma Rae and Erin Brockovich? Porn women are just as gutsy.

*          *          *          *          *

Postscript

At the hearing from left to right, Sid, Owen Gray, Jiz Lee, Chanel Preston, Casey Calvert, and Lorelei Lee Photo courtesy of Casey Calvert

Performers making a statement by attending the hearing. From left to right:  Sid, Owen Gray, Jiz Lee, Chanel Preston, Casey Calvert, and Lorelei Lee
Photo courtesy of Casey Calvert

On the day of the Senate hearing, Casey and others from the industry appeared in the chamber to offer their views. Though each person was recognized, Casey reports, only designated speakers were allowed to make statements. The FSC’s Diane Duke and Kink.com-based performer and director Lorelei Lee presented arguments against the bill; the remaining interested parties were allowed a brief individual moment.

“We all got a chance to go up to the microphone, but all we were allowed to say was our name and that we oppose,” Casey states. As for the other side, “There were some people there to support the bill, but not as many as we had,” she adds. “The oddest one was Jessie Rodgers, who was literally in tears because she got herpes on set.”

Casey later mentions that herpes is “fairly common” in the industry and is often considered a “nothing disease” whose danger is hyped by drug companies. “It can’t hurt you at all,” she says and questions why Jessie was so over-the-top about it.

Former performers Sophia Delgado and Cameron Bay endorsed the bill along with Jessie Rogers, whose personal view on AB 1576 and the industry abuses she perceives harms all porn talent can be found here.

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All the Attributes

by Rich Moreland, June, 2014

The last two weeks of May are a welcome lull, a “tweener” period. Spring semester is wrapped up and first session summer school is a few days away. This year I’m taking the time to reorganize my at home office and that means sorting through interview transcriptions, unreviewed DVDs, and collected articles on industry issues like piracy, condoms, and the decline in revenues.

Among this year’s accumulated material is a bevy of photos from the 2014 Adult Entertainment Expo (AEE). When I came across a treasured shot of Penny Pax and Casey Calvert, it reminded me that I had planned some work on Casey that has sat undone. Sometimes things slip away until rediscovery cries out for rectification.

Here’s the photo.

Penny and Casey

Penny and Casey.

Preconceived Notions
Porn girls are as varied as sexual fantasies and fetishes allow. Most are friendly, some a bit wacky, and others standoffish, but all share a common feeling: stigmatization.

Being in adult film is not a convenient path to success. Prejudicial feelings are everywhere, as I can personally attest.

Students who have inquired about my industry connections occasionally ask how I feel about keeping company with unsavory people whose universe tilts far away from what society considers the accepted norm. Not surprisingly, the word “prostitute” often comes up in the same breath with porn performers.

My response is terse. Put away the broad brush and remember that familiarity breeds acceptance, and acceptance often alters the definitions we concoct to satisfy our prejudices. In other words, it’s easy to denigrate people about whom we have preconceived notions, until you actually get to know them.

Decades ago, my first summer job was in the farming country of Maryland’s Lower Eastern Shore, a region that, at the time, would fit comfortably in Faulkner’s Mississippi. The local school district was clutching the fading days of racial segregation, resisting federal law with delay after delay. As a result, my understanding of African Americans was limited to what a community preached to its young . . . until a sunny June morning when I reported for my first day of work.

Based solely on my skin color, I immediately became a teenaged foreman of impoverished black laborers who had little education and no future. By summer’s end, the racial biases programmed into me from childhood were running on vapors.

Returning to school that fall, I made two new friends and learned another lesson about differences. Myra and Tony were Jewish and practically invisible in the student body. My Bible-thumping evangelical grandfather, who never understood school integration because he was convinced black kids were happy “being with their own kind,” often made Judaism sound like a disease.

Today those memories bubble up when I encounter attitudes about social issues in our modern society, filmed pornography and those who make it being of particular concern to me now.

A Late Lunch
For the record, I regard everyone in the adult business as a professional contact. Some are more friendly and helpful than others, and I admit that I depend on them to get a story here and there.

A Rare Beauty Photo courtesy of Scott Church

A Rare Beauty.
Photo courtesy of Scott Church

Casey Calvert is one and knowing her is a privilege. Focused on what she wants, this rare beauty is intelligent, always courteous, and remarkably honest. The University of Florida grad is at the top of my “most respected” porn people list.

At this year’s AEE, Casey found some time for a late lunch after she spent most of the day greeting her fans. It was the convention’s final session and she had a long evening in front of her. Let me point out that Casey didn’t have to do this and it was evident that she was tired.

In a crowded, noisy restaurant that heightened fatigue, Casey was gracious. She loves her work, she said, and hopes to be in the industry for years to come. The dark-haired sweetheart appreciates those who support her because a perfect performance for every booking is her goal. Drugs, laziness, and irresponsibility, sometimes rumored to infect models, have no role in Casey’s professional life.

When Casey headed back to her room to prepare for the awards show, my heart went out to her. She was limping slightly. Girls sport platform heels that must wreak havoc on their feet and Casey’s were certainly feeling the “pinch” of too much floor time.

To offer assistance, I carried some of her stuff then bade farewell.

You Know What You’re Going to Get
Earlier in the day, I talked with a director who specializes in online porn. Billy Watson shoots for the Dogfart Network (twenty-plus interracial sites) out of his own studio in LA.

Over coffee, our conversation turned to Casey.

Billy Watson in LA. Photo courtesy of Bill Knight

Billy Watson in LA.
Photo courtesy of Bill Knight

Billy recalled his first meeting with the twenty-four-year old. Her agent, the famed Mark Spiegler, alerted him Casey was coming to town.

“She was a Florida based fetish model,” Billy said. “Mark spoke highly of her from the get go and he was absolutely right.”

Casey has shot for Billy several times, BlacksonBlondes and CuckholdSessions among her top performances. What impressed him from the outset was her professionalism.

“She had all the attributes you can give to a Spiegler girl. They show up early [and] ready to work. They understand that it is a show and they are there to perform at their highest level. When you book a Spiegler girl, you know what you are going to get.”

For a shooter that’s more important than it may seem.

“[A Spiegler girl] is not going to be on drugs or whacked out,” Billy continued. “They don’t have bad days. You never have to send them home. There is never drama, there is never emotion. They just come ready to work. Casey has never had a bad day on my set.”

Casey for BlacksonBlondes. Photo courtesy of Dogfart Network

Casey with Prince Yashua for BlacksonBlondes.
Photo courtesy of the Dogfart Network

“In fact,” he said, pausing in mid-thought, ” I was just thinking the other day I would love to have her on my set for another round.”

“Hold on a second,” he said.

Billy’s crew was taking a break with us and turning in the direction of one of his guys, Billy shouted over the Hard Rock Hotel din.

“Hey, Tony, I need to book Casey some more.”

Finishing our coffee, I commented I was having lunch with the 2014 New Starlet nominee later and Billy asked that I mention he wants to call her soon.

*          *          *          *          *

Las Vegas, 2014, and a story penned by a once Southern Baptist about a Jewish girl from the Old South who does interracial porn. My, hasn’t the world changed since my younger days in farm country.

And in this case, much for the better.

 

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Because We Want To

by Rich Moreland, April 2014

The Belle Knox story has sparked renewed interest in who shoots porn and why they do it. The Duke freshman is all the rage, touting the idea that porn girls can be educated and make smart self-empowered decisions.

While many of her Duke classmates have luxuriated in sanctimoniously skewering Belle, the media is marketing her with gusto. The New York Daily News, the Los Angeles Times, Time Magazine, Howard Stern, TMZ, and an upcoming online reality show, “The Sex Factor,” are part of the seemingly endless Belle Knox saga.

I’m guilty of same, by the way, my column in Adult Industry News posted when the story first broke is available here for anyone inclined to read one more article about her.

Belle Knox Photo source unknown

Belle Knox
Photo source unknown

Make no mistake, I wish Belle the best and I’ll probably run into her sometime at an industry event. Regardless of where she goes from here, we need to remember Belle is a teenager who has come under tremendous scrutiny at a time in life when most girls are trying to figure out their own sexuality and where they want to go with it. In fact, there are some in the adult industry who believe that filming anyone under twenty-one needs to be reconsidered. Perhaps Belle shouldn’t even be on a porn set in the first place.

Nevertheless, before the Belle Knox media hangover sets in, a dose of porn reality is needed. It has arrived via Casey Calvert, whose blog post about Belle speaks volumes.

Magna Cum Laude

I have an immense respect for Casey. She entered porn in her early twenties with a maturity that supported her love of anything sexual. A two-year veteran of the industry (a lifetime by porn standards), her intelligence and on-screen performances are unsurpassed. If every girl in the industry had Casey’s work ethic accompanied by her professional responsibility, the industry would run like clockwork. Just ask any cinematographer or director who has hired her.

Casey Calvert Photo courtesy of Naughty America

Casey Calvert
Photo courtesy of Naughty America

Casey is always honest and in response to the hype around Belle Knox, she presents a cogent analysis of what the public lacks: an understanding of why people perform in the industry. Porn myths abound because it’s obvious that no one would really want to have sex on film unless they were psychologically broken, financially desperate, hooked on drugs, or too lazy to get a real job, right?

In her essay “Porn Stars R Stupid,” Casey points out that  in the popular mind, a middle class and educated Belle Knox is surely a porn anomaly. But in reality, that is a gross misperception. Having a college degree is not unusual in the adult film universe, she says, and there are smart women in the industry who espouse sex-positive feminism’s politics of pleasure.

Casey is bothered by the same question that concerned me when I first read the April 14 Huffington Post article in which Belle said she would not do porn unless she was paid. Questions about her claim to feminism and empowerment arose. Is a girl’s sense of having choices and acting on them driven by money?

A University of Florida graduate, Casey relates that she recently faced the same issue during a presentation at the University of Toronto. “‘If money were no object, do you love your job enough to continue doing it?'” she hypothetically asks, correctly suggesting Belle’s response would be “no.”

“Because Belle is seen as the voice of our profession, her answer implies that all of us are here solely for financial reasons,” Casey writes. “But that is not the case at all.”

Casey concedes that indeed “a few” performers have a history of drug use, sexual abuse, and financial need that drives their participation in the industry. She also mentions that some models are simply not very bright and porn provides a decent income that demands little intellectual output. I could not agree more.

Explaining that her career brings her immense satisfaction, the Florida native is openly sexual and loves the choices she has. No justification or rationalization needed. Casey likes who she is and is satisfied with who she is.

For the record, Casey Calvert’s magna cum laude degree offered her graduate school and career options, but the sexual kept its hold on her and she followed her bliss.

In the meantime, Belle makes it perfectly clear that lawyering is in her future; once her education is finished, so is porn. It’s the old tale of a means to an end.

Magna Cum Laude Photo source unknown

Magna Cum Laude
Photo courtesy of Twistys

When I think of the A-list porn stars I have met—Penny Pax, Chanel Preston, Dana DeArmond, Jesse Jane, and Tasha Reign come to mind immediately—Casey’s words ring true. These women are in charge of their careers and committed to the industry.

Have doubts? Listen to what they have to say. Tasha Reign defines her porn shoots as an atmosphere of “free happy sex,” while Chanel says with a smile, “I love getting gangbanged.”

Casey Calvert stands squarely with these superstars because she is the consummate adult film professional: smart, reliable, a hard worker, fair with her opinions, and gloriously sexual.

This sultry brunette speaks for a community of entertainers when she says,

“Many of us do porn because we want to.”

 

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Just a Dirty Girl

by Rich Moreland, January 2013

thumb_Bad-Les-front

A reluctant burglar, phone sex, a murder and a girl who prefers to knit sounds like a super plot any Hollywood writer would love.

These explosive elements are part of four vignettes Girlfriends Films (GFF) has turned into a steamy little number called “Bad Lesbian” and it’s worth a good look.

Waiting in the Shadows

In the first narrative, Dillion Harper is the thief who’d rather not and Cassandra Nix is her partner who resorts to cheap tricks to keep the lovely bandit’s body close to hers. Pretending she’s been knocked round after getting nabbed purloining, Cassandra convinces her reluctant pal to soothe her wounds.

In short order, she turns the tables on a surprised and sympathetic Dillion.

Cassandra Nix and Dillion Harper Photo courtesy of Girlfriends Films

Cassandra Nix and Dillion Harper
Photo courtesy of Girlfriends Films

 “If you hadn’t left me there, this wouldn’t have happened,” Cassandra says. It seems Dillion ran and now it’s time for another trip, the one over guilt.

To preserve their mutual thieving agreement, Cassandra waxes tender. After the kiss, the sex is underway.

In classic GFF manner, the predator takes over and “runs the fuck,” as the old saying goes. There is a smidgen of revenge in Cassandra’s plan. She grabs Dillion’s hair and grinds her crotch against the weaker girl’s face and playfully slaps the sweet little brunette, a statement of who is in control. The tatted Cassandra Nix is a veteran of Kink.com. It’s all been done to her and now it’s a lesson in rough love for Dillion.

Crime and dominating sex is also the theme of the fourth and final vignette. Natalie Heart is the abused and desperate daughter; Allie Haze, her new found tomboi friend. Allie’s switchblade dispenses with the inappropriately horny dad while the compliant Natalie waits in the shadows.

Natalie Heart and Allie Haze Photo courtesy of Girlfriends Films

Natalie Heart and Allie Haze
Photo courtesy of Girlfriends Films

“There’s no turning back,” the street tough Allie tells Natalie, who hides her timidity behind a smile. A double meaning is in play here because Allie will possess the meek brunette for her own pleasure. Natalie’s choices are non-existent.

After the carcass is hidden away, Allie toys with Natalie’s sultry body. There’s lots of oral and finger banging, characteristic of each episode in the four-part package. Allie’s macho aggressiveness and Natalie’s natural assets add to the real attraction of this vignette: two emotional loners who have stumbled onto each other. When the scene concludes, the viewer is left wanting more.

Changing Plans

If parts one and four have a somber tone, two and three are lighter. When the predator girl is not at first obvious, the viewer needs only to find the boots. The pleasingly tatted Ash Holloway, the phone sex girl, wears them in the second narrative. This vignette is a charmer of opposites. Ash is the sexually charged college dropout and Kiera Winters the nerdy girl who is studying her life away.

Kiera spots Ash taking a call in her family’s backyard and investigates. The punkish looking blonde explains the walls in her house are “paper thin” and she wants to keep her $30-a-call gig from her mother. Kiera is curious and Ash suggests she change her plans, at least for the day.

“You’re about to spend four to six years of your young adult life buried in books,” Ash declares. “Have you ever done anything crazy?” Then she tells Kiera there is more fun to be had than just talking filthy on the phone.

Kiera Winters and Ash Holloway Photo courtesy of Girlfriends Films

Kiera Winters and Ash Holloway
Photo courtesy of Girlfriends Films

Kiera is game and this petite Bobbi Starr look alike sells this narrative. Girl-on-girl sex has a huge male audience and GFF fans will place themselves into the scene and consume the diminutive brunette. She is that sweet.

The episode has terrific girl/girl chemistry. Their mutual oral is superb. During the sex, Ash finger bangs Kiera and reinforces their dalliance with a smutty “Deep down, you’re just a dirty girl.”

Narrative three between adopted daughters is the hottest of the DVD. For sheer sexiness, Bailey Blue and Casey Calvert are hard to beat (though both take their share of blows at Kink.com, pun intended) Bailey is the aggressor (spot the boots) and the very submissive Casey is the girl who knits.

Casey is trying to maintain a self-imposed celibacy but her “sister” persuades the gorgeous brunette to drop the knitting needle and go out on the town. Later when the sex begins Casey’s facial expressions unveil the hesitancy she feels. Using her eyes to frame her emotions, the AVN nominee for starlet of the year (include Dillion Harper in that elite group, by the way) is outstanding in roles in which she plays the reluctant, unsure girl.

Bailey Blue and Casey Calvert Photo courtesy of Girlfriends Films

Bailey Blue and Casey Calvert
Photo courtesy of Girlfriends Films

Bailey portrays the spunky sibling to a tee. Their sex is hot and mutual without an aggressor, produced by two actresses who are building solid careers.

One more observation on Bailey and Casey, their scene has the highest degree of verisimilitude. In other words, two adopted daughters sexually involved with each other are quite believable in today’s world of blended families. As a result, the acting is carefully crafted to authenticate the situation. Bailey is appropriately petulant and Casey’s frail resistance tells the story. Kudos to both performers.

*          *          *          *          *

In the pairings of each story, the performers create natural connections, a linchpin of Girlfriends Films. The power differences of actual lovers won’t work without real sex and reasons for the girls to dive into each other. In each episode, the girls are opposites of some variety, at first communicating their differences before yielding to the mutual chemistry that brings the contradictions together and initiates their erotic play.

The qualities of a Dan O’Connell production elevate porn to art. He uses three crew people and in most scenes, two major camera angles. Bodies are framed equally from there, minimizing the anatomy lesson of gonzo porn. Effective editing mixes shots that are sexual but not always graphic. The result is a sensuality characteristic of mainstream film with high priced talent.

This kind of movie magic doesn’t happen without planning and a carefully managed on set experience. Few studios do that better than GFF.

 

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A Poorly Written Play

by Rich Moreland, November 2013

Girlfriends Films’ Homecoming is a well-written and superbly acted story that speaks to the heart of an issue that dominates our culture today: the American family and how we perceive it.

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homecoming boxcoverHomecoming tells the story of a dysfunctional household that transitions from the façade of a “perfect family” into an honest coming together of what they really are.

The oldest daughter of Tony (Steven St. Croix) and Cora (Zoe Holloway) is getting married. Gloria (Casey Calvert) brings home her beau (Michael Vegas) for the expected approval of her parents. Trouble is that gazillionaire Bradley is rude, arrogant, and insensitive. To complicate matters, Gloria is unsure of her sexuality though she is quite certain she doesn’t love Bradley. Admitting to her true feelings is the issue because pleasing her parents is Gloria’s mission.

Homecoming functions on different levels. First, there is Tony’s story. He’s nouveau riche with a secret—an illegitimate daughter. His life is further complicated by a wife who has given up on their marriage. Next is Bitty (Jenna J. Ross) the youngest daughter who has no interest in her voyeur husband, nerdy psychologist Ron (Chris Slater). Bitty’s preferences lean toward girls and she reunites with an old high school friend, Norma (Raven Rockette) in a highly charged sexual encounter of the type Girlfriends’ fans have come to expect. Then there is Jim (Ralph Long), the real anchor in the family and symbolic of all their dysfunctions. He’s an adopted son and a cross-dressing military reject who is fairly useless in his father’s eyes. Because he is not of their linage, Jim is a breath of fresh air and the only family member who refuses to deceive himself.

Gloria, Presley, and the brutish Bradley Photo courtesy of Fleshbot

Bradley, Gloria, and Presley
Photo courtesy of Fleshbot

The sex scenes are built around the narrative. Each is a reflection of the players in it and the situations of their lives. The first involves Bradley, Gloria, and her friend (Presley Hart). Bradley is brutish, dragging his fiancée into the bedroom and throwing her between Presley’s legs. Gloria gets a “taste” of same sex love while Bradley satisfies himself, nailing his wife-to-be as if she were a dog. No matter, Gloria is too busy exploring her friend to care. The scene appears forced and awkward to the viewer but it’s designed that way. Gloria is unsure of what she is finding and is hesitant but apparently eager. If the lovers were fluid and content, the rest of the narrative would be unnecessary.

The second scene involves a girl/girl between Bitty and Norma. It’s a throwback to their teen years, they’ve done this before. Bitty tells Norma to sneak over and “throw rocks at my window.” Very high school, but that’s the point. The sex is top notch because the viewer’s fantasy drifts back to teenagers in a clandestine, surreptitious lust-fest. The girls are carnally authentic (Norma reminds Bitty she’s so wild) and, unlike a lot of lesbian oriented film nowadays, there are no sex toys to distract the viewer.

Fantasy Time Warp

Director B. Skow pushes envelopes in this story. He is helped considerably by some quality acting and the effective use of symbols scattered throughout the narrative that reinforce his message.

Cora talks of pushing the kids to win trophies and how they never really enjoyed their accomplishments. Her family must be like a prom queen’s complexion on the night of the big dance, no doubts and no blemishes. B. Skow contemptuously reminds us that this little brood is second place at best. Twice in the film’s opening are second place trophies and medallions spotted by the camera. In a moving emotional performance toward the film’s end, Cora confronts the family’s impending destruction, a fragile union Gloria was obliged to save with her material marriage. “We’re supposed to be the perfect family,” she tells Gloria with total exasperation. Later when truth can no longer be avoided, Cora laments to her husband, “We’re actors in a poorly written play with curtains I’m afraid to close.”

What is the watchword in any twelve step program? Admission is the first move toward recovery.

The family lives in a fantasy time warp, as B. Skow subtly reveals. Pay close attention to the music, it offers guideposts throughout the drama. Are we really, after all, watching a television show?

Twice in the story, the first time in the sensational sex scene between Gloria and her brother, and the second in the final one between mom and dad, there is a muted sentinel with a blank stare: an old TV with rabbit ears. This relic is a reminder of bygone days of “perfect” families whose triumphs were always guaranteed, but covered in a thin veil of cultural fraud. Did not the Cleavers of Mayfield and the Cunninghams of Milwaukee, fictitiously rooted in the 1950s and 1960s, shape our values?

But what did “perfect” mean in a time when those who were different were silent?

Jim and Gloria just getting started. Photo courtesy of Fleshbot

Jim and Gloria acting out her fantasy.
Photo courtesy of Fleshbot

B. Skow nails this point with Jim and Gloria. Casey Calvert and Ralph Long are the heroes of this drama and both turn in credible acting performances. Ralph is endearing while Casey is a diamond in the rough. She may be known for her hard-hitting on-screen sex, but her range of expression carries the story at crucial moments. Their sex is the best of the film, by the way. He’s in a blonde wig so Casey can fantasize and find her way through a morass of sexual confusion. As for the sex itself, Casey is an oral and anal princess, handling the sometimes dicey ATM as a true professional.

Energizing Vanilla

The last sexual encounter brings the film full circle. Tony admits to his affair with a local waitress and Cora forgives. Their passion for each other is how this family began. The viewer can only imagine these two at work on each other years ago creating the microscopic cell that would become Gloria, their hoped for savior.

Tony and Cora remember how the family started. Photo courtesy of Fleshbot

Tony and Cora remember how they started the family.
Photo courtesy of Fleshbot

Now their mature sexuality captures the screen, a sweaty, energizing vanilla that balances the reminder of Biddy and Norma’s illicit teenaged exploration. In between we have the fetish notion of Jim and Gloria while the first scene puts the stupid frat boy stamp on Bradley’s garish pounding of Gloria who is destined for a revelation of her own. Like families, sex comes in all varieties.

Homecoming is not a family gathering, but a family rebirth with a raucous and joyous ending. Real emotions have eluded this band of relatives for years; the sex in the film is forthright and reminds us that a good dose of self-examination is necessary to maintain happiness however we define it. Our sexual kaleidoscope is waiting to be explored and its’ time we closed the curtain on our culture’s poorly written play of sexual limitations and dishonesty. Homecoming’s cast of characters and their director are willing to show us the way.

*          *          *          *          *

From the Performer’s View

Not often do I get a chance to talk about a film with the leading performer in it. However, Casey Calvert was willing to reflect on some of my thoughts about Homecoming. Here’s a bit of our conversation.

I am interested if the sex was scripted.

“The sex scenes weren’t scripted at all,” Casey says. “They were shot in the standard way Girlfriends likes their sex scenes, with just two people going for it.”

Casey Calvert Photo courtesy of Scott Church

Casey Calvert
Photo courtesy of Scott Church

She goes on to talk about B. Skow and how she enjoys working for him because “of the way he shoots sex.” “He likes natural, genuine sex,” Casey says, and “runs three cameras so it’s easy to always be open to one of them.”

I remember Dan O’Connell talking about his philosophy of having only three crew people to minimize disruptions. I ask Casey about interruptions during her scenes. B. Skow “stays quiet” unless a problem arises, she says. There was only one break during her scene with Ralph Long and that was related to the hot lights and his wig!

I’m curious about the first sex scene with Michael Vegas and Presley Hart. Michael as Bradley is a brute who forces his wife-to-be’s mouth into her friend’s crotch. Casey’s role is built on Gloria’s hesitancy about her possible love for girls. She is uncertain, making the sex awkward. Of all the scenes in the film, this one is the most artistically constructed because it is vital to the story.

Casey mentions that Michael did exactly what B. Skow wanted, “just fuck and pop as quickly as possible.” He did his job really well, she says. Casey comments that she doesn’t personally know Presley Hart that well and that contributed positively to the scene. Gloria’s ambiguity about her sexual preferences  was “what I was trying for,” Casey says.

For viewers who only watch a porn movie for the sex, nuances like those in this scene are sadly lost. Casey remembers an online viewer who commented that he didn’t understand why she works with girls when she doesn’t seem to be turned on by them. His remark was disappointing, Casey says. My advice to that viewer is to watch the scene again and perceive it from the perspective of an artistic statement that moves the the film forward.

Finally Casey compliments Ralph Long for doing a spot on job in the film. She adds he was also “a great PA [production assistant].” A man of many talents in a film of talented people, I might add.

I’m not one to give out ratings or stars for movies. But I highly recommend Homecoming. It’s dramatically refreshing because it is not average porn fare.

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Maggie in the Smut Den

by Rich Moreland, November 2013

This is the first installment of a two part series on my visit to the dogfart/fabulouscash.com studio in downtown LA.

*          *          *         *          *

“I’m in the back alley. When you walk to my studio, you’ll think you’re scoring crack” reads the text I just received.

A warehouse hidden within the sprawl of Los Angeles weaves images of film noire and Sam Spade. Film is an illusion, is it not? Two days ago an elderly couple showed me Humphrey Bogart’s house: dark, mysterious, imposing, and right next door in the old Hollywoodland development where they’ve lived for decades.

Visions of Sam’s toughest case, The Maltese Falcon with Bogart, Mary Astor, and Peter Lorre float in its rarefied air.

Now it’s crack alley where the illusion plays out in another film venue unknown in Bogart’s day. Might Sam Spade have visited this very street sixty years ago with a femme fatale playing hide and seek with his suspicions?

The roll up door is raised and the Smut Den breathes in the street air. Billy Watson introduces himself with a charm that is only exceeded by Maggie, his femme fatale. I was tipped off that she’d steal me away with a single look. Maggie is no illusion, she’s the real deal. If I could keep my hands off her, I might learn a little something about internet pornography.

Though Billy’s a one-man show, his editor Doron is a jack of all trades whose presence keeps the work pace running smoothly. Dorons’s theminion.com is part of the Dogfartnetwork, an internet powerhouse of twenty-two sites that explores all avenues of interracial porn. Today Billy is shooting a glory hole scene for dogfart and another boy/girl for his own site, fabulouscash.com. The websites share the studio space with dogfart’s influence its guiding force.

Deron Doing the Editing photo by Bill Knight

Doron doing the editing
Photo by Bill Knight

The physically imposing Doron (food is not foreign to him) tells me he and Billy have been together for a while, having met through the late Chico Wang. Doron’s hand is in much of what the internet world demands of a porn business: twitter updates, MGP movie galleries, and “Behind the Scenes” and trailer links.

When the girls show up, the green screen is first. That’s Doron’s baby. He writes the short script and interviews each featured girl. The green screen is the browsing fan’s intro to what’s available. The girl talks to the camera with brief inserts of her performance shown in the background. If this brief five minutes doesn’t resonate with the paying members, the shoot is a dud. The girl needs a smidgen of acting ability to sell her image because female bodies in porn proliferate. Personality is the linchpin that captures the fan.

We have some time before the first girl arrives. Billy sits down for a few minutes to chat. Maggie is never far away. There’s little doubt she’s the glue that keeps the easygoing atmosphere of the Smut Den amiable to everyone.

Jim Talks Business Photo by Bill Knight

Billy talks business
Photo by Bill Knight

Green Screen

Andy San Dimas checks in for the first shoot. It’s old home week because Andy and I are from the same metro DC community. We have connections through the college where I teach. She was a student there for a time.

A pornoland veteran, Andy San Dimas has perfected the art of sexiness. Doron’s affability says it best, “Seeing Andy is like tempting me to convert to Christianity.” Now that’s power.

Andy Joins the Conversation Photo by Bill Knight

Andy arrives
Photo by Bill Knight

Andy’s quick to the make-up chair. She’s already a bit late and, as they say, time is money. Her male talent in the scene, Big Wire, has been hanging around for a while.

Within minutes Andy heads over to the green screen where Doron, who performed in the industry from 2004-06, has the narrative ready. Andy entices the viewer with a sultry voice that could melt the ice at the Iditarod finish line. With the vaguest hint of sloe-eyed poutiness and a wellspring of pure sexuality, the twenty-seven-year-old is an expert at the art of seduction A tilt of the head here, another with the shoulder there, and the fan is ready to pay to see her play.

Out in Six Months

The Smut Den is has a handful of sets so a seat is never far away. Finding a roomy couch, my photographer Bill and I have a brief time with Billy while Doron takes care of paperwork. Blood tests have to be reviewed before shooting begins and checking off 2257 forms is the bane of the industry. Maggie gets comfortable and Billy alerts me that a single touch will get me in trouble. I remember that Casey Calvert, who loves shooting in the Smut Den, similarly forewarned me. Did Bogart feel this way about his femme fatales?

Billy and I have professorial backgrounds so conversation is easy. He shoots with condoms because it’s the law, he says, but I suspect there is a desire within him to protect the talent. He shares my opinion about age twenty-one, something I originally got from porn historian Bill Margold. Veteran talent like Tara Lynn Foxx, Dana DeArmond, and Bobbi Starr also expressed similar feelings to me.

Billy explains that girls in their late teens are “eager and dumb” and jump into the industry with no preparation. They rarely understand their own sexuality and sex on camera for pay can turn into an emotional and psychological slippery slope. They’re kids having “wacky sex too soon,” Billy says, doing every “crazy fetish” out there. Unfortunately, most are too immature to save their money. Taking in $15,000-$20,000 per month as a new hot product is overwhelming, Billy adds, and many newbies leave the biz having spent it all and then some.

“What’s the average life of a porn girl,” I ask.

“Eighty percent are out in six to seven months,” Billy says.

He mentions the specter of escorting which faces every girl if she shoots over the long haul. The “Porn Star Experience” is a powerful seducer for a sweetie who can get instant cash for minimal amount of effort. Shooting for hours is far more difficult than conversation and a few minutes of sex with a moneyed john.

A Change of Plans

Billy Watson and I compare our minimalist histories of porn watching and admit we knew little about it when we were introduced to the industry. Billy entered by happenstance through a friend who worked affiliate programs, guiding traffic to websites and getting a take from each member. The most common tactic was to steal content or lease it by licensing a DVD, then resell and resell some more. It was fast money early on.

Before the Shooting the Stills Photo by Bill Knight

Chatting about the early days in porn
Photo by Bill Knight

In the late 1990s getting the content was a breeze because the studios regarded the internet as a joke . Copy six scenes from a DVD then “burn them and turn them into digital and put them on your website,” Billy says. That was his friend’s game.

As for Billy, his professional goal was a tenured teaching position and a finished novel under his belt. But that bubble burst, leaving dream residue all over his face. The real money, it turn outs, would be a pop shot all over a girl’s face.

So he joined the internet flood. The goal was a constant money flow. “Keep ‘em happy for thirty days,” Billy explains, and use “an army of affiliates.” He maintained his site and got payment from a membership list that reached into the thousands.

By the mid-2000s the big guys caught on and copying content was more difficult. Original work moved to the front of the queue. Exclusive content was now the show.

Billy leaves his Arizona home where he was shooting amateurs and joins his friend. At the time, cyberspace cinematographers had an unexpected financial perk. The internet was cheaper when it came to hiring the models. Agencies received a grand for the girls on DVD sets; they sent them to internet shoots for thirty percent less.

The recession came and content piracy hurt the porn business in spades. Today it is tougher than ever. “People like ripping us off because we’re the bad guys,” Billy says, “exploiting and raping the girls, doing horrible things to girls. Hence we deserve to be the victims of theft.”

Of course, shooting original material has always led to infringement of some variety and will most likely plague the industry well into the future.

Fortunately today’s paying members support the industry and the models, Billy says. The problem is the “non-paying guys” who believe they have the “right” to get content for free.

In time Billy got into his present studio and dabbled in still photography along with filming. He owns his website and directs for blacksonblondes which generates much of his income. On this Monday afternoon, Andy is doing a glory hole episode. No condoms because Billy has to abide by his boss’s preferences.

Madelyn Monroe will arrive shortly to shoot for Billy’s website and safer sex will be on scene. But first a look at Andy as she gets to down and dirty.

The ever present Maggie watches it all. Like Sam Spade, weakness overcomes me. I touch and it’s cool . . .

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Try Something New

by Rich Moreland, October, 2013

This the final installment of the Bound by Desire series. In order to appreciate its contribution to the new submission pornography genre, all three films should be viewed in their entirety.

BOUNDBYDESIRE3 DVD-f

Bound by Desire: A Property of Love, is the latest in a series of BDSM romances from Smash Pictures. Part of the rising “submission pornography” genre, this film is a cornucopia of bondage in a single sitting.

The lovely and hard bodied Casey Calvert is the film’s anchor. She’s her husband’s collared slave and they have a mutual admiration society, he wants her to have fun and she wants him to play with other sluts.

Strawberries and Wedded Bliss Photo Courtesy of Smash Pictures

Strawberries and Wedded Bliss
Photo Courtesy of Smash Pictures

Enter Casey’s old friend Natasha Nice, a fresh possibility for Casey’s mate (Richie Calhoun) to expand his domming skills.

“You’ll have fun. I want you to try something new,” Casey assures Natasha.

As the film opens, Richie is seducing Natasha over a snack of strawberries. Casey kneels in front of them, offering her back as a human table. There’s a bit of drool leaking around the ball gag in her mouth, very cool. Casey Calvert, an enthusiastic and real life submissive, is at her best at this moment. Her sensual kinkiness will grace the film throughout.

The Table and the Gag. Photo courtesy of Smash Pictures

The Table, the Gag, and the Girl on her Knees
Photo courtesy of Smash Pictures

Everything in this film is mutual and consensual, as BDSM relationships should be. But a newbie requires a little prepping. Casey tells Natasha she and Richie are open minded. She is allowed to have other men if Richie approves. And there’s fairness. Since he “officially collared” her, Richie has abandoned his other subs.

This is marriage, BDSM style.

An uncertain Natasha is interested, but needs convincing. “He beats you and ties you up, and you like it?” she asks to Casey.

It’s all about giving him pleasure, a nonchalant Casey replies. Her satisfaction is in “giving up control.” Casey likes being flogged, the sensation is intoxicating and the sex afterward is “so much more intense.” Natasha’s expression reveals all. She’s stuck in a vanilla groove and the needle needs moving. Her last boyfriend was strictly “missionary,” she laments, and the prospects of something new are enticing.

The Conversation that Convinces Photo Courtesy of Smash Pictures

The Conversation that Convinces
Photo Courtesy of Smash Pictures

But there is a small problem. “Aren’t these the type of things that can end marriages?” Natasha suggests.

Casey reassures her about trust and compliments Natasha’s sexiness, all designed to persuade her buxom friend to be a sub for a day.

So while Casey becomes walk away furniture, Richie invites Natasha to participate in a self-indulgent play scenario over strawberries. The amply endowed French actress is game and so is the viewer.

From there the first sex scene of the movie is ready to go. Natasha Nice is a beauty and submits superbly. There are a string of fetishes offered: spanking, blindfolds, rope, paddles, and a brief flash of suspension. Addressing him as “Sir,” Natasha begs for the sexual  intensity Casey craves.

When Natasha is released from her bonds and the sex moves to the bed, the rope marks on her wrists become that delightful touch BDSMers know well.

Four Women

This film accomplishes its task, show BDSM sex in a way couples and women want to see it and try it. Bound by Desire Three does not play to a particular performer though Casey Calvert carries the movie on her back (pun intended) as she demonstrates in the opening scene. Rather, the film plays to the fetish.

Central to Bound‘s meaning is a look at four women, all representing a different aspect of BDSM.

First there is the romantic couple who block out the rest of the world in their own playroom. Allie Haze is trusting and comfortable with her lover Ryan Driller. In one scene she is suspended, flogged, and nailed from the rear. By far the favorite of BDSM fans in this film, the scene alone is worth the price of the DVD.

Allie and Ryan Photo Courtesy of Smash Pictures

Allie and Ryan
Photo Courtesy of Smash PicturesAllie

Then there is Casey, of course, a slave and the kinkiest of all film’s players. Unlike the other girls, the viewer gets the feeling that if her marriage did end, Casey would find another master.

Next is Natasha, the neophyte who is discovering the fetish. We are convinced she will be a convert. Lastly, there is the older woman dominatrix and younger male sub. Julia Ann and Logan Pierce fill this niche.

Of course, any submission porn film must have a contrasting vanilla scene to give the fetish its meaning. In this case, the beautiful Alexis Ford fulfills that role in a well-shot bedroom scene with Johnny Castle.

Alexis and Johnny Photo Courtesy of Smash Pictures

Alexis and Johnny
Photo Courtesy of Smash Pictures

Ice Cubes and Riding Crops

“I’m kinky and it takes more to get me going, to satisfy me,” Casey says early in the narrative. She’s quite different from the other girls: Allie took her time getting into the fetish and Natasha, who might one day reach that point, is still a bondage rookie.

In the dining room scene, Natasha and Casey are bound spread-eagled at opposite ends of the table, ball gags an added touch. Richie and Johnny will drink a little wine and play with the submissives using ice cubes on nipples and belly along with deftly placed strikes of riding crops.

Two on the Table Photo Courtesy of Smash Pictures

Two on the Table
Photo Courtesy of Smash Pictures

Casey Calvert’s reactions are authentic, not scripted. She arches her back wantonly with each blow, an energy that signals her satisfaction. Natasha is more subdued. This is a vital contrast in the film; it shows the viewer the difference between a true kinkster and a girl just getting started in BDSM and maybe not sure where it will go.

Later when her turn finally comes to show her sexual skills, Casey concludes the film with its hottest sex scene. She’s a screamer and Johnny Castle will accommodate her with deep penetration. Once again Director Jim Powers gives the viewer rope marks on Casey’s ankles and wrists. He lets BDSMers know he understands their fetish and tells vanilla viewers that a few marks are expected and cherished.

The sex scenes in this film are all good. Allie Haze and Casey Calvert standout with their oral skills, Julia Ann is the perfect MILF, Natasha and Alexis are veterans who know how to frame their bodies for the camera.

But it’s the kink that’s the heart of the matter.

A Muse and a Messenger

Going over the Script: Casey, Richie, and Natasha Photo Courtesy of Smash Pictures

Going over the Script: Casey, Richie, and Natasha
Photo Courtesy of Smash Pictures

Good fortune came my way when I had the opportunity to chat with Casey Calvert about making this film. Being a part of the Bound by Desire series was “really a treat” for her.

When I mentioned the submission porn genre, Casey enthusiastically replied, “I loved the opportunity to act out a BDSM fantasy storyline.” She went on to praise the people at Smash for producing “a great series for couples curious about BDSM.”

“As a lifestyler,” Casey added, “I feel honored to be the one to introduce new people to the fetish world.”

In this writer’s view Casey Calvert was the perfect choice for this series. She’s the real deal, a gorgeous kinky performer who doesn’t get enough rough sex and bondage for those who like red marks with their porn. Hopefully, this will change going forward because Casey’s fans want to see her in the perils of bondage having one raging orgasm after another.

She’s the muse and the messenger for the new genre.

The Muse Photo Courtesy of Smash Pictures

The Muse of Submission Porn
Photo Courtesy of Smash Pictures

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Pretty Girl

by Rich Moreland, September, 2013

The Collar Photo Courtesy of Kink.com and Casey Calvert

The Collar on Pretty Girl
Photo Courtesy of Kink.com and Casey Calvert

Kink.com’s The Training of O (TTOO) website is the purview of James Mogul, a kinky director whose personas are flexible and guaranteed to bring out the best in any girl who shoots for him.

In James’ mind, all new girls are to be treated with caution and care. His plan for a performer named Casey Calvert is no different. But in fact, James soon discovers that she is quite different. Casey’s sexual masochism becomes his welcome playground and a carnal delight for TTOO viewers.

In crafting a rewarding experience for her, James takes one of Casey’s self-confessed shortcomings and turns it into a project. Her four days at Kink’s castle in San Francisco will convince this seemingly shy young woman that she is indeed a “pretty girl.”

The first three days are an exploratory journey. On Day One, for example, Casey has clothespins attached over her body while she is bound by wrist and ankle. James rips them away one at a time while Casey’s grimaces accentuate her sensual gratification. The trials continue for two more days; arduous tasks intermittently complimented with penetrative sex.

By Day Four, many girls who shoot for TTOO are running on vapors, but not Casey.

Admitting that shooting for James is rigorous—“TTOO is physically very hard,” Casey tells me—she was still energized in Day Four and disappointed when she was finished. “I was really sad to have to go home,” she says.

James’s design for Casey is slave training while wearing a corset. From what I know of Casey, she is thrilled, but this is a walk in the park for her. He laces one snugly on her, attaches a leash around her neck and has her parade in circles while wearing heels. A few things are going on here. Casey’s heels are a bit of style and glamor and the corset keeps her upright. The scene is reminiscent of pony girl training in which posture is the centerpiece of a girl’s task. Casey is learning to straighten her back while being disciplined in the manner of a horse controlled with reins. She loves it.

The Corset on the First Day Photo Courtesy of Kink.com and Casey Calvert

The Corset on the First Day
Photo Courtesy of Kink.com and Casey Calvert

For TTOO shoots, James gets to know the model early on then configures the rest of the days to challenge what the girl wants to accomplish. In his mission to convince Casey she is “pretty,” James works on her command of her physical presence. It’s his teacher persona and it works.

Casey admits that calling herself a “pretty girl” is “starting to get in my head.” And the corset is doing its job. “My posture is better,” she comments proudly.

Watching Casey Calvert in this setting recalls Victorian erotica in which disciplined girls are outfitted in period clothing. A cane on her backside would complete the image of traditional British spanking; shortly, James will do just that.

All Collars Must Be Earned

As the days progress, Casey Calvert admits that she has a “hard time doing something that is so easy for me.” Pony girl training looks nice for the fans, but doesn’t challenge this gorgeous brunette. James takes note; a goal accomplished with little effort has no value placed upon it.

The Tank Photo Courtesy of Kink.com and Casey Calvert

The Tank
Photo Courtesy of Kink.com and Casey Calvert

On Day Three Casey orgasms while her face is submerged in a tank of water and she is penetrated from the rear. She later concedes it is difficult to climax in a scary situation. “Too much mental stimuli,” she says.

For James Mogul, this is progress.

Though the numbers may be hard to believe, Casey Calvert is an orgasm machine. During the debriefing at the end of Day Four, she and James estimate that over her week of discipline, she had seventy. Of course, it doesn’t hurt that James is adept at finding her G-spot.

The self-proclaimed pain slut confesses that orgasms were lovingly forced out of her. Never fear, for Casey that’s a cracking good deal, part of her definition of what it means to be kinky. The combination of pain from the training and hard sexual penetration will “make me cum even if I don’t want to,” she says.

The Bench Photo Courtesy of Kink.com and Casey Calvert

The Bench
Photo Courtesy of Kink.com and Casey Calvert

Tied over a spanking bench, Casey’s bottom is struck repeatedly by the strap James uses to generate the stinging sensations she relishes in a fetish booking. The Hitachi Magic Wand is laboring as her moans increase with the intensity of each succeeding blow. Ouches are now “ows”. Eventually, painful murmurs morph into screams. James keeps up his interrogation, demanding answers about wearing a collar and the feel of vibrators.

The conflation of pain, the vibrator and the mental exercises defines being trained by James Mogul.

Casey’s mantra on this final day is “All collars must be earned.” She repeats it after each application of the leather. The speed increases.

Casey wails, then partial silence, before a constant low level of guttural sound returns. Her face is focused on some faraway place; her eyes begin to dim, hanging straight forward. The whole body shudders, she whimpers limply, another long and laborious moment of glee only a highly sexualized woman can appreciate.

James takes the collar from her hands, where it has been since the beginning of the scene, and places it around her neck.

“Thank you, Sir,” she mutters almost incoherently.

“Pretty” Stuff

After a break, the camera rolls again. Casey is standing before James, her image complete in corset, heels, and now the collar. The director assumes his drill sergeant persona, taking his slave through boot camp instructions. She is exercised to improve her stamina.

No problem for Casey because she’s an athlete having been a gymnast as a kid and later a rock climber in college. The drill instructor demands push-ups, running in place and jumping jacks. Later, Casey kneels on a platform while James’ riding crop reddens her bottom.

Casey’s amused expression is that of a little girl secretly watching her bossy older sister do the dirty deed with her punkish boyfriend. Wait until Mom finds out about this! James orders Casey to “wipe that smirk” off her face.

As Casey places her head on the floor, James presses a boot on her cheek, a not unusual maneuver for him in these kinds of shoots. Spanking has led her to this moment and shortly she licks his boots in total submission. The kinky Floridian has another orgasm. Surprised? Don’t be, this is Casey Calvert at her best.

The shoot continues with oral, vaginal, and anal sex supplied by her co-star, Owen Gray. Everything is complimented with the cane or the riding crop. Casey is tired, but bright-eyed, when all is finished.

James wants her overall impression of the shoot when the debriefing begins. Kink.com always concludes its shoots with a conversation between the performer and the director.

“I had a great time,” she says, “It was fun.” She is momentarily spent, however, mentioning that her legs, arms and shoulders are sore.

“How do you feel mentally,” James wants to know.

“Great! Happy!” She is beaming.

Casey admits she orgasms repeatedly when she can’t breathe and can’t think. She relates some scary moments: all part of her personal kink. Best of all, Casey athleticism is tested in the shoot. She compliments James on the work he made her do. “Endurance challenges,” she calls them.

Asked if there was anything she didn’t like, Casey says no. “I’m happy with everything we did,” she says.

“What did you learn,” the professor/drill instructor asks.

“We got some of the ‘pretty’ stuff in my head.” With a broad smile, she adds, “which is good.” Absolutely. Casey Calvert herself is very, very, pretty stuff. A BDSM dream girl.

Pretty Girl in a Favorite Pose Photo Courtesy of SouthBound

Pretty Girl in a Favorite Position with Slave Collar Dangling
Photo Courtesy of SouthBound

*        *        *        *        *

Knowing Kink.com’s preferences in scripting its shoots, I ask Casey to reflect on her first TTOO experience.

James started her off slowly, she says, because the veteran director did not have a true indication of her level of kinkiness.

“He knew I had experience, but he didn’t know how much,” she tells me. As is his custom, James was willing to press a bit harder as each day led to the next, so the week was fun for her. Once James perceived her love of masochistic sex, “he started pushing all the right buttons,” Casey explains.

Both dom and sub learned from each other . . . and a bond emerged between Casey Calvert and James Mogul.

He is a true professional and “extraordinarily respectful,” Casey says of the TTOO director. She praises his caution when approaching newbies and his thorough understanding of the BDSM scene. BDSM play, especially for the bottom, must have clear limits and be closely guided because giving up all control (at least in theory) is the liberating experience of a bondage scene.

“James has earned my trust,” Casey remarks, and “trust is the difference” when BDSM is your fetish.

~~~~~~~~~~~~~~~~~~~~

In discussing this shoot with Casey, she assured me that at no time did she ever feel out of control or lack complete awareness of what was happening. She is a professional model who takes pride in the scenes she does for the studios that hire her. Though mystifying for many, it is her art.

The same can be said of James Mogul. The models who have worked with James tell me he is authentic and guides a performer with professionalism and care. He provides the palette of colors a girl chooses to reach her bliss.

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Eyes Wide: Another Day at Work

by Rich Moreland, September, 2013

Many months ago I was chatting with a veteran performer about Kink.com. A regular at the San Francisco facility, she mentioned that shooting there can take a lot out of a model. Kink.com is the premier BDSM porn company. Its websites define what it means to be kinky and performers quickly discover how psychologically and physically demanding a Kink shoot is. Some respond with reticence and prefer to go home after a single booking. Others consider the Castle an always welcome diversion from vanilla porn.

It boils down to the model’s soul.

Our conversation turned to a handful of new girls, “up and comers” the mid-thirties vet called them, who are experimenting with the Kink brand and seizing the company’s sexual fetishes as their personal fun house. Offering an example, she described the rigors of a Bound Gang Bangs shoot and how these young porn honeys are taking it all in stride. One name popped up, Floridian-turned-West Coaster Casey Calvert. I resolved then and there I was going to find out if this BDSM sweetie is the real deal.

Immediately upon seeing Casey Calvert on film, her eyes captured my attention. The eyes are the gateway to the soul and hers are bound, gagged and begging with a seduction that is irresistible.

Eyes Wide. Passion and Submission Photo Courtesy of David Hilton Photography and Casey Calvert

Eyes Wide. Passion and Submission.
Photo Courtesy of David Hilton Photography and Casey Calvert

When I finally made contact with Casey Calvert, she turned out to be receptive (not all models are, trust me). Our views and opinions immediately meshed. Among our topics, she discussed the authenticity of her version of kinky sex, mentioning Bound Gang Bangs among her Kink shoots.

Here are some of her thoughts.

Fantasizing

“It (the Bound Gang Bangs website) doesn’t actually exist anymore,” Casey began, because problems arose. “Finding girls willing to be bound and gangbanged” is difficult, she explained, putting to rest the theory that there are a slew of girls out there who can handle porn’s rougher edges. Also, there were some concerns “surrounding consent and the censors.” Ropes, perceived abuse, and explicit sex don’t always sit well with the entirety of the public mind, though the combination may be a blast for a performer like Casey Calvert who knows what she wants.

Incidentally, the site was renamed Hardcore Gangbangs, but a name change didn’t phase Casey. “I wanted to be bound with rope,” she said in a clearly disappointed tone, but that wasn’t possible for this revised version. So the Kink people, led by veteran director Princess Donna, decided on a different approach with Casey’s shoot.

The scene was set up to show me “fantasizing about being kidnapped and gangbanged,” Casey said. Undeterred by the theme change, she requested a cattle prod be used on her during the shoot. “I’m one of the few girls that really likes them,” she told me.

Casey is a pain lover who adores hard time punishment in a BDSM scene.

As the shoot progressed, the male co-stars got “a little reckless” with the instrument. Not really a problem, though, more like “boys being ignorant,” she commented. Nevertheless, Donna took a time out before the twenty-three year old had to use her safeword. Donna is a professional BDSM dominatrix who bottoms occasionally just to keep in touch with what her eager minions feel when she is in charge. Knowing what kinky sex entails, Donna never abandons the Kink ideal that the performer always comes first.

Casey praised Princess Donna, as have other performers I’ve interviewed. “Donna does an excellent job of understanding what a girl needs to feel safe in scene,” Casey said. Others “rave about how she (Donna) takes care of them like a mother would and I second that statement.”

Monitoring a Casey Calvert scene is a challenge for any director because sometimes Casey “wants to be pushed,” both “physically and mentally.” That’s a huge demand on a director, especially if Casey slips into subspace, a not always desirable outcome in a professional shoot. In listening to her, I got hints that Casey can top from the bottom if she sees the need to keep things from spiraling in the wrong direction.

Shamelessly Sexy

A Kink shoot emphasizes RACK: risk aware consensual kink. It’s Kink.com’s bread and butter and Casey looks for the thrills that emerge from it. Everything that happens to her is totally her call, but a bit of disappointment can creep in.

“At my gangbang, even though it was supposed to be a D/s (Dominance/submission) scenario, I never once felt out of control.”

But was that what she wanted, to have her consent tossed around like a rag doll? A follow up question clarified her meaning.

On the set, Casey doesn’t want her awareness to get completely away from her because the possibility of entering subspace can have dire consequences as mentioned above. Keeping things in perspective and being a professional is her mantra. At home, this is not always how the scene plays out, but that is a topic for another day.

I have a a lot more to learn about this girl, though one thing hit me the first time I saw Casey’s image on film. Her brown eyes, submissive, persuasive, and alluring, are her ticket to true porn stardom. I don’t just mean a “porn star.” Any girl who is hired by a cinematographer to screw on film can claim that title. Casey is sensuous and animated in ways that remind me of the great Hollywood icons of yesteryear.

This well-educated Florida girl has a special claim. She is a true sexual masochist cut in the mold of BDSM legend Madison Young. For those who are into the fetish and recognize their inner most feelings of dominance and sadism, gazing at a Casey Calvert performance redefines porn as art. She’s highly charged, energetic, prohibitively and shamelessly sexy, and loves to be restrained.

If her eyes are covered in the best of BDSM shooting, her submissiveness is heightened, not blinded. Though the doorway to her masochism is visually muted, Casey Calvert’s enticing vulnerability over whelms the screen.

A Blindfold on a Kink set. Photo Courtesy of Device Bondage.com and Casey Calvert

Eyes Muted.
Photo Courtesy of Device Bondage.com and Casey Calvert

Yet is this girl ever satisfied in her longings for the ultimate BDSM shoot?

Casey’s final assessment of her day in at the Castle was to the point. She enjoyed her experience, but in an imperfect world, nothing is ever exactly what it’s cut out to be.

“To be honest,” Casey said, “I was actually disappointed.” She never got to the tipping point of losing herself in the moment of the shoot, a delicate balance of reality and imagination. “I really wanted this to be a fantasy fulfillment, and it was just another day at work pretending.”

It was not the ultimate kinky shoot, spurring Casey’s never ending search for that Holy Grail.

We’ve all pretended a little at work, I’m sure, but how many of us can say that a workday has ever been a fantasy? Lucky girl.

*          *          *          *          *

Casey Calvert is in a business that touches her deepest sensuality and allows her to reach heights most of us can only imagine. By entertaining her fans, she finds a personal pleasure that makes work enjoyable. A consummate professional who demands perfection in herself, Casey travels her own path with the powerful compass of a thinking woman.

As long as her body holds out, Casey Calvert has the opportunity to test her limits and shape them for herself. She’s the very essence of the new breed my veteran acquaintance so aptly described at Kink.

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Strappado

by Rich Moreland, August, 2013

Photo Courtesy of CapturedErotica

Photo Courtesy of CapturedErotica

She is in strappado at the mercy of an unseen, but all seeing, Master. Dripping with primal sexuality, her exquisite image kneels in the day’s fading warmth. The collective fluid of her lovers washes ashore with each orgasmic wave and pools with hers in the fantasy sands of desire. She pays homage to them, her Master, and the Sacred Feminine, the nurturer of mankind.

All imagined phalluses point toward her in admiration and need.

Yet, she is not what she seems because the submissive is spiritually the dominant. The desire for her yields any control over her. The Master is her lover because she allows it, wants it, and lets him do as he pleases.

Is it a charade, this worship of the captured woman, or an elusive adolescent fantasy that teases the ego?

Whatever ethereal visions swirl in the mind to unravel these questions, the truth is uncomplicated. A simple “no” vanquishes and evaporates all images. The art will vanish and the soul is crushed.

This beautiful photo came to me courtesy of Casey Calvert, bondage model, sexual masochist, and rising adult film star. In the weeks to come, I hope to introduce her to you so that you can animate her exquisite image seen here and take a peek at the woman who lay within the model.

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